Introduction:

Pansori is a traditional Korean dramatic art form, which likely appeared in the mid-eighteenth century in the southern region of Korea. In pansori there is a strong inclination toward preserving tradition, especially in regard to training, which is generally considered particularly demanding in terms of risks to vocal health. Nevertheless -as highlighted by recent studies- some innovations took place in pansori characteristics and performances in the last few decades.

Objective:

We hypothesize that these innovations have impacted the attitudes of singers and teachers towards pansori training and vocal health issues, and that a new approach to voice training in pansori might be recommended.

Method:

Starting with recent evolutions of pansori and considering previous studies, we discuss how these changes might produce innovations -or at least a demand for innovation- in pansori’s training. We also try to capture the viewpoint of pansori students and performers, through an anonymous survey.

Results:

Although further investigation is required, the results suggest that a new approach in teaching pansori is emerging and it is increasingly requested by the trainee performers, despite some criticisms from traditionalists.

Conclusion:

Unlike previously thought, perhaps a more scientific and health-conscious approach to pansori voice training will be something from which many pansori singers can benefit.

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