Abstract

HOYOS, LUZ ADRIANA. Roses and thorns. Representations of the women in the colombian art 1868-1910. CS [online]. 2015, n.17, pp.83-107. ISSN 2011-0324.  https://doi.org/10.18046/recs.i17.1970.

This article presents the principal expositions and conclusions of the investigation " Women invisible Visibles/Mujeres. Representations of the women in the Colombian art 1868-1910". The analysis of paintings, drawings and lithographic series of pictures of customs during the select period shows how the representations of the women were legitimized by models differentiated for the different social sectors. The used methodology is own of the Cultural History that studies the representations and the diffusion and traffic of the cultural productions. The used methodology is own of the Cultural History that studies the representations and the diffusion and traffic of the cultural productions. Since categories of analysis used Pierre Bordieu's concepts: Field, Distinction and Habitus that were applied specifically to the studied epoch and allowed to determine the influence that the elites had so much in the production of the works of art, since in the creation of practices that, associated with the manuals and with the press dedicated to the women they defined forms of behavior that attributed characteristic moral and Christian specific these. The study concludes how a great part of the feminine selected portraits was defined by them a model idealized of woman who added to the strategies of diffusion established by the groups of elite.

Keywords : Representation; habitus; distinction; Cultural History.

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