<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0120-2456</journal-id>
<journal-title><![CDATA[Anuario Colombiano de Historia Social y de la Cultura]]></journal-title>
<abbrev-journal-title><![CDATA[Anu. colomb. hist. soc. cult.]]></abbrev-journal-title>
<issn>0120-2456</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Departamento de Historia.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0120-24562023000200173</article-id>
<article-id pub-id-type="doi">10.15446/achsc.v50n2.103627</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Tradición en transición. Genealogía de la Nueva Música Colombiana en clave de rock]]></article-title>
<article-title xml:lang="en"><![CDATA[Tradition in Transition. Genealogy of New Colombian Music in Rock Clef]]></article-title>
<article-title xml:lang="pt"><![CDATA[Tradição em transição. Genealogia da nova música colombiana na chave do rock]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[GARCÍA GONZÁLEZ]]></surname>
<given-names><![CDATA[DAVID]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de Colombia  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<volume>50</volume>
<numero>2</numero>
<fpage>173</fpage>
<lpage>208</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0120-24562023000200173&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0120-24562023000200173&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0120-24562023000200173&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN  Objetivo: Proponer una genealogía de las prácticas y los discursos que le han dado forma a la nueva música colombiana, uno de los fenómenos musicales y culturales más relevantes de las últimas décadas en Colombia. Para ello se analizan las prácticas musicales y discursivas de grupos pioneros del rock en Colombia en los años sesenta y setenta, con la intención de encontrar en el repertorio histórico del rock colombiano pistas para entender mejor las "novedades" de hoy.  Metodología: Lo anterior se realiza a partir de la revisión de fuentes primarias, como canciones, carátulas de discos y prensa especializada y mediante entrevistas a músicos colombianos.  Originalidad: Este texto contribuye a llenar un vacío en los estudios sobre música popular en Colombia, en particular sobre la NMC, mostrando conexiones entre grupos y músicos de varias generaciones, con lo cual se controvierten los discursos que la presentan como un fenómeno absolutamente novedoso y sin antecedentes.  Conclusiones: Tras evidenciar conexiones entre repertorios musicales de diferentes épocas, se argumenta que la marcación con la etiqueta "nuevo" ha sido una constante en el mercado musical colombiano, empleada con frecuencia para referirse a las "fusiones", que de ninguna manera son exclusivas de la NMC. Así mismo, se muestran las influencias de grupos de los setenta, como Banda Nueva y Cascabel, en músicos y grupos que dieron forma a la NMC a finales del siglo XX y principios del XXI.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT  Objective: To propose a genealogy of the practices and discourses that have shaped the New Colombian Music, one of the most relevant musical and cultural phenomena of recent decades in Colombia. The article analyzes the musical and discursive practices of pioneering rock groups in Colombia in the sixties and seventies and finds clues in the historical repertoire of Colombian rock to better understand today's "novelties".  Methodology: This is done through the review of primary sources such as songs, album covers, interviews with Colombian musicians, and the review of specialized press.  Originality: This article contributes to fill a gap in the studies on popular music in Colombia, particularly NMC, showing connections between groups and musicians of various generations, thus controverting the discourses that present it as an absolutely new and unprecedented phenomenon.  Conclusions: After evidencing connections between musical repertoires from different eras, this research argues that the "new" label has been a constant in the Colombian music market, frequently used to refer to "fusions", which are by no means exclusive to NMC. Likewise, it shows the influence that groups from the seventies, such as Banda Nueva and Cascabel, had on musicians and groups that shaped NMc at the end of the twentieth century and the beginning of the twenty first century.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO  Objetivo: Propor uma genealogia das práticas e discursos que moldaram a nova música colombiana, um dos fenômenos musicais e culturais mais relevantes das últimas décadas na Colômbia. Para isso, são analisadas as práticas musicais e discursivas de grupos de rock pioneiros na Colômbia nos anos sessenta e setenta, com a intenção de encontrar pistas no repertório histórico do rock colombiano para melhor compreender as "novidades" de hoje.  Metodologia: Isto é feito a partir da revisão de fontes primárias como músicas, capas de discos e imprensa especializada, e a través de entrevistas com músicos colombianos.  Originalidade: Este texto contribui para preencher uma lacuna nos estudos sobre música popular na Colômbia, em particular sobre a NMC, mostrando conexões entre grupos e músicos de várias gerações, com as quais são controversos os discursos que a apresentam a como um fenômeno absolutamente novo e sem precedentes.  Conclusões: Após evidenciar conexões entre repertórios musicais de diferentes épocas, argumenta-se que o selo "novo" tem sido uma constante no mercado musical colombiano, frequentemente usado para se referir às "fusões", que não são de forma alguma exclusivas do NMc. Da mesma forma, são mostradas as influências que grupos dos anos 70, como Banda Nueva e Cascabel, tiveram nos músicos e grupos que formaram a NMC no final do século XX e início do século XXI.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[colombianidad]]></kwd>
<kwd lng="es"><![CDATA[identidad]]></kwd>
<kwd lng="es"><![CDATA[industria musical]]></kwd>
<kwd lng="es"><![CDATA[juventud]]></kwd>
<kwd lng="es"><![CDATA[música popular]]></kwd>
<kwd lng="es"><![CDATA[nueva música colombiana]]></kwd>
<kwd lng="es"><![CDATA[prácticas musicales]]></kwd>
<kwd lng="es"><![CDATA[rock]]></kwd>
<kwd lng="en"><![CDATA[colombianidad]]></kwd>
<kwd lng="en"><![CDATA[identity]]></kwd>
<kwd lng="en"><![CDATA[music industry]]></kwd>
<kwd lng="en"><![CDATA[musical practices]]></kwd>
<kwd lng="en"><![CDATA[New Colombian Music]]></kwd>
<kwd lng="en"><![CDATA[popular music]]></kwd>
<kwd lng="en"><![CDATA[rock]]></kwd>
<kwd lng="en"><![CDATA[youth]]></kwd>
<kwd lng="pt"><![CDATA[colombianidad]]></kwd>
<kwd lng="pt"><![CDATA[identidade]]></kwd>
<kwd lng="pt"><![CDATA[indústria musical]]></kwd>
<kwd lng="pt"><![CDATA[juventude]]></kwd>
<kwd lng="pt"><![CDATA[música popular]]></kwd>
<kwd lng="pt"><![CDATA[nova música colombiana]]></kwd>
<kwd lng="pt"><![CDATA[práticas musicais]]></kwd>
<kwd lng="pt"><![CDATA[rock]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="">
<source><![CDATA[Revista Bacanika]]></source>
<year>2012</year>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="">
<source><![CDATA[Revista Rolling Stone]]></source>
<year>2013</year>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="">
<source><![CDATA[Revista Shock]]></source>
<year>2010</year>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="">
<source><![CDATA[Semana]]></source>
<year>2001</year>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Aguilera]]></surname>
<given-names><![CDATA[Javier]]></given-names>
</name>
</person-group>
<source><![CDATA[Entrevistado por el autor]]></source>
<year>2015</year>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benavides]]></surname>
<given-names><![CDATA[Iván]]></given-names>
</name>
</person-group>
<source><![CDATA[Entrevistado por el autor]]></source>
<year>2015</year>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Medina]]></surname>
<given-names><![CDATA[Carlos Iván]]></given-names>
</name>
</person-group>
<source><![CDATA[Entrevistado por el autor]]></source>
<year>2016</year>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Arias-Escobar]]></surname>
<given-names><![CDATA[Felipe]]></given-names>
</name>
</person-group>
<source><![CDATA[Nación Rock 1/4-Historia del rock en Colombia (1965-1975)]]></source>
<year>2007</year>
<publisher-name><![CDATA[YouTube]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<collab>Distrito Especial-Tema</collab>
<source><![CDATA[Bus del blues]]></source>
<year>2022</year>
<publisher-name><![CDATA[YouTube]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Díaz]]></surname>
<given-names><![CDATA[Álvaro]]></given-names>
</name>
<name>
<surname><![CDATA[Fiorilli]]></surname>
<given-names><![CDATA[Roberto]]></given-names>
</name>
</person-group>
<source><![CDATA[Rockolombia]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fiorilli]]></surname>
<given-names><![CDATA[Roberto]]></given-names>
</name>
</person-group>
<source><![CDATA[Columna de fuego primera parte]]></source>
<year>2009</year>
<publisher-name><![CDATA[YouTube]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jersonmajin]]></surname>
</name>
</person-group>
<source><![CDATA[Cascabel-En El Bus (1977)]]></source>
<year>2022</year>
<publisher-name><![CDATA[YouTube]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jersonmajin]]></surname>
</name>
</person-group>
<source><![CDATA[Columna de Fuego en Alemania (1973)]]></source>
<year>2022</year>
<publisher-name><![CDATA[YouTube]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<collab>MuseoVintage</collab>
<source><![CDATA[Banda Nueva-El blues del bus]]></source>
<year>2022</year>
<publisher-name><![CDATA[YouTube]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="">
<collab>Banda Nueva</collab>
<source><![CDATA[La Gran Feria. 1973. Vinilo-LP. Discos Bambuco]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Caicedo]]></surname>
<given-names><![CDATA[Andrés]]></given-names>
</name>
</person-group>
<source><![CDATA[¡Que viva la música]]></source>
<year>1977</year>
<publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
<publisher-name><![CDATA[Norma]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<source><![CDATA[Distrito Especial. D.E. Mentes]]></source>
<year>1989</year>
<publisher-name><![CDATA[Vinilo-LP. CBS]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<collab>Distrito Especial</collab>
<source><![CDATA[Documento]]></source>
<year>1995</year>
<publisher-name><![CDATA[CD. Sonolux-Gaira]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="">
<source><![CDATA[Génesis. A-diós". 1972. Vinilo-LP. Discos Átomo]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="">
<source><![CDATA[Génesis. Génesis. 1974. Vinilo-LP. Codiscos]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="">
<source><![CDATA[Génesis. Paso de Los Andes. 1981. Vinilo-LP. Discos CBS]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="">
<source><![CDATA[La Columna de Fuego. Desde España... La Columna de Fuego. 1974. Vinilo-LP. Discos RCA Victor]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="">
<source><![CDATA[La Columna de Fuego. La Joricamba / Cristal 5 4. 1971. Vinilo-EP. Discos Polydor]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="">
<source><![CDATA[Los Electrónicos. Tradición en transición. 1971. Vinilo-LP. Discos Polydor]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="">
<source><![CDATA[Los Young Beats. Ellos están cambiando los tiempos. 1966. Vinilo-LP. Discos Bambuco]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="">
<source><![CDATA[Malanga. Malanga. 1973. Vinilo-EP. Discos Indufon]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="">
<source><![CDATA[Monsalve, Jaime. Neotropical 11. 2010. Notas interiores. CD. MTM]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="">
<source><![CDATA[Santana, Carlos. Abraxas. 1970. Vinilo-LP. Columbia Records]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="">
<source><![CDATA[The Speakers. The Speakers. 1965. Vinilo-LP. Discos Vergara]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="">
<source><![CDATA[Totó la Momposina. La candela viva. 1993. CD. Real World]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="">
<source><![CDATA[Vives, Carlos. La tierra del olvido. 1995. CD. Sonolux]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="">
<source><![CDATA[VV.AA. 14 Impactos juveniles. 1966. Vinilo-LP. Discos Fuentes]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Agawu]]></surname>
<given-names><![CDATA[Kofi]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Invention of 'African Rhythm']]></article-title>
<source><![CDATA[Journal of the American Musicological Society]]></source>
<year>1995</year>
<volume>48</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>380-95</page-range></nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Aguilera]]></surname>
<given-names><![CDATA[Javier]]></given-names>
</name>
</person-group>
<source><![CDATA[Jazz en Bogotá]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
<publisher-name><![CDATA[Instituto Distrital de Patrimonio Cultural]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Aguilera]]></surname>
<given-names><![CDATA[Javier]]></given-names>
</name>
</person-group>
<source><![CDATA[Nocturno en Mi Bemol Mayor. Crónicas del amanecer musical colombiano]]></source>
<year>2014</year>
<publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
<publisher-name><![CDATA[Cuéllar]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Alonso Bolaños]]></surname>
<given-names><![CDATA[Marina]]></given-names>
</name>
</person-group>
<source><![CDATA[La "invención" de la música indígena de México. Antropología e historia de las políticas culturales del siglo XX]]></source>
<year>2008</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Sb]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Arias]]></surname>
<given-names><![CDATA[Eduardo]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA['Surfin' Chapinero. Historia incompleta, cachaca e irresponsable del rock en Colombia]]></article-title>
<source><![CDATA[Gaceta]]></source>
<year>1992</year>
<page-range>14-9</page-range></nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bermúdez]]></surname>
<given-names><![CDATA[Egberto]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Los discos de The (Los) Speakers (1966-68) y el surgimiento del pop/rock en Colombia]]></article-title>
<source><![CDATA[Ensayos. Historia y Teoría del Arte]]></source>
<year>2016</year>
<volume>30</volume>
<numero>20</numero>
<issue>20</issue>
<page-range>83-153</page-range></nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Calle]]></surname>
<given-names><![CDATA[Simón]]></given-names>
</name>
</person-group>
<source><![CDATA[Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect]]></source>
<year>2012</year>
<publisher-name><![CDATA[Columbia University]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Celnik]]></surname>
<given-names><![CDATA[Jabobo]]></given-names>
</name>
</person-group>
<source><![CDATA[La causa nacional. Historias del rock en Colombia]]></source>
<year>2018</year>
<publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
<publisher-name><![CDATA[Aguilar]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B41">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Clifford]]></surname>
<given-names><![CDATA[James]]></given-names>
</name>
</person-group>
<source><![CDATA[Routes: Travel and Translation in the Late Twentieth Century]]></source>
<year>1997</year>
<publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[Harvard University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B42">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Comaroff]]></surname>
<given-names><![CDATA[John]]></given-names>
</name>
<name>
<surname><![CDATA[Comaroff]]></surname>
<given-names><![CDATA[Jean]]></given-names>
</name>
</person-group>
<source><![CDATA[Ethnicity, Inc]]></source>
<year>2008</year>
<publisher-loc><![CDATA[Chicago ]]></publisher-loc>
<publisher-name><![CDATA[The University of Chicago Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B43">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[De Carvalho]]></surname>
<given-names><![CDATA[Jorge]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La etnomusicología en tiempos del canibalismo musical. Una reflexión a partir de las tradiciones musicales afroamericanas]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Martí]]></surname>
<given-names><![CDATA[Josep]]></given-names>
</name>
<name>
<surname><![CDATA[Martínez]]></surname>
<given-names><![CDATA[Silvia]]></given-names>
</name>
</person-group>
<source><![CDATA[Voces e imágenes en la etnomusicología actual]]></source>
<year>2004</year>
<page-range>37-51</page-range><publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Sociedad Ibérica de Etnomusicología]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B44">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Delannoy]]></surname>
<given-names><![CDATA[Luc]]></given-names>
</name>
</person-group>
<source><![CDATA[¡Caliente!: Una historia del jazz latino]]></source>
<year>2001</year>
<publisher-loc><![CDATA[Ciudad de México ]]></publisher-loc>
<publisher-name><![CDATA[FCE]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B45">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Feld]]></surname>
<given-names><![CDATA[Steven]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A Sweet Lullaby for World Music]]></article-title>
<source><![CDATA[Public Culture]]></source>
<year>2000</year>
<volume>12</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>145-71</page-range></nlm-citation>
</ref>
<ref id="B46">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Frith]]></surname>
<given-names><![CDATA[Simon]]></given-names>
</name>
</person-group>
<source><![CDATA[Sociología del rock]]></source>
<year>1980</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Jucar]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B47">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[García González]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[El lugar de la autenticidad y de lo underground en el rock]]></article-title>
<source><![CDATA[Nómadas]]></source>
<year>2008</year>
<numero>29</numero>
<issue>29</issue>
<page-range>187-99</page-range></nlm-citation>
</ref>
<ref id="B48">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[García González]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Nos une la región, la pinta, la raza y el don del sabor... : puestas en escena de la nación en la nueva música colombiana (el caso de Chocquibtown)]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Cepeda]]></surname>
<given-names><![CDATA[Hernando]]></given-names>
</name>
<name>
<surname><![CDATA[Vargas]]></surname>
<given-names><![CDATA[Sebastián]]></given-names>
</name>
</person-group>
<source><![CDATA[Recorridos de la historia cultural en Colombia]]></source>
<year>2019</year>
<page-range>202-31</page-range><publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
<publisher-name><![CDATA[Universidad Nacional de Colombia]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B49">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Garramuño]]></surname>
<given-names><![CDATA[Florencia]]></given-names>
</name>
</person-group>
<source><![CDATA[Modernidades primitivas. Tango, samba y nación]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[FCE]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B50">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gómez]]></surname>
<given-names><![CDATA[Nelson]]></given-names>
</name>
<name>
<surname><![CDATA[Jaramillo]]></surname>
<given-names><![CDATA[Jefferson]]></given-names>
</name>
</person-group>
<source><![CDATA[Salsa y cultura popular en Bogotá]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
<publisher-name><![CDATA[Pontificia Universidad Javeriana]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B51">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Groys]]></surname>
<given-names><![CDATA[Borys]]></given-names>
</name>
</person-group>
<source><![CDATA[Sobre lo nuevo. Ensayo de una economía cultural]]></source>
<year>2005</year>
<publisher-loc><![CDATA[Valencia ]]></publisher-loc>
<publisher-name><![CDATA[PreTextos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B52">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hernández]]></surname>
<given-names><![CDATA[Óscar]]></given-names>
</name>
</person-group>
<source><![CDATA[Los mitos de la música nacional. Poder y emoción en las músicas populares colombianas 1930-1960]]></source>
<year>2014</year>
<publisher-name><![CDATA[Pontificia Universidad Javeriana]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B53">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Londoño]]></surname>
<given-names><![CDATA[Diego]]></given-names>
</name>
</person-group>
<source><![CDATA[Los Yetis: una bomba atómica a go go, la historia de los abuelos de nuestro rock]]></source>
<year>2014</year>
<publisher-loc><![CDATA[Medellín ]]></publisher-loc>
<publisher-name><![CDATA[Pulso &amp; Letra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B54">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Middleton]]></surname>
<given-names><![CDATA[Richard]]></given-names>
</name>
<name>
<surname><![CDATA[Beebe]]></surname>
<given-names><![CDATA[Jason]]></given-names>
</name>
</person-group>
<source><![CDATA[Medium Cool: Music Videos From Soundies to Cellphones]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Durham ]]></publisher-loc>
<publisher-name><![CDATA[Duke University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B55">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Miñana Blasco]]></surname>
<given-names><![CDATA[Carlos]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Más allá de la protesta. Música militante en Bogotá en los años setenta y la transformación de la 'música colombiana'"]]></article-title>
<source><![CDATA[Trashumante]]></source>
<year>2020</year>
<numero>15</numero>
<issue>15</issue>
<page-range>150-72</page-range></nlm-citation>
</ref>
<ref id="B56">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ochoa]]></surname>
<given-names><![CDATA[Juan Sebastián]]></given-names>
</name>
</person-group>
<source><![CDATA[Sonido sabanero y sonido paisa. La producción de música tropical en Medellín durante los años sesenta]]></source>
<year>2018</year>
<publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
<publisher-name><![CDATA[Pontificia Universidad Javeriana]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B57">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pacini]]></surname>
<given-names><![CDATA[Deborah]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Mapping Rock Music Cultures Across the Americas]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Fernández]]></surname>
<given-names><![CDATA[Héctor]]></given-names>
</name>
<name>
<surname><![CDATA[Zolov]]></surname>
<given-names><![CDATA[Eric]]></given-names>
</name>
</person-group>
<source><![CDATA[Rockin' Las Americas: The global Politics of Rock in Latin America]]></source>
<year>2004</year>
<page-range>1-21</page-range><publisher-loc><![CDATA[Pittsburgh ]]></publisher-loc>
<publisher-name><![CDATA[The University of Pittsburgh Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B58">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pacini]]></surname>
<given-names><![CDATA[Deborah]]></given-names>
</name>
</person-group>
<source><![CDATA[Oye Como Va!: Hybridity and Identity in Latino Popular Music]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Philadelphia ]]></publisher-loc>
<publisher-name><![CDATA[Temple University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B59">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pérez]]></surname>
<given-names><![CDATA[Umberto]]></given-names>
</name>
</person-group>
<source><![CDATA[Bogotá: epicentro del rock colombiano entre 1957y 1975. Una manifestación social, cultural, nacional y juvenil]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
<publisher-name><![CDATA[SCRD]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B60">
<nlm-citation citation-type="book">
<collab>REAL ACADEMIA ESPAÑOLA</collab>
<source><![CDATA[Diccionario de la lengua española]]></source>
<year>2014</year>
<publisher-loc><![CDATA[España ]]></publisher-loc>
<publisher-name><![CDATA[Planeta]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B61">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Roszak]]></surname>
<given-names><![CDATA[Theodore]]></given-names>
</name>
</person-group>
<source><![CDATA[El nacimiento de una contracultura]]></source>
<year>1970</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Kairós]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B62">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rujas Martínez-Novillo]]></surname>
<given-names><![CDATA[Javier]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Genealogía y discurso. De Nietzsche a Foucault]]></article-title>
<source><![CDATA[Nómadas]]></source>
<year>2010</year>
<volume>26</volume>
<numero>2</numero>
<issue>2</issue>
</nlm-citation>
</ref>
<ref id="B63">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Santamaría]]></surname>
<given-names><![CDATA[Carolina]]></given-names>
</name>
</person-group>
<source><![CDATA[La 'Nueva Música Colombiana': la redefinición de lo nacional bajo las lógicas de la World Music]]></source>
<year>2006</year>
<publisher-name><![CDATA[Academia.edu]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B64">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sevilla]]></surname>
<given-names><![CDATA[Manuel]]></given-names>
</name>
<name>
<surname><![CDATA[Ochoa]]></surname>
<given-names><![CDATA[Juan]]></given-names>
</name>
<name>
<surname><![CDATA[Santamaría]]></surname>
<given-names><![CDATA[Carolina]]></given-names>
</name>
<name>
<surname><![CDATA[Cataño]]></surname>
<given-names><![CDATA[Carlos]]></given-names>
</name>
</person-group>
<source><![CDATA[Travesías por la tierra del olvido: modernidad y colombianidad en la música de Carlos Vives y La Provincia]]></source>
<year>2014</year>
<publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
<publisher-name><![CDATA[Pontificia Universidad Javeriana]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B65">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Stokes]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Music and the Global Order]]></article-title>
<source><![CDATA[Annual Review of Anthropology]]></source>
<year>2004</year>
<volume>33</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>47-72</page-range></nlm-citation>
</ref>
<ref id="B66">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Taylor]]></surname>
<given-names><![CDATA[Timothy]]></given-names>
</name>
</person-group>
<source><![CDATA[Beyond Exotism. Western Music and the World]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Durham ]]></publisher-loc>
<publisher-name><![CDATA[Duke University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B67">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Théberge]]></surname>
<given-names><![CDATA[Paul]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Network Studio: Historical and Technological Paths to a New Ideal in Music Making]]></article-title>
<source><![CDATA[Social Studies of Science]]></source>
<year>2004</year>
<volume>34</volume>
<numero>5</numero>
<issue>5</issue>
<page-range>759-81</page-range></nlm-citation>
</ref>
<ref id="B68">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Thomas]]></surname>
<given-names><![CDATA[Frank]]></given-names>
</name>
</person-group>
<source><![CDATA[La conquista de lo cool. El negocio de la contracultura y el nacimiento del consumismo moderno]]></source>
<year>2011</year>
<publisher-loc><![CDATA[España ]]></publisher-loc>
<publisher-name><![CDATA[Alpha Decay]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B69">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Thornton]]></surname>
<given-names><![CDATA[Sarah]]></given-names>
</name>
</person-group>
<source><![CDATA[Club Cultures: Music, Media, and Subcultural Capital]]></source>
<year>1995</year>
<publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[Polity Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B70">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wade]]></surname>
<given-names><![CDATA[Peter.]]></given-names>
</name>
</person-group>
<source><![CDATA[Música, raza y nación. Música tropical en Colombia]]></source>
<year>2002</year>
<publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
<publisher-name><![CDATA[Vice-presidencia de la República de Colombia]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B71">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wilson]]></surname>
<given-names><![CDATA[Pablo]]></given-names>
</name>
</person-group>
<source><![CDATA[Rock colombiano. 100 discos-50 años]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
<publisher-name><![CDATA[Ediciones B]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
