<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0120-5587</journal-id>
<journal-title><![CDATA[Lingüística y Literatura]]></journal-title>
<abbrev-journal-title><![CDATA[Linguist.lit.]]></abbrev-journal-title>
<issn>0120-5587</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Antioquia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0120-55872022000100406</article-id>
<article-id pub-id-type="doi">10.17533/udea.lyl.81a19</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[DECREPITUD NOSTÁLGICA EN EL REALISMO DE ADOLFO COUVE (1940-1998): «El PICADERO», «EL PARQUE» Y «BALNEARIO»]]></article-title>
<article-title xml:lang="en"><![CDATA[NOSTALGIC DECREPITUDE IN THE REALISM OF ADOLFO COUVE (1940-1998): «EL PICADERO», «EL PARQUE», AND «BALNEARIO»]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Albornoz Toloza]]></surname>
<given-names><![CDATA[Valentina Andrea]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cid Hidalgo]]></surname>
<given-names><![CDATA[Juan Daniel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Concepción  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad de Concepción  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<numero>81</numero>
<fpage>406</fpage>
<lpage>425</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0120-55872022000100406&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0120-55872022000100406&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0120-55872022000100406&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Con el presente trabajo sostenemos que los cuerpos decrépitos, descritos en estas tres obras breves de Adolfo Couve, acaban por aferrarse a la espiritualidad de las anatomías juveniles. La lectura defendida pretende desentrañar la alegoría de una ruina inevitable que se cuela por los espacios más remotos de la nación y que exhibe una muestra mimética de la burguesía gris y fracasada, a los ojos de un artista cuya obra observa detenidamente los alcances del claroscuro social.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract With the present work we maintain that the decrepit bodies, described in three short works by Adolfo Couve, end up clinging to the spirituality of juvenile anatomies. The reading advocated tries to unravel the allegory of an inevitable ruin that creeps into the most remote spaces of the nation and that exhibits a mimetic sample of the gray and failed bourgeoisie, in the eyes of an artist whose work carefully observes the scope of social chiaroscuro.]]></p></abstract>
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<kwd lng="es"><![CDATA[alegoría]]></kwd>
<kwd lng="en"><![CDATA[ruin]]></kwd>
<kwd lng="en"><![CDATA[realism]]></kwd>
<kwd lng="en"><![CDATA[nostalgia]]></kwd>
<kwd lng="en"><![CDATA[allegory]]></kwd>
</kwd-group>
</article-meta>
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