<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0120-4823</journal-id>
<journal-title><![CDATA[Signo y Pensamiento]]></journal-title>
<abbrev-journal-title><![CDATA[Signo pensam.]]></abbrev-journal-title>
<issn>0120-4823</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Javeriana]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0120-48232017000200172</article-id>
<article-id pub-id-type="doi">10.11144/javeriana.syp36-71.rmmo</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Representación mediática de la mujer en la oferta radial musical de Santa Marta, Colombia]]></article-title>
<article-title xml:lang="en"><![CDATA[Media Representation of Women in the Radio Music Offer in Santa Marta (Colombia)]]></article-title>
<article-title xml:lang="pt"><![CDATA[Representação mediática das mulheres na oferta radial musical de Santa Marta (Colômbia)]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Arias-Mendoza]]></surname>
<given-names><![CDATA[Dineyis Esther]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Arroyave-Cabrera]]></surname>
<given-names><![CDATA[Jesús Antonio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad del Norte  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad del Norte  ]]></institution>
<addr-line><![CDATA[Barranquilla ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2017</year>
</pub-date>
<volume>36</volume>
<numero>71</numero>
<fpage>172</fpage>
<lpage>187</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0120-48232017000200172&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0120-48232017000200172&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0120-48232017000200172&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Dada la necesidad de comprender las formas de comunicación de personas con discapacidad intelectual para favorecer su participación social, este estudio trata la narración como una instancia discursiva autogestionada más allá del lenguaje. El objetivo es sistematizar una metodología que permita explorar su discurso narrativo usando una perspectiva multimodal. La descripción corresponde a las narraciones de quince escolares chilenos con discapacidad intelectual y escaso desarrollo de la lengua oral, pero con intención narrativa. A partir de la adaptación de una tarea de recontado, se analizan discursivamente sus producciones multimodales y se observan narraciones enfocadas en las acciones de los personajes y construidas a partir de una combinación de recursos comunicativos. La metodología resulta apropiada para dar cuenta de los recursos narrativos usados por estos estudiantes en los primeros años escolares y legitima sus estrategias narrativas, lo cual contribuye al desarrollo de la disciplina educación especial y al estudio de la comunicación desde una mirada inclusiva.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The purpose of this research is to analyze the media representation of women in the radio music offer of the two radio stations with the largest audience in Santa Marta, a city located in the Colombian Caribbean region. The methodology used was the content analysis on a sample of 120 songs. The findings show that a significant percentage of the songs promote sexualization and female objectification, violence against women, and misogyny. Additionally, it was possible to establish that there is a scarce participation of women as composers and interpreters of songs.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O objetivo desta pesquisa é analisar a representação mediática da mulher na oferta radial musical das duas rádios com maiores ouvintes de Santa Marta, cidade localizada na região Caribe colombiana. A metodologia utilizada foi análise de conteúdo sobre amostra de 120 músicas. Os achados dão conta de que existe uma porcentagem significativa de músicas onde a sexualização e coisificação feminina, a violência contra a mulher e a misoginia são promovidas. Além disso, pode se estabelecer a baixa participação de mulheres como compositoras e intérpretes dos temas musicais.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[análisis de contenido]]></kwd>
<kwd lng="es"><![CDATA[género]]></kwd>
<kwd lng="es"><![CDATA[sexualización]]></kwd>
<kwd lng="es"><![CDATA[misoginia]]></kwd>
<kwd lng="es"><![CDATA[representación mediática]]></kwd>
<kwd lng="en"><![CDATA[content analysis]]></kwd>
<kwd lng="en"><![CDATA[gender]]></kwd>
<kwd lng="en"><![CDATA[sexualization]]></kwd>
<kwd lng="en"><![CDATA[misogyny]]></kwd>
<kwd lng="en"><![CDATA[media representation]]></kwd>
<kwd lng="pt"><![CDATA[Análise de Conteúdo]]></kwd>
<kwd lng="pt"><![CDATA[Género]]></kwd>
<kwd lng="pt"><![CDATA[Sexualização]]></kwd>
<kwd lng="pt"><![CDATA[Misoginia]]></kwd>
<kwd lng="pt"><![CDATA[Representação Mediática]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Adams]]></surname>
<given-names><![CDATA[T. M.]]></given-names>
</name>
<name>
<surname><![CDATA[Fuller]]></surname>
<given-names><![CDATA[D. B]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The words have changed but the ideology remains the same: Misogynistic lyrics in rap music]]></article-title>
<source><![CDATA[Journal of Black Studies]]></source>
<year>2006</year>
<volume>36</volume>
<numero>6</numero>
<issue>6</issue>
<page-range>938-57</page-range></nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="">
<collab>American Psychological Association</collab>
<source><![CDATA[Report of the APA task force on the sexualization of girls]]></source>
<year>2007</year>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Antequera Ripoll]]></surname>
<given-names><![CDATA[J. C.]]></given-names>
</name>
<name>
<surname><![CDATA[Obregón]]></surname>
<given-names><![CDATA[R]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La radio como dinamizadora de los procesos sociales y culturales en Barranquilla (Colombia]]></article-title>
<source><![CDATA[Investigación y Desarrollo]]></source>
<year>2002</year>
<volume>10</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>146-69</page-range></nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ardener]]></surname>
<given-names><![CDATA[S]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Introduction: The nature of women in society]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Ardener]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Defining Females]]></source>
<year>1978</year>
<page-range>9-48</page-range><publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Wiley]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bandura]]></surname>
<given-names><![CDATA[A]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Social cognitive theory]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Vasta]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[Annals of child development. Six theories of child development]]></source>
<year>1989</year>
<volume>6</volume>
<page-range>1-60</page-range><publisher-loc><![CDATA[Greenwich, CT ]]></publisher-loc>
<publisher-name><![CDATA[JAI Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Brummert Lennings]]></surname>
<given-names><![CDATA[H. I.]]></given-names>
</name>
<name>
<surname><![CDATA[Warburton]]></surname>
<given-names><![CDATA[W. A]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The effect of auditory versus visual violent media exposure on aggressive behaviour: The role of song lyrics, video clips and musical tone]]></article-title>
<source><![CDATA[Journal of Experimental Social Psychology]]></source>
<year>2011</year>
<volume>47</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>794-9</page-range></nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Burgess]]></surname>
<given-names><![CDATA[M. R.]]></given-names>
</name>
<name>
<surname><![CDATA[Burpo]]></surname>
<given-names><![CDATA[S]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The effect of music videos on college students&#8217; perceptions of rape]]></article-title>
<source><![CDATA[College Student Journal]]></source>
<year>2012</year>
<volume>46</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>748-63</page-range></nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carpentier]]></surname>
<given-names><![CDATA[F. D.]]></given-names>
</name>
<name>
<surname><![CDATA[Knobloch-Westerwick]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
<name>
<surname><![CDATA[Blumhoff]]></surname>
<given-names><![CDATA[A]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Aughty versus nice: Suggestive pop music influences on perceptions of potential romantic partners]]></article-title>
<source><![CDATA[Media Psychology]]></source>
<year>2007</year>
<volume>9</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>1-17</page-range></nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ceulemans]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Fauconnier]]></surname>
<given-names><![CDATA[G]]></given-names>
</name>
</person-group>
<source><![CDATA[Imagen, papel y condición de la mujer en los medios de comunicación social, compilación y análisis de los documentos de investigación]]></source>
<year>1981</year>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Click]]></surname>
<given-names><![CDATA[M. A.]]></given-names>
</name>
<name>
<surname><![CDATA[Kramer]]></surname>
<given-names><![CDATA[M. W]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Reflections on a century of living: Gendered differences in mainstream popular song]]></article-title>
<source><![CDATA[Popular Communication]]></source>
<year>2007</year>
<volume>5</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>241-62</page-range></nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[de Lemus]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
<name>
<surname><![CDATA[Moya]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Bukowski]]></surname>
<given-names><![CDATA[M]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Activación automática de las dimensiones de competencia y sociabilidad en el caso de los estereotipos de género]]></article-title>
<source><![CDATA[Psicológica]]></source>
<year>2008</year>
<volume>29</volume>
<page-range>115-32</page-range></nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carpentier]]></surname>
<given-names><![CDATA[F. R]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[When sex is on the air: Impression formation after exposure to sexual music]]></article-title>
<source><![CDATA[Sexuality &amp; Culture]]></source>
<year>2014</year>
<volume>18</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>818-32</page-range></nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<collab>Estudio Continuo de Audiencia Radial</collab>
<source><![CDATA[Informe del segundo semestre del año 2014 del Estudio Continuo de Audiencia Radial]]></source>
<year>2014</year>
<publisher-loc><![CDATA[Magdalena, Colombia ]]></publisher-loc>
<publisher-name><![CDATA[Facilitado por la gerencia de la estación radial Olímpica Stereo en Santa Marta]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Francke]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
<name>
<surname><![CDATA[Ojeda]]></surname>
<given-names><![CDATA[P]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Historiografía e historia de mujeres: estrategias para su inclusión en los procesos de enseñanza-aprendizaje en la educación media chilena]]></article-title>
<source><![CDATA[Estudios pedagógicos]]></source>
<year>2013</year>
<volume>39</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>361-75</page-range></nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fernández Collado]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
<name>
<surname><![CDATA[Galguera García]]></surname>
<given-names><![CDATA[L]]></given-names>
</name>
</person-group>
<source><![CDATA[Teorías de la comunicación]]></source>
<year>2009</year>
<publisher-loc><![CDATA[México, D.F. ]]></publisher-loc>
<publisher-name><![CDATA[McGraw-Hill]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fernández Poncela]]></surname>
<given-names><![CDATA[A. M]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Amor idealizado, llanto y traición en la canción romántica]]></article-title>
<source><![CDATA[Boletín Americanista]]></source>
<year>2005</year>
<volume>55</volume>
<page-range>101-22</page-range></nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Frederickson]]></surname>
<given-names><![CDATA[B. L.]]></given-names>
</name>
<name>
<surname><![CDATA[Roberts]]></surname>
<given-names><![CDATA[T. A]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Objetification theory. Toward understanding women's lived experiences and mental health risks]]></article-title>
<source><![CDATA[Psichology of Women Quartely]]></source>
<year>1997</year>
<volume>21</volume>
<page-range>137-206</page-range></nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Frisby]]></surname>
<given-names><![CDATA[C. M]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sticks &#8216;n&#8217; stones may break my bones, but words they hurt like hell: Derogatory words in popular songs]]></article-title>
<source><![CDATA[Media Report to Women]]></source>
<year>2010</year>
<volume>38</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>12-8</page-range></nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="">
<collab>Forensis</collab>
<source><![CDATA[El Instituto Nacional de Medicina Legal y Ciencias Forenses]]></source>
<year>2015</year>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[García-Ruiz]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Aguaded Gómez]]></surname>
<given-names><![CDATA[J. I.]]></given-names>
</name>
<name>
<surname><![CDATA[Rodríguez Vázquez]]></surname>
<given-names><![CDATA[A. I]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Propuesta de alfabetización mediática ante los estereotipos de género en los medios de comunicación. Resultados de la valoración de &#8220;Rostros de Mujer&#8221;]]></article-title>
<source><![CDATA[Prisma Social]]></source>
<year>2014</year>
<volume>13</volume>
<page-range>576-609</page-range></nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gila]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Guil Sevilla]]></surname>
<given-names><![CDATA[A]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La mujer actual en los medios: estereotipos cinematográficos]]></article-title>
<source><![CDATA[Comunicar]]></source>
<year>1999</year>
<volume>12</volume>
<page-range>89-93</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Guarinos]]></surname>
<given-names><![CDATA[V]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Estereotipos y nuevos perfiles de mujer en la canción de consumo. De la mujer romántica a la mujer fálica]]></article-title>
<source><![CDATA[Cuestiones de género: de la igualdad a la diferencia]]></source>
<year>2012</year>
<volume>7</volume>
<page-range>297-314</page-range></nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jhally]]></surname>
<given-names><![CDATA[S]]></given-names>
</name>
</person-group>
<collab>Media Education Foundation</collab>
<source><![CDATA[Dreamworlds 3: Desire, sex, and power in Music Video]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Estados Unidos ]]></publisher-loc>
<publisher-name><![CDATA[Media Education Foundation]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kramarae]]></surname>
<given-names><![CDATA[C]]></given-names>
</name>
</person-group>
<source><![CDATA[Women and men speaking: Frameworks for analysis]]></source>
<year>1981</year>
<publisher-loc><![CDATA[Rowley, MA ]]></publisher-loc>
<publisher-name><![CDATA[Newbury House]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Krohn]]></surname>
<given-names><![CDATA[F. B.]]></given-names>
</name>
<name>
<surname><![CDATA[Suazo]]></surname>
<given-names><![CDATA[F. L]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Contemporany urban music: Controversial messages in hiphop and rap lyrics]]></article-title>
<source><![CDATA[Etcetera]]></source>
<year>1995</year>
<volume>52</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>139-54</page-range></nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[López Lita]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Bernad Monferrer]]></surname>
<given-names><![CDATA[E]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Publicidad, medios de comunicación y segregación ocupacional de la mujer]]></article-title>
<source><![CDATA[Revista del Ministerio de Trabajo e Inmigración]]></source>
<year>2007</year>
<volume>67</volume>
<page-range>213-26</page-range></nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lynne Donze]]></surname>
<given-names><![CDATA[P]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Popular music, identity, and sexualization: A latent class analysis of artist types]]></article-title>
<source><![CDATA[Poetics]]></source>
<year>2011</year>
<volume>39</volume>
<page-range>44-63</page-range></nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Martino]]></surname>
<given-names><![CDATA[S. C.]]></given-names>
</name>
<name>
<surname><![CDATA[Collins]]></surname>
<given-names><![CDATA[R. L.]]></given-names>
</name>
<name>
<surname><![CDATA[Elliott]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Strach- man]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Kanouse]]></surname>
<given-names><![CDATA[D. E]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Exposure to degrading versus non-degrading music lyrics and sexual behavior among youth]]></article-title>
<source><![CDATA[Pediatrics]]></source>
<year>2006</year>
<volume>118</volume>
<page-range>430-41</page-range></nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[McClane-Bunn]]></surname>
<given-names><![CDATA[A. D]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sex in the hillbilly field: Objectification of women in country music videos]]></article-title>
<source><![CDATA[Media Report to Women]]></source>
<year>2010</year>
<volume>38</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>6-11</page-range></nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[McClary]]></surname>
<given-names><![CDATA[S]]></given-names>
</name>
</person-group>
<source><![CDATA[Feminine endings. Gender, music and sexuality]]></source>
<year>1991</year>
<publisher-name><![CDATA[University of Minessota Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Moody]]></surname>
<given-names><![CDATA[M]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A Rhetorical Analysis of the meaning of the &#8220;independent woman&#8221; in the lyrics and videos of male and female rappers]]></article-title>
<source><![CDATA[American Communication Journal]]></source>
<year>2011</year>
<volume>13</volume>
<page-range>43-56</page-range></nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Morant Williams]]></surname>
<given-names><![CDATA[K]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Buddy: Focus Group research on the perceived influence of messages in urban music on the health beliefs and behaviors of african american undergraduate females]]></article-title>
<source><![CDATA[Qualitative Research Reports in Communication]]></source>
<year>2012</year>
<volume>13</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>21-7</page-range></nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pardun]]></surname>
<given-names><![CDATA[C. J.]]></given-names>
</name>
<name>
<surname><![CDATA[Ladin L&#8217;Engle]]></surname>
<given-names><![CDATA[K.]]></given-names>
</name>
<name>
<surname><![CDATA[Brown]]></surname>
<given-names><![CDATA[J. D]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Linking exposure to outcomes: Early adolescents&#8217; consumption of sexual content in six media]]></article-title>
<source><![CDATA[Mass Communication &amp; Society]]></source>
<year>2005</year>
<volume>8</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>75-91</page-range></nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Peterson]]></surname>
<given-names><![CDATA[S. H.]]></given-names>
</name>
<name>
<surname><![CDATA[Wingood]]></surname>
<given-names><![CDATA[G. M.]]></given-names>
</name>
<name>
<surname><![CDATA[DiClemente]]></surname>
<given-names><![CDATA[R. J.]]></given-names>
</name>
<name>
<surname><![CDATA[Harrington]]></surname>
<given-names><![CDATA[K.]]></given-names>
</name>
<name>
<surname><![CDATA[Davies]]></surname>
<given-names><![CDATA[S]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Images of sexual stereotypes in rap videos and the health of african american female adolescents]]></article-title>
<source><![CDATA[Journal Of Womens Health]]></source>
<year>2007</year>
<volume>16</volume>
<numero>8</numero>
<issue>8</issue>
<page-range>1157-64</page-range></nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="">
<collab>Redacción El Tiempo</collab>
<source><![CDATA[Las dramáticas cifras de la violencia contra la mujer en Colombia. El Tiempo]]></source>
<year>2016</year>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Smith]]></surname>
<given-names><![CDATA[S. L]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[From Dr. Dre to dismissed: Assessing violence, sex, and substance use on MTV]]></article-title>
<source><![CDATA[Critical Studies in Media Communication]]></source>
<year>2005</year>
<volume>22</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>89-98</page-range></nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Stevens Aubrey]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Frisby]]></surname>
<given-names><![CDATA[C. M]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sexual objectification in music videos: A content analysis comparing gender and genre]]></article-title>
<source><![CDATA[Mass Communication &amp; Society]]></source>
<year>2011</year>
<volume>14</volume>
<page-range>475-501</page-range></nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Strasburger]]></surname>
<given-names><![CDATA[V. C.]]></given-names>
</name>
<name>
<surname><![CDATA[Donnerstein]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
<name>
<surname><![CDATA[Bushman]]></surname>
<given-names><![CDATA[B. J]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Why is it so hard to believe that media influence?]]></article-title>
<source><![CDATA[Pediatrics]]></source>
<year>2014</year>
<volume>133</volume>
<page-range>571-3</page-range></nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Suárez]]></surname>
<given-names><![CDATA[J. C]]></given-names>
</name>
</person-group>
<source><![CDATA[Estereotipos de la mujer en la comunicación]]></source>
<year>2007</year>
</nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tagg]]></surname>
<given-names><![CDATA[Philip]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Analysing popular music. Theory, method and practice]]></article-title>
<source><![CDATA[Popular Music]]></source>
<year>1982</year>
<volume>2</volume>
<page-range>37-67</page-range></nlm-citation>
</ref>
<ref id="B41">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tanner-Smith]]></surname>
<given-names><![CDATA[E. E.]]></given-names>
</name>
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[D. T.]]></given-names>
</name>
<name>
<surname><![CDATA[Nichols]]></surname>
<given-names><![CDATA[D]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Selling sex to radio program directors: A content analysis of radio &amp; records magazine]]></article-title>
<source><![CDATA[Sex Roles]]></source>
<year>2006</year>
<page-range>675-86</page-range></nlm-citation>
</ref>
<ref id="B42">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Thaller]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Messing]]></surname>
<given-names><![CDATA[J. T]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[(Mis)Perceptions around intimate partner violence in the music video and lyrics for &#8220;Love the Way you Lie&#8221;]]></article-title>
<source><![CDATA[Feminist Media Studies]]></source>
<year>2014</year>
<volume>14</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>623-39</page-range></nlm-citation>
</ref>
<ref id="B43">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Thomas]]></surname>
<given-names><![CDATA[F]]></given-names>
</name>
</person-group>
<source><![CDATA[Los estragos del amor: el discurso amoroso en los medios de comunicación]]></source>
<year>1994</year>
<publisher-loc><![CDATA[Bogotá ]]></publisher-loc>
<publisher-name><![CDATA[Universidad Nacional]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B44">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Timmerman]]></surname>
<given-names><![CDATA[L. M.]]></given-names>
</name>
<name>
<surname><![CDATA[Allen]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Jorgensen]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Herrett-Skjellum]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Kramer]]></surname>
<given-names><![CDATA[M. R.]]></given-names>
</name>
<name>
<surname><![CDATA[Ryan]]></surname>
<given-names><![CDATA[D. J]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A review and meta-analysis examining the relationship of music content with sex, race, priming, and attitudes]]></article-title>
<source><![CDATA[Communication Quarterly]]></source>
<year>2008</year>
<volume>56</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>303-24</page-range></nlm-citation>
</ref>
<ref id="B45">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Turner]]></surname>
<given-names><![CDATA[J. S]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sex and the spectacle of music videos: An examination of the portrayal of race and sexuality in music videos]]></article-title>
<source><![CDATA[Sex Roles]]></source>
<year>2011</year>
<volume>64</volume>
<page-range>173-91</page-range></nlm-citation>
</ref>
<ref id="B46">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tyree]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Lovin&#8217; momma and hatin&#8217; on baby mama: A comparison of misogynistic and stereotypical representations in songs about rappers&#8217; mothers and baby mamas]]></article-title>
<source><![CDATA[Women &amp; Language]]></source>
<year>2009</year>
<volume>32</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>50-8</page-range></nlm-citation>
</ref>
<ref id="B47">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Viñuela]]></surname>
<given-names><![CDATA[L]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La construcción de las identidades de género en la música popular]]></article-title>
<source><![CDATA[Dossiers Feministes]]></source>
<year>2003</year>
<volume>7</volume>
<page-range>11-26</page-range></nlm-citation>
</ref>
<ref id="B48">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wallis]]></surname>
<given-names><![CDATA[C]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Performing gender: A content analysis of gender display in music videos]]></article-title>
<source><![CDATA[Sex Roles]]></source>
<year>2011</year>
<volume>64</volume>
<page-range>160-72</page-range></nlm-citation>
</ref>
<ref id="B49">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Weitzer]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Kubrin]]></surname>
<given-names><![CDATA[C. E]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Misogyny in rap music: A content analysis of prevalence and meanings]]></article-title>
<source><![CDATA[Men and Masculinities]]></source>
<year>2009</year>
<volume>12</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>3-29</page-range></nlm-citation>
</ref>
<ref id="B50">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[West]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Turner]]></surname>
<given-names><![CDATA[L]]></given-names>
</name>
</person-group>
<source><![CDATA[Teoría de la comunicación: análisis y aplicación]]></source>
<year>2005</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[McGraw-Hill]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B51">
<nlm-citation citation-type="">
<collab>Women&#8217;s Media Center</collab>
<source><![CDATA[]]></source>
<year>2015</year>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
