Abstract

ROJAS-GOMEZ, Miguel  and  DIAZ-SALAS, Sonia. The Musical Artistic Fact and Its Multidimensional Nature. Pensam. palabra obra [online]. 2019, n.21, pp.10-25.  Epub Mar 24, 2020. ISSN 2011-804X.

The concept of artistic fact as an analytical and heuristic category has not been discussed a lot, and much less systematized; in response to this research deficit, a theorization and explanation is made of the relationship between subjectivity/objectivity/subjectivity based on creation, communication, and the co-creator reception-participant. Based on this, a critical evaluation balance is made of the main contemporary and current theories about the musical fact, with particular emphasis on those that reduce it to the tripartite analysis of the poietic, neutral and esthesic levels. Other criteria that seek to overcome semantic tripartition with a totalizing, integral or dialectical approach are also analyzed, also placing the number of levels, areas or dimensions, which is a contradiction in the terms to characterize musical creation, which due to its cultural and artistic nature, constitutes an open work. Thus, the conception of the musical fact is extended beyond the semantic dimension with emphasis on the axiological, the ethno-cultural and the didactic-pedagogical dimensions without exhausting them, since the musical fact, as the concretion of an open work, is multidimensional.

Keywords : musical artistic fact; objectification; subjectivation; poetics; catharsis; aisthesis; axiology; sociology.

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