Resumo

GUICHOT-MUNOZ, Elena. Cinematographic Interpretations of Cinco metros de poemas: An Intermedia Approach on the Work of Carlos Oquendo de Amat. Co-herencia [online]. 2020, vol.17, n.33, pp.227-247. ISSN 1794-5887.  https://doi.org/10.17230/co-herencia.17.33.8.

Humanistic research acquires a new nuance in the analyses that involve languages from different artistic disciplines. Therefore, in this article, an intermedia analytical approach to the work Cinco metros de poemas by Carlos Oquendo de Amat is aimed at, starting from the movie strategies found in his poems, extracted from the semiology of the cinematographic discourse. This analytical point sheds light on the complex virtuosity of his work, applying the theories of camera movement and production in his poems. Thus, it is observed how the author achieves a combination of the Aesthetics of Jean Epstein and the techniques of an abstract movie, with deep hermeneutics about the evolution of time. With artistry similar to the harmonic production in the work of Eisenstein, this work is successful in involving the “spectator” intellectually and emotionally thanks to the complex staging of its five meters of poems.

Palavras-chave : Oquendo de Amat; poetry; movies; intermedia; Latin American literature; montage..

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