<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0122-8285</journal-id>
<journal-title><![CDATA[Palabra Clave]]></journal-title>
<abbrev-journal-title><![CDATA[Palabra Clave]]></abbrev-journal-title>
<issn>0122-8285</issn>
<publisher>
<publisher-name><![CDATA[Universidad de La Sabana]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0122-82852017000100069</article-id>
<article-id pub-id-type="doi">10.5294/pacla.2017.20.1.4</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Cinema as a Foucauldian Dispositif: An Anachronistic and Materialistic Approach]]></article-title>
<article-title xml:lang="es"><![CDATA[El cine como dispositivo foucaultiano: un enfoque anacrónico y materialista]]></article-title>
<article-title xml:lang="pt"><![CDATA[O cinema como dispositivo foucaultiano: um enfoque anacrônico e materialista]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cárdenas]]></surname>
<given-names><![CDATA[Juan David]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Pontificia Universidad Javeriana  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>01</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>01</month>
<year>2017</year>
</pub-date>
<volume>20</volume>
<numero>1</numero>
<fpage>69</fpage>
<lpage>95</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0122-82852017000100069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0122-82852017000100069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0122-82852017000100069&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In general terms it is possible to describe this research as a materialistic approach to cinema. Our grasp of film is focused on the perspective of films as a product of work, as a product of organized, distributed and selected manners of labor. Most of the films exist because they respect a set of implicit processes, rules of production and distribution that are finally embodied in the images according to the so-called "cinematic language". In addition, theory and history of cinema have usually been blind to that. In this problematic context, Michel Foucault's idea of a Dispositif as a mixture of discourses, practices, institutions, etc., is useful to uncover the cinematic system of production and self-legitimation. The cinematic Dispositf is finally expressed but simultaneously hidden on the screen. In other words, the cinematic Dispositif controls the form of films and also their social life as commodities but it is usually hidden behind its artistic performance.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En términos generales, se puede describir esta investigación como un enfoque materialista del cine. Nuestro entendimiento del cine se enfoca en la perspectiva de las películas como un producto del trabajo, como un producto de las formas de trabajo organizadas, distribuidas y seleccionadas. La mayoría de las películas existen porque respetan un conjunto de procesos implícitos, normas de producción y distribución que finalmente se encarnan en imágenes de acuerdo con el susodicho "lenguaje cinematográfico". Adicionalmente, la teoría y la historia del cine se han mantenido al margen de este. En este contexto problemático, la idea de Michel Foucault de un Dispositif como una mezcla de discursos, prácticas, instituciones, etc. sirve para revelar el sistema cinemático de la producción y la auto-legitimación. El Dispositif cinematográfico finalmente se expresa, pero al mismo tiempo se oculta en la pantalla. En otras palabras, el Dispositif cinematográfico controla la forma de las películas y su vida social como producto de consumo, pero usualmente se esconde detrás de su presentación artística.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Em termos gerais, é possível descrever esta pesquisa como um enfoque materialista do cinema. Nosso entendimento do cinema se enfoca na perspectiva dos filmes como um produto do trabalho, como um produto das formas de trabalho organizadas, distribuídas e selecionadas. A maioria dos filmes existem porque respeitam um conjunto de processos implícitos, normas de produção e distribuição que finalmente se encarnam em imagens de acordo com chamada "linguagem cinematográfico". Adicionalmente, a teoria e a história do cinema têm se mantido à margem do mesmo. Neste contexto problemático, a ideia de Michel Foucault de um Dispositif como uma mistura de discursos, práticas, instituições, etc. serve para descobrir o sistema cinemático da produção e a autolegitimação. O Dispositif cinematográfico finalmente se expressa, mas ao mesmo tempo se oculta na tela. Em outras palavras, o Dispositif cinematográfico controla a forma dos filmes e sua vida social como produto de consumo, mas usualmente se esconde atrás de sua apresentação artística.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Cinema]]></kwd>
<kwd lng="en"><![CDATA[commodity]]></kwd>
<kwd lng="en"><![CDATA[materialism]]></kwd>
<kwd lng="en"><![CDATA[history of cinema]]></kwd>
<kwd lng="en"><![CDATA[Dispositif]]></kwd>
<kwd lng="en"><![CDATA[cinematic production]]></kwd>
<kwd lng="es"><![CDATA[Cine]]></kwd>
<kwd lng="es"><![CDATA[artículo de consumo]]></kwd>
<kwd lng="es"><![CDATA[materialismo]]></kwd>
<kwd lng="es"><![CDATA[historia del cine]]></kwd>
<kwd lng="es"><![CDATA[Dispositif]]></kwd>
<kwd lng="es"><![CDATA[producción cinematográfica]]></kwd>
<kwd lng="pt"><![CDATA[Cinema]]></kwd>
<kwd lng="pt"><![CDATA[artigo de consumo]]></kwd>
<kwd lng="pt"><![CDATA[materialismo]]></kwd>
<kwd lng="pt"><![CDATA[história do cinema]]></kwd>
<kwd lng="pt"><![CDATA[Dispositif]]></kwd>
<kwd lng="pt"><![CDATA[produção cinematográfica]]></kwd>
</kwd-group>
</article-meta>
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<publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[MIT Press.]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
