<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0120-1263</journal-id>
<journal-title><![CDATA[Escritos]]></journal-title>
<abbrev-journal-title><![CDATA[Escritos - Fac. Filos. Let. Univ. Pontif. Bolivar.]]></abbrev-journal-title>
<issn>0120-1263</issn>
<publisher>
<publisher-name><![CDATA[Universidad Pontificia Bolivariana]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0120-12632019000200256</article-id>
<article-id pub-id-type="doi">10.18566/escr.v27n59.a03</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Semblanza de Carlos Tomatis en la narrativa de Juan José Saer]]></article-title>
<article-title xml:lang="en"><![CDATA[Biographical Sketch of Carlos Tomatis in Juan Jose Saer's Fiction]]></article-title>
<article-title xml:lang="pt"><![CDATA[Espoço de Carlos Tomatis na narrativa de Juan José Saer]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Longoni]]></surname>
<given-names><![CDATA[Bruno Andrés]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Industrial de Santander  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2019</year>
</pub-date>
<volume>27</volume>
<numero>59</numero>
<fpage>256</fpage>
<lpage>273</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0120-12632019000200256&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0120-12632019000200256&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0120-12632019000200256&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN Desde su anónima irrupción en "Algo se aproxima" hasta su último avistamiento en La grande, Carlos Tomatis, personaje emblemático en la narrativa del argentino Juan José Saer, se erige como metáfora de la esterilidad posmoderna en la melancólica figura del escritor sin escritura. Sorna epigramática, desdén autosuficiente y fantasías punitivas configuran su carácter melancólico y pendular (fiebre y geometría). Nuestro trabajo busca correlacionar su imposibilidad de capitalizar la experiencia en forma de narración (el mutismo como base del duelo y la melancolía, según Freud) con la escritura saereana, signada por destellos epifánicos (shocks, diría Benjamin) y una pulsión balbuceante que acaba, puntuación obsesiva mediante, por disolver la sintaxis. Si bien Tomatis y su troupe reproducen el tono hostil de los ensayos saereanos de los años 60 y 70 signados por el rechazo a la doxa literaria, en su prolífico discurrir Saer constituye la inversión especular de su héroe condenado al silencio.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT Since his first anonymous appearance in "Algo se aproxima" until his last sighting in La Grande, Carlos Tomatis -recurring character in Juan Jose Saer's fiction-establishes himself as a metaphor of postmodern sterility, which is embodied in the melancholic figure of the writer without writing. Epigrammatic sarcasm, self-sufficient contempt and punitive fantasies reflect his melancholic and pendular (fever and geometry) personality, without giving up his view of literature as an autonomous realm of pure form. Bearing this in mind, the purpose of the article is to correlate the impossibility of the character to capture experience within fiction with Saer's own writing, which is distinguished by epiphanic hints and a stuttering drive that, through an obsessive punctuation, ends up by breaking up syntaxis.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO Desde sua aparição anónima em Algo se aproxima até sua ultima apresentação em La grande, Carlos Tomatis personagem habitual na narrativa de Juan José Saer, aparece como metáfora da esterilidade pós-moderna através da figura melancólica do escritor sem escrita. Sorna epigramática, desprezo autossuficiente e fantasias punitivas configuram seu caráter melancólico e pendular (febre e geometria), sem desistir por isso de seu olhar da literatura como reino autónomo da forma pura. Nosso trabalho tenta correlacionar sua impossibilidade de capitalizar a experiência sob a forma da narração com a escrita de Saer, caraterizada por lampejos de epifania e uma pulsão balbuciante que termina por dissolver a sintaxe através da pontuação obsessiva.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Juan José Saer]]></kwd>
<kwd lng="es"><![CDATA[Carlos Tomatis]]></kwd>
<kwd lng="es"><![CDATA[Walter Benjamin]]></kwd>
<kwd lng="es"><![CDATA[Freud]]></kwd>
<kwd lng="en"><![CDATA[Juan Jose Saer]]></kwd>
<kwd lng="en"><![CDATA[Carlos Tomatis]]></kwd>
<kwd lng="en"><![CDATA[Lo Imborrable]]></kwd>
<kwd lng="en"><![CDATA[Scars]]></kwd>
<kwd lng="en"><![CDATA[La Grande]]></kwd>
<kwd lng="pt"><![CDATA[Juan José Saer]]></kwd>
<kwd lng="pt"><![CDATA[Carlos Tomatis]]></kwd>
<kwd lng="pt"><![CDATA[o indelével]]></kwd>
<kwd lng="pt"><![CDATA[cicatrizes]]></kwd>
<kwd lng="pt"><![CDATA[La grande]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Saer]]></surname>
<given-names><![CDATA[Juan José]]></given-names>
</name>
</person-group>
<source><![CDATA[Lo imborrable]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Seix Barral]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Saer]]></surname>
<given-names><![CDATA[Juan José]]></given-names>
</name>
</person-group>
<source><![CDATA[La pesquisa]]></source>
<year>2012</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Rayo Verde]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Saer]]></surname>
<given-names><![CDATA[Juan José]]></given-names>
</name>
</person-group>
<source><![CDATA[El concepto de ficción]]></source>
<year>2014</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Seix Barral]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Saer]]></surname>
<given-names><![CDATA[Juan José]]></given-names>
</name>
</person-group>
<source><![CDATA[Las nubes]]></source>
<year>2004</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Seix Barral]]></publisher-name>
</nlm-citation>
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<ref id="B38">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Saer]]></surname>
<given-names><![CDATA[Juan José]]></given-names>
</name>
</person-group>
<source><![CDATA[La narración-objeto]]></source>
<year>2014</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Seix Barral]]></publisher-name>
</nlm-citation>
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<ref id="B39">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Saer]]></surname>
<given-names><![CDATA[Juan José]]></given-names>
</name>
</person-group>
<source><![CDATA[La grande]]></source>
<year>2012</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Seix Barral]]></publisher-name>
</nlm-citation>
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<ref id="B40">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Saer]]></surname>
<given-names><![CDATA[Juan José]]></given-names>
</name>
</person-group>
<source><![CDATA[Ensayos. Borradores Inéditos]]></source>
<year>2015</year>
<volume>4</volume>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Seix Barral]]></publisher-name>
</nlm-citation>
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<ref id="B41">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sarlo]]></surname>
<given-names><![CDATA[Beatriz]]></given-names>
</name>
</person-group>
<source><![CDATA[Zona Saer]]></source>
<year>2016</year>
<publisher-loc><![CDATA[Santiago de Chile ]]></publisher-loc>
<publisher-name><![CDATA[Ediciones Universidad Diego Portales]]></publisher-name>
</nlm-citation>
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<ref id="B42">
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<person-group person-group-type="author">
<name>
<surname><![CDATA[Torres]]></surname>
<given-names><![CDATA[Andrea]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Narración y efecto de temporalidad en La grande de Juan José Saer]]></article-title>
<source><![CDATA[Scritture plurali e viaggi temporali]]></source>
<year>2013</year>
<volume>55</volume>
</nlm-citation>
</ref>
<ref id="B43">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wilde]]></surname>
<given-names><![CDATA[Oscar]]></given-names>
</name>
</person-group>
<source><![CDATA[The picture of Dorian Gray]]></source>
<year>2003</year>
<publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[Penguin Classics Edition]]></publisher-name>
</nlm-citation>
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</ref-list>
</back>
</article>
