<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0121-3628</journal-id>
<journal-title><![CDATA[Estudios de Filosofía]]></journal-title>
<abbrev-journal-title><![CDATA[Estud.filos]]></abbrev-journal-title>
<issn>0121-3628</issn>
<publisher>
<publisher-name><![CDATA[Instituto de Filosofía, Universidad de Antioquia.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0121-36282022000200131</article-id>
<article-id pub-id-type="doi">10.17533/udea.ef.349487</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[De la estética como crítica a las gramáticas de lo inaudito: resistencias estéticas frente a la violencia epistémica (autobiografía académica)]]></article-title>
<article-title xml:lang="en"><![CDATA[From aesthetics as critique to grammars of listening: aesthetic resistance to epistemic violence (autobiographical essay)]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Acosta López]]></surname>
<given-names><![CDATA[María del Rosario]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de California  ]]></institution>
<addr-line><![CDATA[Riverside ]]></addr-line>
<country>USA</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2022</year>
</pub-date>
<numero>66</numero>
<fpage>131</fpage>
<lpage>154</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0121-36282022000200131&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0121-36282022000200131&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0121-36282022000200131&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo presenta una visión general de mi trabajo en filosofía, desde mi primer libro sobre Friedrich Schiller y la relevancia política de lo sublime estético, hasta mi proyecto más reciente sobre la escucha de violencias de carácter traumático. Comienzo con una reflexión corta sobre la naturaleza de este recorrido autobiográfico, para pasar, en un segundo momento, a abordar la pregunta por una dimensión estética de la crítica filosófica. Al tomar como punto de partida la estética entendida y desplegada como crítica, paso entonces en una última sección del artículo a preguntarme por los marcos específicos o gramáticas de sentido que definen de antemano las condiciones de audibilidad en contextos de producción de memoria y de conocimiento histórico. En estos contextos me interesa particularmente rastrear la pregunta por formas de violencia histórica, política e institucional que producen silenciamiento y borramiento. Pongo en diálogo esto último con los estudios descoloniales, para proponer una (re)interpretación de la violencia colonizadora como una forma de &#8220;vio lencia traumática&#8221;, entendiendo que uno de los aspectos centrales de esta última es que no sólo consiste en un asalto a la vida, sino a las condiciones de producción de sentido que la hacen legible. En este contexto, mi proyecto sobre las gramáticas de la escucha, conectado con una reflexión filosófica sobre la injusticia y la violencia epistémicas, y articulada desde una perspectiva estética y descolonial, busca descifrar estas complejas intersecciones, al tiempo que explica por qué una forma radical de escucha es una estrategia subversiva/ imaginativa esencial contra la violencia traumática/colonial.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This paper presents an overview of my work in philosophy from my first book on Friedrich Schiller and the political sublime to my most recent project on listening to traumatic forms of violence. Starting with a reflection on the autobiographical character of philosophy, I propose to move on afterwards to the question of an aesthetic dimension of philosophical critique. Departing from aesthetics understood and deployed as critique, the paper ends by asking about the specific frameworks or grammars of sense that define the conditions for something to be (or be rendered) audible in the realms of memory-building and history-making. A attend particularly here to forms of historical, political, and institutional violence that are aimed to produce silencing and erasure. Putting in dialogue the latter with decolonial studies, I (re)interpret &#8220;traumatic violence&#8221; as a colonizing form of violence, understanding that one of its central aspects is that it is not only an assault on life but on the conditions of production of sense that make life legible. In this context, my project on grammars of listening, in conversation with a decolonial approach to epistemic injustice and violence, seeks to carefully unpack these complex intersections while also explaining why I believe that a radical form of listening is an essential subversive/imaginative strategy against traumatic/colonial violence.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[estética]]></kwd>
<kwd lng="es"><![CDATA[crítica]]></kwd>
<kwd lng="es"><![CDATA[gramáticas de la escucha]]></kwd>
<kwd lng="es"><![CDATA[trauma]]></kwd>
<kwd lng="es"><![CDATA[descolonialidad]]></kwd>
<kwd lng="es"><![CDATA[memoria]]></kwd>
<kwd lng="en"><![CDATA[aesthetics]]></kwd>
<kwd lng="en"><![CDATA[critique]]></kwd>
<kwd lng="en"><![CDATA[grammars of listening]]></kwd>
<kwd lng="en"><![CDATA[trauma]]></kwd>
<kwd lng="en"><![CDATA[decoloniality]]></kwd>
<kwd lng="en"><![CDATA[memory]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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