<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0121-3628</journal-id>
<journal-title><![CDATA[Estudios de Filosofía]]></journal-title>
<abbrev-journal-title><![CDATA[Estud.filos]]></abbrev-journal-title>
<issn>0121-3628</issn>
<publisher>
<publisher-name><![CDATA[Instituto de Filosofía, Universidad de Antioquia.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0121-36282023000200031</article-id>
<article-id pub-id-type="doi">10.17533/udea.ef.352426</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Art between Fetishism and Melancholy in Adorno&#8217;s Aesthetic Theory]]></article-title>
<article-title xml:lang="es"><![CDATA[El arte entre el fetichismo y la melancolía en la Teoría Estética de Adorno]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ben&#269;in]]></surname>
<given-names><![CDATA[Rok]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Slovenian Academy of Sciences and Arts Research Centre ]]></institution>
<addr-line><![CDATA[Ljubljana ]]></addr-line>
<country>Slovenia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<numero>68</numero>
<fpage>31</fpage>
<lpage>43</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0121-36282023000200031&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0121-36282023000200031&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0121-36282023000200031&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The article explores Adorno&#8217;s understanding of fetishism and melancholy as immanent to the artwork&#8217;s autonomous structure. In order to understand the relation between them, the Freudian understanding of fetishism and melancholy has to be considered along with the more explicit reference to the Marxist concept of commodity fetishism. Analysing the implications of Adorno&#8217;s claim that commodity fetishism is at the origin of artistic autonomy, the article shows how it should be understood not only as a materialist demystification but also as a reaffirmation of art&#8217;s apparent self-sufficiency and its capacity to resist the commodification of society. Nevertheless-the article claims-thas this is only possible if art&#8217;s fetishism is dialectically opposed to its melancholy, through which art establishes a relation to the heterogeneous element of the lost object produced by its autonomous form.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El artículo explora la comprensión de Adorno del fetichismo y la melancolía como inmanentes a la estructura autónoma de la obra de arte. Para comprender la relación entre estas, se debe considerar la concepción freudiana del fetichismo y la melancolía, junto con la referencia más explícita al concepto marxista del fetichismo de la mercancía. Analizando las implicaciones de la afirmación de Adorno de que el fetichismo de la mercancía está en el origen de la autonomía artística, el artículo muestra cómo debe entenderse, no solo como una desmitificación materialista, sino también como una reafirmación de la aparente autosuficiencia del arte y su capacidad para resistir la mercantilización de la sociedad. Sin embargo -afirma el artículo- esto sólo es posible si el fetichismo del arte se opone dialécticamente a su melancolía, a través de la cual el arte establece una relación con el elemento heterogéneo del objeto perdido producido por su forma autónoma.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[aesthetics]]></kwd>
<kwd lng="en"><![CDATA[commodity fetishism]]></kwd>
<kwd lng="en"><![CDATA[melancholy]]></kwd>
<kwd lng="en"><![CDATA[form]]></kwd>
<kwd lng="en"><![CDATA[Adorno]]></kwd>
<kwd lng="en"><![CDATA[Marx]]></kwd>
<kwd lng="en"><![CDATA[Freud]]></kwd>
<kwd lng="es"><![CDATA[estética]]></kwd>
<kwd lng="es"><![CDATA[fetichismo de la mercancía]]></kwd>
<kwd lng="es"><![CDATA[melancolía]]></kwd>
<kwd lng="es"><![CDATA[forma]]></kwd>
<kwd lng="es"><![CDATA[Adorno]]></kwd>
<kwd lng="es"><![CDATA[Marx]]></kwd>
<kwd lng="es"><![CDATA[Freud]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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