Abstract

SALCEDO FIDALGO, Diego. The blind stroke. Hallazgos [online]. 2015, vol.12, n.23, pp.19-29. ISSN 1794-3841.  https://doi.org/10.15332/s1794-3841.2015.0023.001.

This article intends to place and determine the subjectivity manifested in the artistic works of Lorenzo Jaramillo (1955-1992). Specifically, his final work the lying men (1987-1990). The subjectivity in this study is referred to a veiled tension that exists between his artistic production and the reception. It is then about putting into play the questions on conventional interpretations of the history of Colombian art and open a field of reflective contingency on subjectivity, significant gap in the theories and concepts in the local context. For this, I use the text Mémoires d'aveugle, l'autoportrait et autres ruines by Jacques Derrida because it opens the perspective look that adjusts to an aesthetic thinking of the image but that establish a potential story, a dialogue through key concepts that appears in his text regarding subjectivity, namely: Identity, otherness, alterity and image.

Keywords : Subjectivity; image; nude; blindness.

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