<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0121-3628</journal-id>
<journal-title><![CDATA[Estudios de Filosofía]]></journal-title>
<abbrev-journal-title><![CDATA[Estud.filos]]></abbrev-journal-title>
<issn>0121-3628</issn>
<publisher>
<publisher-name><![CDATA[Instituto de Filosofía, Universidad de Antioquia.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0121-36282018000200197</article-id>
<article-id pub-id-type="doi">10.17533/udea.ef.n58a09</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Sobre la historia del arte que nos merecemos]]></article-title>
<article-title xml:lang="en"><![CDATA[On the art history that we deserve]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Jarque Soriano]]></surname>
<given-names><![CDATA[Vicente]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Castilla-La Mancha Facultad de Bellas Artes Departamento de Filosofía, Antropología, Sociología y Estética]]></institution>
<addr-line><![CDATA[ Castilla-La Mancha]]></addr-line>
<country>España</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2018</year>
</pub-date>
<numero>58</numero>
<fpage>197</fpage>
<lpage>213</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0121-36282018000200197&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0121-36282018000200197&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0121-36282018000200197&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen. El ensayo parte de la necesidad de seguir desarrollando visiones del arte contemporáneo alternativas a la historia oficial, como lo son las que se proponen desde el punto de vista del feminismo o desde las posiciones queer. Toma como ejemplo particularmente brillante y significativo los trabajos de Douglas Crimp sobre Warhol, en los que, enfrentándose al silencio habitual respecto a su homosexualidad, trata de presentar su obra, y especialmente buena parte de su cine, desde una perspectiva gay, mostrando que sin ella resulta bastante menos inteligible. Aunque Crimp sostiene que esas interpretaciones derivan de los llamados &#8220;estudios culturales&#8221;, en las conclusiones se intenta señalar que esos textos, aunque de alcance relativo, a causa de la concreta delimitación de su declarada militancia, pueden ser entendidos también (al igual que los de otros encuadrados en la queer theory) como legítimas y muy valiosas contribuciones de una nueva historiografía del arte contemporáneo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract. The essay is based on the need to keep developing alternatives to the official history of contemporary art. These alternatives would be the kind proposed from the point of view of feminism or queer theory. It takes the works of Douglas Crimp on Warhol as an example particularly brilliant and meaningful. In these works, facing the usual silence about his homosexuality, he is presents his work, and especially most of his films, from a gay perspective, showing that without it, it is rather less intelligible. Although Crimp argues that these interpretations are derived from the so-called &#8220;cultural studies&#8221;, the conclusions are trying to point out that these texts, yet short in scope for the specific delimitation of its declared militancy, can be also understood (as well as those of others within the queer theory) as a legitimate and valuable contributions of a new historiography of contemporary art.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Historia del arte]]></kwd>
<kwd lng="es"><![CDATA[Queer Theory]]></kwd>
<kwd lng="es"><![CDATA[Estudios Culturales]]></kwd>
<kwd lng="es"><![CDATA[Teoría del Cine]]></kwd>
<kwd lng="es"><![CDATA[Andy Warhol]]></kwd>
<kwd lng="en"><![CDATA[Art History]]></kwd>
<kwd lng="en"><![CDATA[Queer Theory]]></kwd>
<kwd lng="en"><![CDATA[Cultural Studies]]></kwd>
<kwd lng="en"><![CDATA[Film Theory]]></kwd>
<kwd lng="en"><![CDATA[Warhol]]></kwd>
</kwd-group>
</article-meta>
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