<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0121-8530</journal-id>
<journal-title><![CDATA[La Palabra]]></journal-title>
<abbrev-journal-title><![CDATA[La Palabra]]></abbrev-journal-title>
<issn>0121-8530</issn>
<publisher>
<publisher-name><![CDATA[Universidad Pedagógica y Tecnológica de Colombia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0121-85302024000200003</article-id>
<article-id pub-id-type="doi">10.19053/uptc.01218530.n48.2024.18242</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[IA en el mundo de las artes: un análisis crítico de las comunidades creativas que trabajan con Machine Learning y los efectos de la tecnología en la producción artística]]></article-title>
<article-title xml:lang="en"><![CDATA[AI in the World of Arts: a Critical Analysis of Creative Communities Working with Machine Learning and the Effects of Technology on Artistic Production]]></article-title>
<article-title xml:lang="pt"><![CDATA[A IA no mundo das artes: uma análise crítica das comunidades criativas que trabalham com a Machine Learning e os efeitos da tecnologia na produção artística]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Alonso-Martínez]]></surname>
<given-names><![CDATA[Héctor]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Jarquín-Ramírez]]></surname>
<given-names><![CDATA[Mauro]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Diez-Gutiérrez]]></surname>
<given-names><![CDATA[Enrique Javier]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universitat de Barcelona  ]]></institution>
<addr-line><![CDATA[Barcelona ]]></addr-line>
<country>España</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad Nacional Autónoma de México  ]]></institution>
<addr-line><![CDATA[Ciudad de Mexico ]]></addr-line>
<country>México</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidad de León  ]]></institution>
<addr-line><![CDATA[León ]]></addr-line>
<country>España</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>10</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>10</month>
<year>2024</year>
</pub-date>
<numero>48</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0121-85302024000200003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0121-85302024000200003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0121-85302024000200003&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo explora la intersección entre la inteligencia artificial (IA) y el arte contemporáneo, analizando cómo la IA redefine la creatividad, la autoría y las dinámicas sociales en la producción artística, así como sus implicaciones éticas y estéticas. Se realiza una revisión crítica de la literatura sobre la incorporación de la IA en el arte, abordando tres niveles de análisis: la comunidad técnica, el mundo del arte y las ciencias cognitivas, para entender sus interacciones y sus efectos en la creatividad. Se identifican tensiones entre la creatividad humana y la actividad de las máquinas. De allí se destaca cómo la IA puede democratizar el acceso a herramientas artísticas, pero también se plantean desafíos sobre la autenticidad y el valor del arte producido por humanos frente al de las máquinas. El estudio concluye que es esencial incluir diversas voces en el desarrollo de IA para mitigar sesgos y redefinir conceptos de creatividad y autoría en un contexto posthumanista.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article examines the intersection of artificial intelligence (AI) and contemporary art, focusing on how AI reconfigures creativity, authorship, and social dynamics in artistic production, as well as its broader ethical and aesthetic implications. Through a critical review of the relevant literature-encompassing the technical community, the art world, and the cognitive sciences-this study illuminates the multifaceted interactions that shape creative processes. It identifies tensions between human creativity and machine-generated output, acknowledging that while AI can democratize access to artistic tools, it also raises pressing questions regarding authenticity and the valuation of art produced by humans compared to that created by machines. The analysis concludes by underscoring the importance of including diverse voices in AI development to mitigate biases and redefine prevailing notions of creativity and authorship within a posthumanist framework.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo explora a intersecção entre a inteligência artificial (IA) e a arte contemporânea, analisando a forma como a IA redefine a criatividade, a autoria e as dinâmicas sociais na produção artística, bem como as suas implicações éticas e estéticas. É feita uma revisão crítica da literatura sobre a incorporação da IA nas artes, abordando três níveis de análise: a comunidade técnica, o mundo da arte e as ciências cognitivas, de modo a compreender as suas interações e efeitos na criatividade. O estudo identifica tensões entre a criatividade humana e a atividade das máquinas, destacando como a IA pode democratizar o acesso a ferramentas artísticas, mas também levanta desafios sobre a autenticidade e o valor da arte produzida por humanos versus máquinas. O estudo conclui que é essencial incluir diversas vozes no desenvolvimento da IA para mitigar preconceitos e redefinir conceitos de criatividade e autoria num contexto pós-humanista.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[arte]]></kwd>
<kwd lng="es"><![CDATA[inteligencia artificial]]></kwd>
<kwd lng="es"><![CDATA[creatividad]]></kwd>
<kwd lng="es"><![CDATA[posthumanismo]]></kwd>
<kwd lng="es"><![CDATA[autenticidad]]></kwd>
<kwd lng="en"><![CDATA[art]]></kwd>
<kwd lng="en"><![CDATA[artificial intelligence]]></kwd>
<kwd lng="en"><![CDATA[creativity]]></kwd>
<kwd lng="en"><![CDATA[posthumanism]]></kwd>
<kwd lng="en"><![CDATA[authenticity]]></kwd>
<kwd lng="pt"><![CDATA[arte]]></kwd>
<kwd lng="pt"><![CDATA[inteligência artificial]]></kwd>
<kwd lng="pt"><![CDATA[criatividade]]></kwd>
<kwd lng="pt"><![CDATA[pós-humanismo]]></kwd>
<kwd lng="pt"><![CDATA[autenticidade]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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