SciELO - Scientific Electronic Library Online

 
vol.27 número1Estanflación y crecimiento del área urbana en 2012. Oferta del suelo en el Gran San JuanGobernanza territorial y los Planes de Ordenamiento Territorial: el caso de la provincia de Mendoza, Argentina índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

Links relacionados

  • En proceso de indezaciónCitado por Google
  • No hay articulos similaresSimilares en SciELO
  • En proceso de indezaciónSimilares en Google

Compartir


Bitácora Urbano Territorial

versión impresa ISSN 0124-7913

Resumen

GIANNOTTI, Emanuel  y  MONDRAGON-LOPEZ, Hugo. The instability of the form. Low-income housing projects in Santiago de Chile, 1953-1970. Bitácora Urbano Territorial [online]. 2017, vol.27, n.1, pp.35-46. ISSN 0124-7913.  https://doi.org/10.15446/bitacora.v27n1.42910.

The projects of Archigram, the Japanese Metabolists and Team X seem to have nothing to do with the social housing programmes that were developed in Chile during the active period of the Corporación de la Vivienda (19531976). Although the first projects have been explained based on the relationship between art and architecture, the low-income housing problem has been mainly addressed as a political, technical, social or economic issue. However, there is common ground between these two different proposals: the idea that there is a dimension of form that can be projected and stabilized and another dimension of form that cannot be projected and stabilized, which is left to be practiced, managed and decided by its users. This paper proposes a critical reading of some Chilean housing programmes for low-income sectors, such as the Erradicaciones and Operación Sitio.

Palabras clave : Housing; Erradicaciones; Operación Sitio; urban infomality; low-income neighbourhoods.

        · resumen en Español | Portugués     · texto en Español     · Español ( pdf )

 

Creative Commons License Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons