Abstract

RODRIGUEZ AREVALO, Diego Mauricio. Cinematographic montage and memory. Hallazgos [online]. 2024, vol.21, n.41, pp.107-121.  Epub Jan 30, 2024. ISSN 1794-3841.  https://doi.org/10.15332/2422409x.9549.

The method developed by Sergei Eisenstein, through which he manages to chain and give meaning to a series of cinematographic shots, reveals the importance of editing, as it allows us to reveal sensations and affectations, that is, a pathos that refers to interests. vitals, fears, desires and nostalgia from different places and times that burst forth in a dazzling way in the form of an image. In terms of memory, there is similarly a montage of images, through which the past is represented. Therefore, this article develops some reflections about the film Battleship Potemkin, and at the same time raises the possibility of transferring a series of characteristics of the Eisenstenian montage to memory processes.

Keywords : memory; montage; cinema.

        · abstract in Spanish | Portuguese     · text in Spanish     · Spanish ( pdf )