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 issue76MONOMORPHEMIC INANIMATE AND ANIMATE NOUNS IN SAN PEDRO MIXTEPEC ZAPOTECENCOUNTER OF WORDS: LITERARY ANALYSIS OF THE STORY SOBRE LAS PLUMAS DEL PAVO, BY AGUSTIN MONSREAL author indexsubject indexarticles search
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Lingüística y Literatura

Print version ISSN 0120-5587

Abstract

GARCIA MEZA, Norma Esther  and  DOMINGUEZ CUENCA, Daniel. THREE GLANCES OVER ZAPOTLÁN: YÁÑEZ, RULFO AND ARREOLA. Linguist.lit. [online]. 2019, n.76, pp.125-139. ISSN 0120-5587.  https://doi.org/10.17533/udea.lyl.n76a06.

Juan José Arreola was characterized by establishing dialogical links with authors belonging to his tradition and with those of previous literary traditions. One of these links was built with what was said by two other Jaliscan writers, on an endearing and decisive territory in his conformation as an artist: Zapotlán. Both in 1963 book La feria and in 1971 book Tres días y un cenicero, he offered an artistic look at that space, which condenses two others: that of Agustín Yáñez, from 1947, and that of Juan Rulfo, from 1953. This article seeks to identify the senses that unite these glances.

Keywords : Glance; Zapotlán; Yáñez; Rulfo; Arreola; Memory.

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