<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0121-8530</journal-id>
<journal-title><![CDATA[La Palabra]]></journal-title>
<abbrev-journal-title><![CDATA[La Palabra]]></abbrev-journal-title>
<issn>0121-8530</issn>
<publisher>
<publisher-name><![CDATA[Universidad Pedagógica y Tecnológica de Colombia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0121-85302024000100010</article-id>
<article-id pub-id-type="doi">10.19053/uptc.01218530.n47.2024.17202</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[En torno a la voz. Notas sobre las poéticas latinoamericanas del significante]]></article-title>
<article-title xml:lang="en"><![CDATA[On Voice: Notes on Latin American Poetics of the Signifier]]></article-title>
<article-title xml:lang="pt"><![CDATA[Em torno da voz: Notas sobre as poéticas Latino-Americanas do sgnificante]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Calderón Farfán]]></surname>
<given-names><![CDATA[Alí]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Benemérita Universidad Autónoma de Puebla  ]]></institution>
<addr-line><![CDATA[Puebla ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2024</year>
</pub-date>
<numero>47</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0121-85302024000100010&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0121-85302024000100010&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0121-85302024000100010&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El artículo delimita el concepto de "voz" en los niveles intratextual y extratextual. A partir de la "des-represión del autor" (Barthes), se piensa la voz como punto de intersección entre el cuerpo y el len guaje, y se consideran las implicaciones metodológicas de este pun to de vista (Meschonnic, Maulpoix, Benoit). En el "afuera" del tex to, la voz puede entenderse como consecuencia de la bouche-oreille referida por Valéry y como el espacio donde la pulsión da origen a la pulsación poética (Kristeva). Esta macrorretórica tiene su correlato al interior del texto donde la voz se caracteriza como la signatu ra sonora del sujeto lírico (Blasing). En la descripción de algunos textos de poetas latinoamericanos se refieren distintos fenómenos identificados con la dinámica de la voz. En consecuencia, se provee un concepto operativo para el análisis de la poesía contemporánea.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The article aims to delimit the concept of "voice" in the poem at both its intratextual and extratextual levels. This reflection, grounded in the methodological framework of French lyrical enunciation theory (Meschonnic, Maulpoix, Benoit), starts from the notion of the "un-repression of the author" (Barthes), conceiving voice as the point of intersection between the body and language. Adopting this perspective allows us to speculate that, in the "outside" of the text, the voice is understood as a consequence of the bouche-oreille mentioned by Paul Valéry, and as the stage where the pulsion gives rise to poetic pulsa tion (Kristeva). This macro-rhetoric finds its counterpart within the text, where the voice is characterized as the sonic signature of the lyrical subject (Blasing). Various phenomena associated with the dynamics of the voice are described in the analysis of selected texts by Latin American poets. Thus, an operative concept for the analysis of contemporary poetry is achieved.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O artigo tem como objetivo delimitar o conceito de "voz" no poema em seus níveis intratextual e ex tratextual. Esta reflexão, fundamentada na teoria da enunciação lírica francesa (Meschonnic, Maulpoix, Benoit), a partir do conceito de "des-repressão do autor" (Barthes), concebe a voz como ponto de in terseção entre o corpo e a linguagem. A adoção desse ponto de vista permite conjecturar que, fora do texto, a voz é entendida como consequência da bouche-oreille mencionada por Paul Valéry, além de ser o cenário onde a pulsão dá origem à pulsação poética (Kristeva). Essa macro-rétorica encontra seu co rrelato dentro do texto, onde a voz é caracterizada como a assinatura sonora do sujeito lírico (Blasing). Na descrição de alguns textos de poetas latino-americanos, diferentes fenômenos identificados com a dinâmica da voz são referidos. Dessa forma, alcança-se um conceito operacional para a análise da poesia contemporânea.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[voz]]></kwd>
<kwd lng="es"><![CDATA[enunciación lírica]]></kwd>
<kwd lng="es"><![CDATA[sujeto lírico]]></kwd>
<kwd lng="es"><![CDATA[poesía lati noamericana]]></kwd>
<kwd lng="es"><![CDATA[poéticas del significante]]></kwd>
<kwd lng="en"><![CDATA[voice]]></kwd>
<kwd lng="en"><![CDATA[lyrical enunciation]]></kwd>
<kwd lng="en"><![CDATA[lyrical subject]]></kwd>
<kwd lng="en"><![CDATA[Latin American poetry]]></kwd>
<kwd lng="en"><![CDATA[poetics of the signifier]]></kwd>
<kwd lng="pt"><![CDATA[voz]]></kwd>
<kwd lng="pt"><![CDATA[enunciação lírica]]></kwd>
<kwd lng="pt"><![CDATA[sujeito lírico]]></kwd>
<kwd lng="pt"><![CDATA[poesia latino-americana]]></kwd>
<kwd lng="pt"><![CDATA[poéticas do significante]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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