Resumo

ARRANZ MINGUEZ, Conrado J.  e  MENDEZ LOPEZ, Nancy F.. Omitted speech and literary speech in Río Escondido: visual and literary approach, and the issue of script's authorship. La Palabra [online]. 2022, n.43, pp.20-47.  Epub 26-Abr-2022. ISSN 0121-8530.  https://doi.org/10.19053/01218530.n43.2022.13749.

The aim of this work is to establish the significance of the film Río Escondido's script. Consequently, it is evident that in this film the role of the author is different since its script is a collective, polyphonic, and convergent work. In such a way, it is analyzed the History's documents in connection to the story from the script as a semiotic approach that allows the transfer from text to screen. By this way, the analysis is focused on the relevance of the script's literariness which is supressed in the film and might implies a controversy in between the writer and the director. It is concluded, in this approach, the importance of the literary analysis in the Mexican film industry, far away from mercantilization and stated cliches.

Palavras-chave : cinematographic semiotic; golden age; literary script; Mauricio Magdaleno; Mexican cinema; Río Escondido.

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