SciELO - Scientific Electronic Library Online

 
vol.50 número1El debate entre la imagen de horror y la representación del dolor. Reflexiones en torno a las creaciones artísticas dentro de los museos de memoria en América LatinaIn memoriam: las reparaciones simbólicas exigidas por la Corte Interamericana de Derechos Humanos y el impacto de las instituciones internacionales en la memoria Colectiva índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

Links relacionados

  • En proceso de indezaciónCitado por Google
  • No hay articulos similaresSimilares en SciELO
  • En proceso de indezaciónSimilares en Google

Compartir


Anuario Colombiano de Historia Social y de la Cultura

versión impresa ISSN 0120-2456

Resumen

MEJIA JEREZ, ANDREA  y  ACEVEDO TARAZONA, ÁLVARO. Cultural Trauma in the Casa de la Memoria y los Derechos Humanos de las Mujeres (CMDHM) in Barrancabermeja, Colombia. Anu. colomb. hist. soc. cult. [online]. 2023, vol.50, n.1, pp.199-226.  Epub 27-Feb-2024. ISSN 0120-2456.  https://doi.org/10.15446/achsc.v50n1.100482.

Objective:

This article analyzes the role of La Casa de la Memoria y los Derechos Humanos de las Mujeres (cmdhm) in the process of remembering the cultural trauma of the armed conflict in the Magdalena Medio region.

Methodology:

This exploratory and descriptive research conducts qualitative analysis and uses semi-structured interviews with creators, guardians, and visitors to the museum, as well as a focal group with creators and participant observation through tours of the site as methods of data collection.

Originality:

The article shows that the role of the museum in the production of cultural trauma is activated by the senses of the creators, the guides, and the audiences. It understands the place of memory as a cultural product where diverse meanings of the armed conflict dialogue as a living trauma in permanent collective construction.

Conclusions:

The role played by the museum is the construction of diverse meanings about the trauma of the armed conflict, which due to its historical and geographical magnitude marked the individual and collective history of Colombian society. The particularity of exposing a collective sense of trauma from the perspective of women invites to dialogue with the experience of the visit, the assignment of meanings to the objects, and the construction of one’s own sense of the armed conflict.

Palabras clave : Barrancabermeja; Colombia; cultural trauma; memory; museum; women.

        · resumen en Español | Portugués     · texto en Español     · Español ( pdf )