<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0120-2456</journal-id>
<journal-title><![CDATA[Anuario Colombiano de Historia Social y de la Cultura]]></journal-title>
<abbrev-journal-title><![CDATA[Anu. colomb. hist. soc. cult.]]></abbrev-journal-title>
<issn>0120-2456</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Departamento de Historia.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0120-24562022000100387</article-id>
<article-id pub-id-type="doi">10.15446/achsc.v49n1.92777</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA["Conciudadanos que se fletan como bestias". Experiencia y expectativa en las descripciones e imágenes de los cargueros de hombres en la Nueva Granada, 1851 y 1853]]></article-title>
<article-title xml:lang="en"><![CDATA["Conciudadanos que se fletan como bestias". Experience and Expectation in the Descriptions and Images of the Men's Carriers in Nueva Granada, 1851 and 1853]]></article-title>
<article-title xml:lang="pt"><![CDATA["Conciudadanos que se fletan como bestias". Experiência e expectativa nas descrições e imagens dos cargueiros masculinos em Nueva Granada, 1851 e 1853]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[URUEÑA CALDERON]]></surname>
<given-names><![CDATA[JUAN FELIPE]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de Colombia  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<volume>49</volume>
<numero>1</numero>
<fpage>387</fpage>
<lpage>425</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0120-24562022000100387&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0120-24562022000100387&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0120-24562022000100387&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN  Objetivo: Se analizan las metáforas y las imágenes con las que actores históricos como Santiago Pérez, José Caicedo Rojas, Ramón Torres Méndez y el pintor anónimo de la Comisión Corográfica comparan a los cargueros de hombres con animales de carga a mediados del siglo xix en la Nueva Granada. Se postula que estos actos visuales y lingüísticos, y los soportes que permiten su circulación, cristalizan y a la vez movilizan un conglomerado de estratos temporales con los cuales los actores, desde un presente incierto, interpretan el pasado y proyectan el futuro.  Metodología: Se analizan las imágenes, las metáforas y los soportes en los que estas circulan, con el fin de ver de qué manera son usados por los actores para expresar su experiencia histórica; se consideran en el contexto de sus trayectorias temporales y espaciales para dar cuenta de la especificidad de su uso en la Nueva Granada en la mitad del siglo xix.  Originalidad: Se usan imágenes y metáforas de la literatura de viajes y el costumbrismo, y los soportes que les permiten circular, para indagar por la experiencia temporal en el contexto de los debates sobre la semántica histórica.  Conclusiones: Se muestra que los actores no son meros receptores pasivos que repiten tópicos europeos, sino que son instancias de una red de circulación que capturan momentáneamente unos recursos visuales y lingüísticos para dar cuenta del modo como experimentaban su presente histórico.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT  Objective: This article analyzes the metaphors and images with which historical actors, such as Santiago Pérez, José Caicedo Rojas, Ramón Torres Méndez and the anonymous painter of the Chorographic Commission, compare men's freighters with pack animals in mid-nineteenth-century Nueva Granada. It postulates that these visual and linguistic acts, and the means that allow their circulation, crystallize and, at the same time, mobilize a conglomeration of temporal strata with which the actors, from an uncertain present, interpret the past and project the future.  Methodology: We analyze images and metaphors, and the means where they circulated, to see how these actors used them to express their historical experience; they are considered in the context of their temporal and spatial trajectories to account for the specificity of their use in mid-nineteenth-century Nueva Granada.  Originality: We use images and metaphors from travel literature and manners, and the means that allow them to circulate, to inquire about temporal experience in the context of debates on historical semantics.  Conclusions: The article shows that these historical actors are not passive receivers who repeat European clichés, but instances of a circulation network that momentarily capture visual and linguistic resources to account for the way in which they experienced their historical present.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO  Objetivo: O artigo analisa as metáforas e as imagens com que atores históricos como Santiago Pérez, José Caicedo Rojas, Ramón Torres Méndez e o pintor anónimo da Comissão Corográfica comparam os cargueiros de homens com animais de carga em meados do século XIX na Nova Granada. Postula-se que esses atos visuais e linguísticos, e os suportes que permitem sua circulação, cristalizam e, ao mesmo tempo, mobilizam um conglomerado de estratos temporais com os quais os atores, de um presente incerto, interpretam o passado e projetam o futuro.  Metodologia: As imagens e as metáforas, e os suportes em que circulam, são analisados para verificar como são utilizadas pelos atores para expressar a sua experiência histórica; esses são considerados no contexto de suas trajetórias temporais e espaciais para dar conta da especificidade de seu uso na Nueva Granada em meados do século XIX.  Originalidade: Usam-se imagens e metáforas da literatura de viagens e costumes, e os suportes que os permitem circular, para indagar sobre a experiência temporal no contexto de debates sobre semântica histórica.  Conclusões: O artigo mostra que os atores não são meros receptores passivos que repetem clichés europeus, mas são instâncias de uma rede de circulação que capta momentaneamente recursos visuais e linguísticos para dar conta da forma como vivenciaram seu presente histórico.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[carguero]]></kwd>
<kwd lng="es"><![CDATA[cuadros de costumbres]]></kwd>
<kwd lng="es"><![CDATA[imagen]]></kwd>
<kwd lng="es"><![CDATA[literatura de viajes]]></kwd>
<kwd lng="es"><![CDATA[prensa ilustrada]]></kwd>
<kwd lng="es"><![CDATA[siglo XIX]]></kwd>
<kwd lng="en"><![CDATA[illustrated press]]></kwd>
<kwd lng="en"><![CDATA[image]]></kwd>
<kwd lng="en"><![CDATA[man freighter]]></kwd>
<kwd lng="en"><![CDATA[nineteenth century]]></kwd>
<kwd lng="en"><![CDATA[pictures of customs]]></kwd>
<kwd lng="en"><![CDATA[travel literature]]></kwd>
<kwd lng="pt"><![CDATA[cargueiro]]></kwd>
<kwd lng="pt"><![CDATA[cuadros de costumbres]]></kwd>
<kwd lng="pt"><![CDATA[imagem]]></kwd>
<kwd lng="pt"><![CDATA[imprensa ilustrada]]></kwd>
<kwd lng="pt"><![CDATA[literatura de viagem]]></kwd>
<kwd lng="pt"><![CDATA[século XIX]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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