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 issue39  suppl.1CULTURE AND WAR: THE SINDAGUA OF LAKE PIUSBÍ (THUNDER) AT THE BEGINNING OF THE SEVENTEENTH CENTURY...AND THEY ALL ROBBED THEIR FELLOW CITIZENS: THE CRIME OF CONTRABAND IN NINETEENTH CENTURY COLOMBIA author indexsubject indexarticles search
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Historia Crítica

Print version ISSN 0121-1617

Abstract

BORJA GOMEZ, Jaime Humberto. PURGATORIOS Y JUICIOS FINALES: LAS DEVOCIONES Y LA MÍSTICA DEL CORAZÓN EN EL REINO DE NUEVA GRANADAPURGATORIES AND FINAL JUDGMENTS: DEVOTIONS AND THE MYSTIQUE OF THE HEART IN THE NEW KINGDOM OF GRANADA. hist.crit. [online]. 2009, n.39, suppl.1, pp.80-100. ISSN 0121-1617.

Purgatories have traditionally been associated with a culture of fear. While there was not much painting on this subject in the New Kingdom of Granada, what did exist exhibited a complex theology that tried to show purgatories as a representation of the social body. One of the characteristics of these purgatories, and of other elements of the Four Last Things, like the Last Judgement, were their relationship with the Mystique of the Heart, one of the most widely-spread devotional themes during the colonial period. The mystical writing of nuns, edifying literature, sermons, and poetry dealt with a spirituality centered in the contemplation of the heart and elements stemming from it, such as blood. From these we can identify traits specifc to colonial-era devotions. This article focuses on the interaction between written and visual images to identify characteristics central to these colonial cultural practices.

Keywords : Purgatory; Mystique; New Kingdom of Granada; Painting.

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