<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0121-7550</journal-id>
<journal-title><![CDATA[Nómadas]]></journal-title>
<abbrev-journal-title><![CDATA[Nómadas]]></abbrev-journal-title>
<issn>0121-7550</issn>
<publisher>
<publisher-name><![CDATA[Universidad Central]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0121-75502024000100003</article-id>
<article-id pub-id-type="doi">10.30578/nomadas.n58a12</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Estructuras de la nostalgia. Música, objetos y narrativa en Guardianes de la galaxia]]></article-title>
<article-title xml:lang="pt"><![CDATA[Estruturas da nostalgia. Música, objetos e narrativaem Guardiões da Galáxia]]></article-title>
<article-title xml:lang="en"><![CDATA[Structures of Nostalgia. Music, Objects, and Narrative in Guardians of the Galaxy]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cruz-González]]></surname>
<given-names><![CDATA[María Catalina]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Arango-Lopera]]></surname>
<given-names><![CDATA[Carlos Andrés]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Externado de Colombia  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad de Medellín Facultad de Comunicación ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<volume>58</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0121-75502024000100003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0121-75502024000100003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0121-75502024000100003&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[El artículo analiza cómo la nostalgia se integra en la trilogía Guardianes de la galaxia, examinando el papel de la música y determinados objetos tecnológicos como resortes simbólicos que detonan procesos de construcción identitaria, conexión intergeneracional y gestión emocional. Los autores encuentran que la nostalgia actúa como eje estructural que enlaza pasado y presente mediante la activación de emociones, las cuales facilitan procesos de aceptación, transformación personal y cohesión grupal en los personajes. Estos hallazgos contribuyen a comprender la nostalgia como recurso estético en el cine de superhéroes y la estrategia narrativa-comercial que incide en la construcción cultural de identidades y memorias]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[O artigo analisa como a nostalgia é integrada na trilogia Guardiões da Galáxia, examinando o papel da música e determinados objetos tecnológicos como molas simbólicas que desencadeiam processos de construção de identidade, conexão intergeracional e gestão emocional. Os autores concluem que a nostalgia atua como um eixo estrutural que liga passado e presente por meio da ativação de emoções, as quais facilitam processos de aceitação, transformação pessoal e coesão grupal nos personagens. Estas descobertas contribuem para a compreensão da nostalgia como recurso estético no cinema de super-heróis e a estratégia narrativa-comercial que influencia a construção cultural de identidades e memórias]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[This article examines how nostalgia is integrated into the Guardians of the Galaxy trilogy, focusing on the role of music and specific technological objects as symbolic triggers that activate processes of identity construction, intergenerational connection, and emotional regulation. The authors find that nostalgia functions as a structural axis linking past and present through the activation of emotions, which, in turn, facilitate processes of acceptance, personal transformation, and group cohesion among the characters. These findings contribute to understanding nostalgia both as an aesthetic resource in superhero cinema and as a narrative-commercial strategy shaping the cultural construction of identities and memories.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[música]]></kwd>
<kwd lng="es"><![CDATA[nostalgia]]></kwd>
<kwd lng="es"><![CDATA[Guardianes de la galaxia]]></kwd>
<kwd lng="es"><![CDATA[sentimientos]]></kwd>
<kwd lng="es"><![CDATA[tecnología]]></kwd>
<kwd lng="es"><![CDATA[construcción identitaria]]></kwd>
<kwd lng="pt"><![CDATA[música]]></kwd>
<kwd lng="pt"><![CDATA[nostalgia]]></kwd>
<kwd lng="pt"><![CDATA[Guardiões da Galáxia]]></kwd>
<kwd lng="pt"><![CDATA[sentimentos]]></kwd>
<kwd lng="pt"><![CDATA[tecnologia]]></kwd>
<kwd lng="pt"><![CDATA[construção de identidade]]></kwd>
<kwd lng="en"><![CDATA[music]]></kwd>
<kwd lng="en"><![CDATA[nostalgia]]></kwd>
<kwd lng="en"><![CDATA[Guardians of the Galaxy]]></kwd>
<kwd lng="en"><![CDATA[emotions]]></kwd>
<kwd lng="en"><![CDATA[technology]]></kwd>
<kwd lng="en"><![CDATA[identity construction]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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