Abstract

CHEVALLIER, Jean-Frédéric. How to Pass from One Image to Another? What for? [8 Points on Godard's Montage Strategy]. Pensam. palabra obra [online]. 2019, n.22, pp.74-87.  Epub Mar 26, 2020. ISSN 2011-804X.

In Jean-Luc Godard's films, there are no apparent links, neither logical-narrative nor sensory-motor ones, between an image and another. However, in the passage from one image to another, something happens, strong and accurate: a flow of life. How does Jean-Luc Godard manage do achieve this? What for? To these two questions, Gilles Deleuze provides elements of answer. It is about, explains the French philosopher, combining images in such a way that the quality of the difference between one and another produces a third element - a dynamic similar, Jean-Frédéric Chevallier completes, to what generates the encounter, in the mouth, between a particular wine and a particular cheese: a third flavour -. And, Deleuze adds, it is precisely this experience of a creative link bringing up something unexpected that give faith in the contemporary world. The aesthetic effect of a Jean-Luc Godard's film is to awaken in the viewers the desire to weave relationships between differences - and the joy of doing so.

Keywords : aesthetic; cinema; relation; in-between; image; flavor.

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