<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0121-7550</journal-id>
<journal-title><![CDATA[Nómadas]]></journal-title>
<abbrev-journal-title><![CDATA[Nómadas]]></abbrev-journal-title>
<issn>0121-7550</issn>
<publisher>
<publisher-name><![CDATA[Universidad Central]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0121-75502024000100010</article-id>
<article-id pub-id-type="doi">10.30578/nomadas.n58a5</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Testimonios y confesiones. Tensiones trans* en las modalidades de emergencia de sí]]></article-title>
<article-title xml:lang="pt"><![CDATA[Testemunhas e confissões. Tensões trans * nas modalidades de emergência de si]]></article-title>
<article-title xml:lang="en"><![CDATA[Testimonies and Confessions: Trans * Tensions in the Modalities of Self-Emergence]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Santo]]></surname>
<given-names><![CDATA[Mag De]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de las Artes  ]]></institution>
<addr-line><![CDATA[Buenos Aires ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<volume>58</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0121-75502024000100010&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0121-75502024000100010&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0121-75502024000100010&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[El artículo, a partir de la problemática de las comunidades subalternizadas en los marcadores de identidad por sexo, género, clase y raza, analiza algunos debates en torno a dos filmes: Paris is Burning, considerado un insumo fundamental dentro de los estudios culturales, es abordado críticamente para desarrollar un encuadre contemporáneo, con el fin de hacer el trabajo crítico de Orlando, mi biografía política, de Paul Preciado. A partir de allí, se complejiza la tensión que supone el dispositivo testimonial como una vuelta al sí mismo y revisitar los límites y las tensiones que gravitan en torno a la necesidad de construir representaciones de un "nosotros, los supervivientes" como alternativa a la instrumentalización.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[O artigo, a partir da problemática das comunidades subalterniazadas nos marcadores de identidade por sexo, gênero, classe e raça, analisa alguns debates em torno de dois filmes: Paris is Burning, considerado insumo fundamental dentro dos estudos culturais, é tratado criticamente para desenvolver um enquadramento contemporâneo, com o objetivo de fazer o trabalho crítico de Orlando, mi biografía política, de Paul Preciado. A partir daqui, é complexificada a tensão que supõe o dispositivo testemunhal como uma virada ao si mesmo, e revisitar os limites e as tensões que gravitam em torno da necessidade de construir representações de um "nós, os sobreviventes" como alternativa à instrumentalização.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Starting from the problematic positioning of subalternized communities marked by sex, gender, class, and race identities, this article analyzes certain debates surrounding two films: Paris is Burning, regarded as a foundational reference in cultural studies, is critically examined to develop a contemporary framework that enables a critical reading of Orlando, My Political Biography by Paul Preciado. From this perspective, the article deepens the analysis of the testimonial device as a return to the self, revisiting the boundaries and tensions involved in the need to construct representations of a "we, the survivors" as an alternative to instrumentalization.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[instrumentalización]]></kwd>
<kwd lng="es"><![CDATA[trans*]]></kwd>
<kwd lng="es"><![CDATA[testimonio]]></kwd>
<kwd lng="es"><![CDATA[representación]]></kwd>
<kwd lng="es"><![CDATA[emergencia de sí]]></kwd>
<kwd lng="es"><![CDATA[filmes]]></kwd>
<kwd lng="pt"><![CDATA[instrumentalização]]></kwd>
<kwd lng="pt"><![CDATA[trans *]]></kwd>
<kwd lng="pt"><![CDATA[testemunha]]></kwd>
<kwd lng="pt"><![CDATA[representação]]></kwd>
<kwd lng="pt"><![CDATA[emergência de si]]></kwd>
<kwd lng="pt"><![CDATA[filmes]]></kwd>
<kwd lng="en"><![CDATA[instrumentalization]]></kwd>
<kwd lng="en"><![CDATA[trans *]]></kwd>
<kwd lng="en"><![CDATA[testimony]]></kwd>
<kwd lng="en"><![CDATA[representation]]></kwd>
<kwd lng="en"><![CDATA[self-emergence]]></kwd>
<kwd lng="en"><![CDATA[films]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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