SciELO - Scientific Electronic Library Online

 
vol.34 issue67Transmedia Narrative as an Experience of Collective Intelligence Simulation. The case of Atrapados (Trapped)Characterization of the Media and Public Agendas in the Cuban Provinces between 2011 and 2014: the Case of Santiago de Cuba author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

Article

Indicators

Related links

  • On index processCited by Google
  • Have no similar articlesSimilars in SciELO
  • On index processSimilars in Google

Share


Signo y Pensamiento

Print version ISSN 0120-4823

Abstract

MATEOS-PEREZ, Javier  and  CABEZA SAN DEOGRACIAS, José. The Cinema During the First Spanish TV Competition (1990-1994). The TV Programming Cornerstone. Signo pensam. [online]. 2015, vol.34, n.67, pp.76-92. ISSN 0120-4823.  http://dx.doi.org/10.11144/Javeriana.syp34-67.cdf.

The present research analyses film programming on television broadcast during the initiation and early development of nationwide television competition (1990-1994). For this purpose, it takes into account programming on public television as well as private broadcasters and pay-TV operators. It thus focuses on the feature films broadcast in that period: genre, nationality, insertion into the TV grid; programmed cycles and the most representative film programmes in order to observe its evolution, contents, characteristics and its relation to the competition. To address such variables a database has been developed, which contains 7,990 records, to classify and assess the programming offer. The results allow us to observe that cinema was the cornerstone of programming at the outset of television competition. The evidence shows that television programming chased ratings without bringing the public closer to quality broadcasting.

Keywords : television; cinema; film programming television; private television; Spain.

        · abstract in Spanish | Portuguese     · text in Spanish     · Spanish ( pdf )