<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0121-1617</journal-id>
<journal-title><![CDATA[Historia Crítica]]></journal-title>
<abbrev-journal-title><![CDATA[hist.crit.]]></abbrev-journal-title>
<issn>0121-1617</issn>
<publisher>
<publisher-name><![CDATA[Departamento de Historia, Facultad de Ciencias Sociales, Universidad de los Andes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0121-16172024000400023</article-id>
<article-id pub-id-type="doi">10.7440/histcrit94.2024.02</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Sensorial and Sonic Aspects in the Writings of the &#8220;English-American&#8221; Thomas Gage (c. 1603-1656) on Mexico and Guatemala]]></article-title>
<article-title xml:lang="es"><![CDATA[Aspectos sensoriales y sonoros en los escritos del &#8220;inglés-americano&#8221; Thomas Gage (c. 1603- 1656) sobre México y Guatemala]]></article-title>
<article-title xml:lang="pt"><![CDATA[Aspectos sensoriais e sônicos nos escritos do &#8220;anglo-americano&#8221; Thomas Gage (c. 1603-1656) sobre México e Guatemala]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Irving]]></surname>
<given-names><![CDATA[David R. M.]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Institució Catalana de Recerca i Estudis Avançats  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>10</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>10</month>
<year>2024</year>
</pub-date>
<numero>94</numero>
<fpage>23</fpage>
<lpage>44</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0121-16172024000400023&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0121-16172024000400023&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0121-16172024000400023&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract.  Objective/Context:  This article examines dimensions of sensoriality within the writings of Thomas Gage (c. 1603-1656) regarding his experiences as a Dominican friar in Mexico and Guatemala between 1625 and 1637. His 1648 travelogue, The English-American His Travail by Sea and Land, is the first detailed eyewitness report of daily life in the Spanish colonies by an English writer. Yet this work and his other writings were published after he converted to Protestantism and formed an explicit part of anti-Catholic discourse in England.  Methodology:  Written from a historical-musicological perspective, this study is informed by the approaches of sensory history to identify and critique the sonic episodes and metaphors in Gage&#8217;s texts. It critically analyzes his travelogue and investigates how his accounts of musical, gastronomic, and religious experiences underpinned and influenced his political and theological views. To draw out his unique perspectives on music, it also considers soundscapes and the material and cultural dimensions in his descriptions.  Originality:  Recent scholarship has shown how Gage&#8217;s transnational and transconfessional identities did not fit traditional frameworks of analysis and limited scholarly attention to him. Lately, however, researchers have highlighted his mention of the senses. This article focuses specifically on hearing to show that his writings contain unique viewpoints and data on music and sound.  Conclusions:  Assessment of Thomas Gage within the frameworks of musicology and sensory history demonstrates that he invoked the senses in seemingly unique ways, especially by conflating their physical and metaphysical dimensions when critiquing Catholic practices in colonial contexts.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen.  Objetivo/Contexto:  este artículo examina la sensorialidad en las escrituras de Thomas Gage (c. 1603-1656) que dan a conocer sus experiencias como fraile dominico en México y Guatemala entre 1625 y 1637. Su libro The English-American his Travail by Sea and Land, de 1648, es importante por ser el primer informe detallado de un escritor inglés sobre la vida cotidiana en las colonias españolas de América. No obstante, Gage publicó esta obra y otros textos después de su conversión al protestantismo, que contribuyeron, explícitamente, al discurso anticatólico en Inglaterra.  Metodología:  el presente estudio, escrito desde la perspectiva de la musicología histórica e influenciado por las aproximaciones de la historia sensorial, identifica y evalúa los episodios y metáforas sónicas en los textos de Gage. Analiza cómo sus descripciones de experiencias musicales, gastronómicas y religiosas mostraban sus puntos de vista políticos y teológicos. Considera, también, el concepto de los paisajes sonoros, las dimensiones materiales y culturales.  Originalidad:  otros historiadores han mostrado cómo las identidades transnacionales y transconfesionales como las de Gage no tuvieron lugar en los marcos tradicionales de análisis; sin embargo, investigadores recientes han destacado sus menciones de los sentidos. Este artículo se enfoca en el oído y muestra las perspectivas excepcionales de Gage y sus datos sobre la música y el sonido.  Conclusiones:  la evaluación de Gage dentro de los marcos de la musicología y la historia sensorial demuestra que invocó los sentidos en maneras únicas, especialmente en la conflación de sus dimensiones físicas y metafísicas en la crítica de prácticas católicas en contextos coloniales.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo.  Objetivo/Contexto:  neste artigo, examina-se a sensorialidade nos escritos de Thomas Gage (c. 1603-1656), que fornecem informações sobre suas experiências como frade dominicano no México e na Guatemala entre 1625 e 1637. Seu livro de 1648, The English-American his Travail by Sea and Land, é importante por ser o primeiro relato detalhado de um escritor inglês sobre a vida cotidiana nas colônias espanholas nas Américas. Entretanto, Gage publicou essa obra e outros textos após sua conversão ao protestantismo, o que contribuiu explicitamente para o discurso anticatólico na Inglaterra.  Metodologia:  este estudo, escrito a partir da perspectiva da musicologia histórica e influenciado pelas abordagens da história sensorial, identifica e avalia os episódios e as metáforas sônicos nos textos de Gage. Analisa-se como suas descrições de experiências musicais, gastronômicas e religiosas refletiam suas visões políticas e teológicas. Também se considera o conceito de paisagens sonoras e das dimensões materiais e culturais.  Originalidade:  outros historiadores mostraram como as identidades transnacionais e transdenominacionais, como a de Gage, não tinham lugar nas estruturas tradicionais de análise; no entanto, pesquisadores recentes destacaram suas menções aos sentidos. Este artigo se concentra na audição e mostra as percepções e os dados excepcionais de Gage sobre música e som.  Conclusões:  a avaliação de Gage dentro do contexto da musicologia e da história sensorial demonstra que ele invocou os sentidos de maneiras únicas, especialmente ao combinar suas dimensões físicas e metafísicas na crítica das práticas católicas em contextos coloniais.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Catholicism]]></kwd>
<kwd lng="en"><![CDATA[Dominicans]]></kwd>
<kwd lng="en"><![CDATA[Guatemala]]></kwd>
<kwd lng="en"><![CDATA[Mexico]]></kwd>
<kwd lng="en"><![CDATA[Protestantism]]></kwd>
<kwd lng="en"><![CDATA[sensory history]]></kwd>
<kwd lng="en"><![CDATA[soundscapes]]></kwd>
<kwd lng="en"><![CDATA[Thomas Gage]]></kwd>
<kwd lng="es"><![CDATA[catolicismo]]></kwd>
<kwd lng="es"><![CDATA[Dominicos]]></kwd>
<kwd lng="es"><![CDATA[Guatemala]]></kwd>
<kwd lng="es"><![CDATA[historia sensorial]]></kwd>
<kwd lng="es"><![CDATA[México]]></kwd>
<kwd lng="es"><![CDATA[paisajes sonoros]]></kwd>
<kwd lng="es"><![CDATA[protestantismo]]></kwd>
<kwd lng="es"><![CDATA[Thomas Gage.]]></kwd>
<kwd lng="pt"><![CDATA[catolicismo]]></kwd>
<kwd lng="pt"><![CDATA[dominicanos]]></kwd>
<kwd lng="pt"><![CDATA[Guatemala]]></kwd>
<kwd lng="pt"><![CDATA[história sensorial]]></kwd>
<kwd lng="pt"><![CDATA[México]]></kwd>
<kwd lng="pt"><![CDATA[paisagens sonoras]]></kwd>
<kwd lng="pt"><![CDATA[protestantismo]]></kwd>
<kwd lng="pt"><![CDATA[Thomas Gage.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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