Resumo

BRIGARD, Carmen Elvira. Theory into practice. A Contemporary Artist. Approaches a repertoire from the XII century. Pensam. palabra obra [online]. 2018, n.19, pp.114-125. ISSN 2011-804X.

When I became a student of the M A in Ritual Chant and Song at the Irish World Academy of Music and Dance (2015-2016) I did not have any previous formal music education or any academic Gregorian chant background. Therefore, I offer here a description of the experience that reveals the moments when I started to embody and recognize through practice the basic modal elements of western chant. The paper begins with a literature review that informs the reader about Hildegard von Bingen's life, her theology of music and her cycle of songs, Symphonia armonie celestium revelatorium. Then, I depict the auto ethnographic exploration of understanding theory through practice and, finally, I present my conclusions.

Palavras-chave : Auto ethnography; practice-based research; Hildegard Von Bingen; lchant.

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