Resumen

CARDENAS-PEREZ, Ramón Esteban; GODOY-URIBE, Gustavo Modesto  y  FIGUEROA-GUTIERREZ, Eugenio Enrique. Aerial Image as a Pictorial Representation of the Topographic Photointerpretation of the Province of Bíobío. Pensam. palabra obra [online]. 2019, n.21, pp.124-141.  Epub 24-Mar-2020. ISSN 2011-804X.

The contemporary manifestations of Visual Arts suggest a broad language of communication between the creator, the process, the created work, and the spectator. They define the understanding of reality on the basis of aesthetic, symbolic and ideological stereotypes about the mechanisms that model the construction of beliefs related to the discourse of performances and installations, new technologies, hacktivism, digital art and Net Art, among other artistic manifestations. In this sense, Geomatics is directly related to contemporary art because, in its areas of specific knowledge, such as photogrammetry, topography and geographic information systems, they currently use images obtained by digital devices as support for research. In an interdisciplinary way, these devices allow the development of different mechanisms of visual, cognitive and emotional representation that condition our way of knowing, perceiving and experiencing reality. In this article, some guidelines of theoretical reflection are exposed as support of the RV30 project. Thus, this study adopts the model of research in artistic creation that guides the artist's disciplinary development as a researcher and the fusion of a new format related to art and technology. Thus, the results of our creative process allow us to bring the public closer to knowing and using it. The project covers digital aerial photography within the parameters of photogrammetry from a two-dimensional perspective related to the creation and public exhibition of 12 paintings on an iconographic repertoire of the topography of the province of Biobío.

Palabras clave : digital aerial image; photointerpretation; drone; pictorial creation; RV30 project.

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