Resumo

AYRAM, Carlos. Painted Poetry, Poetry by the Meter. The Visual Vanguard in Poémes Peintre (1922) by Vicente Huidobro and 5 Meters of Poems (1927) by Carlos Oquendo de Amat. La Palabra [online]. 2020, n.37, pp.57-73.  Epub 21-Nov-2020. ISSN 0121-8530.  https://doi.org/10.19053/01218530.n37.2020.9490.

In this article, examines the exhibition and construction of some of the Painted Poems that Vicente Huidobro exhibited in Paris, in 1922, a fact that marks the provocative relationship between poetry and painting throughout his art exhibition. On the other hand, the production of poetry is explored as a dynamic and mobile aesthetic object in 5 metros de poemas by Carlos Oquendo de Amat. With the analysis of this poetic production I propose to establish a comparison between the poems "Paisaje" by Huidobro, and "Film del paisaje" by Oquendo de Amat, to point out how the need for design and the graphic-spatial dimension of the poems marked the avant-garde spirit in Latin America, while at the same time leading the poets to conceive poetry as a material and aesthetic production beyond the traditional support and format of the book.

Palavras-chave : Acentric Poem; Avant Garde; Carlos Oquendo de Amat; Painted Poem; Vicente Huidobro.

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