Resumo

HOLGUIN TOVAR, Pilar Jovanna  e  AVILA VASQUEZ, Manuel Oswaldo. About Hermeneutics Origin, History and its Relationship with Art and Music. Eidos [online]. 2021, n.36, pp.287-315.  Epub 14-Maio-2022. ISSN 1692-8857.  https://doi.org/10.14482/eidos.36.121.68.

Our goal is to explain the history of Hermeneutics from its mythical origins to the way in which it was received in the field of music, as a method of analysis, in order to reveal the content and meaning of the works. The different areas assigned to the term Hermeneutics in philosophy and the arts will be discussed. To carry out these considerations, in the first part, the mythical origin, a succinct history of the term is introduced, and the bridge established by H-G Gadamer between Hermeneu-tics and art, is presented. In the second part of the text, the conformation of musical Hermeneutics, its development in the field of music through musical analysis and its purposes, is shown. Finally, the meeting points of the differences between the position assumed by philosophy, philosophical hermeneutics, and that adopted in the field of music, are stated.

Palavras-chave : hermeneutics; comprehension; interpretation; content and music meaning.

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