SciELO - Scientific Electronic Library Online

 
 número37Sofística, retórica y filosofíaLa recepción del concepto de creatio ex nihilo Eriugeniano en las historias de la filosofía de Brucker, Tennemann y Rixner índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

Links relacionados

  • En proceso de indezaciónCitado por Google
  • No hay articulos similaresSimilares en SciELO
  • En proceso de indezaciónSimilares en Google

Compartir


Praxis Filosófica

versión impresa ISSN 0120-4688

Resumen

ARCELLA, Luciano. Apollo and Dionysius: the music of the gods. Prax. filos. [online]. 2013, n.37, pp.95-125. ISSN 0120-4688.

Through this essay the Author suggests that the category "apollonic" developed by Nietzsche is heir of the traditional vision of a serene Greece outlined by Winckelmann. The historian of art, who inferred this character from plastic art as interpretation of the essence of that culture (on the contrary Nietzsche inferred it from music). Nevertheless Apollo, like Dionysus, produced possession and was characterized for his violent and lethal essence. The only variance was the kind of adorcism, produced through different rhythms and instruments, which generated different forms of wisdom. Was basically epistemic the Apollo wisdom, sensory that of Dionysus

Palabras clave : Apollo; Dionysius; possession; rhythm.

        · resumen en Español     · texto en Español     · Español ( pdf )