<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0121-7550</journal-id>
<journal-title><![CDATA[Nómadas]]></journal-title>
<abbrev-journal-title><![CDATA[Nómadas]]></abbrev-journal-title>
<issn>0121-7550</issn>
<publisher>
<publisher-name><![CDATA[Universidad Central]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0121-75502018000100197</article-id>
<article-id pub-id-type="doi">10.30578/nomadas.n48a12</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Magín Díaz y el bullerengue como poética de la existencia]]></article-title>
<article-title xml:lang="pt"><![CDATA[Magín Díaz e o bullerengue como poética da existência]]></article-title>
<article-title xml:lang="en"><![CDATA[Magín Díaz and bullerengue as poetics of existence]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Bustos Echeverry]]></surname>
<given-names><![CDATA[Daniel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Bogotá  ]]></institution>
<addr-line><![CDATA[Bogotá ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2018</year>
</pub-date>
<numero>48</numero>
<fpage>197</fpage>
<lpage>205</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0121-75502018000100197&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0121-75502018000100197&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0121-75502018000100197&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen A pesar de ser compositor de grandes éxitos de la música popular colombiana y de haber concebido música por más de 80 años, Magín Díaz García, uno de los músicos afrocolombianos más importantes de Latinoamérica, solamente logró el reconocimiento a sus 95 años. Gracias a su relato oral y a su calidad poética, la figura de Díaz García por fin cruzó el abismo del anonimato, alcanzó los más importantes galardones internacionales y se convirtió en uno de los grandes personajes de la diáspora africana. El artículo hace un recorrido por su vida y obra como reconocimiento a sus aportes culturales en nuestra historia.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Apesar de ser um compositor de grandes sucessos da música popular colombiana e de ter concebido música por mais de 80 anos, Magín Díaz García, um dos mais importantes músicos afro-colombianos na América Latina, só conseguiu o reconhecimento no seu aniversário de número 95. Graças à sua habilidade para a narrativa oral e à sua qualidade poética, a figura de Diaz Garcia finalmente atravessou o abismo do anonimato, alcançou os mais importantes prémios internacionais e tornou-se um dos grandes personagens da diáspora africana. O artigo faz um tour de sua vida e trabalho como um reconhecimento de suas contribuições culturais em nossa história.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Despite being a composer of great successes of Colombian popular music and having created music for more than 80 years, Magín Díaz García, one of the most important Afro-Colombian musicians in Latin America, only achieved recognition at 95 years of age. Thanks to his oral storytelling and his poetic quality, the musical figure of Díaz García finally crossed the abyss of anonymity and reached the most important international awards and became one of the great figures of the African Diaspora. The article takes an overview of his life and work as a recognition of his cultural contributions in our history.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[bullerengue]]></kwd>
<kwd lng="es"><![CDATA[Cuba-Colombia]]></kwd>
<kwd lng="es"><![CDATA[afrocolombiano]]></kwd>
<kwd lng="es"><![CDATA[música]]></kwd>
<kwd lng="es"><![CDATA[Caribe]]></kwd>
<kwd lng="es"><![CDATA[ch'ixi]]></kwd>
<kwd lng="pt"><![CDATA[bullerengue]]></kwd>
<kwd lng="pt"><![CDATA[Cuba-Colômbia]]></kwd>
<kwd lng="pt"><![CDATA[colombiana]]></kwd>
<kwd lng="pt"><![CDATA[música]]></kwd>
<kwd lng="pt"><![CDATA[Caribe]]></kwd>
<kwd lng="pt"><![CDATA[ch'ixi]]></kwd>
<kwd lng="en"><![CDATA[bullerengue]]></kwd>
<kwd lng="en"><![CDATA[Cuba-Colombia]]></kwd>
<kwd lng="en"><![CDATA[Afro-Colombian]]></kwd>
<kwd lng="en"><![CDATA[music]]></kwd>
<kwd lng="en"><![CDATA[Caribbean]]></kwd>
<kwd lng="en"><![CDATA[ch'ixi]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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