<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0122-8285</journal-id>
<journal-title><![CDATA[Palabra Clave]]></journal-title>
<abbrev-journal-title><![CDATA[Palabra Clave]]></abbrev-journal-title>
<issn>0122-8285</issn>
<publisher>
<publisher-name><![CDATA[Universidad de La Sabana]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0122-82852017000100096</article-id>
<article-id pub-id-type="doi">10.5294/pacla.2017.20.1.5</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Narrativa audiovisual, ontología y terrorismo: paradojas comunicativas en los videos del Estado Islámico]]></article-title>
<article-title xml:lang="en"><![CDATA[Audiovisual Narrative, Ontology and Terrorism: Communicative Paradoxes in the Islamic State Videos]]></article-title>
<article-title xml:lang="pt"><![CDATA[Narrativa audiovisual, ontologia e terrorismo: paradoxos comunicativos nos videos do Estado Islâmico]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rodríguez-Serrano]]></surname>
<given-names><![CDATA[Aarón]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af2">
<institution><![CDATA[,Universitat Jaume I  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>01</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>01</month>
<year>2017</year>
</pub-date>
<volume>20</volume>
<numero>1</numero>
<fpage>96</fpage>
<lpage>115</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0122-82852017000100096&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0122-82852017000100096&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0122-82852017000100096&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El presente artículo analiza los procesos de significación e impacto global del material audiovisual generado por el autoproclamado Estado Islámico. Se trata, sin duda, de un objeto de estudio contemporáneo y de primer orden, en cuanto gran parte de la crisis geopolítica en Oriente Próximo, así como los flujos migratorios hacia Europa, penden en este momento de las acciones bélicas de las fuerzas terroristas que emergieron de las llamadas primaveras árabes. Nuestra hipótesis de partida es que la técnica comunicativa de Estado Islámico no solo es una evolución salvaje de los propios procesos comunicativos en las sociedades posmodernas, sino que, además, es profundamente paradójico e inconsistente en lo que a sus procesos de significación se refieren. Para analizar este material, se utilizará una metodología híbrida compuesta, en primer lugar, por una ontología política, en la que se rastrean las relaciones entre espectáculo, atrocidad, terrorismo y control político, incluyendo referencias a la existencia de la ley obscena como fundamento ideológico generador de mensajes. En segundo lugar, se repasarán someramente algunos de los recursos narrativos audiovisuales que generan significación en dichas piezas.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article analyzes the processes of significance and overall impact of audiovisual material generated by the self-proclaimed Islamic State. It is undoubtedly an object of contemporary and first-order study, insofar as a large part of the geopolitical crisis in the Near East, as well as the migration flows to Europe, now hang from the warlike actions of the terrorist forces that emerged from the so-called Arab Spring. Our starting hypothesis is that the communication technique of the Islamic State is not just a wild evolution of the communicative processes themselves in post-modern societies, but it is profoundly paradoxical and inconsistent as far as its meaning processes are concerned. To analyze this material, we will use a hybrid composite methodology, first through a political ontology, where the relations between spectacle, atrocity, terrorism and political control are traced, including references to the existence of the obscenity law as an ideological basis for generating messages. Then, we will briefly review some of the audiovisual narrative resources that generate meaning in these pieces.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo analisa os processos de significação e impacto global do material audiovisual gerado pelo autoproclamado Estado Islâmico. Trata-se, sem dúvida, de um objeto de estudo contemporâneo e de primeira ordem, em quanto grande parte da crise geopolítica em Oriente Próximo, assim como os fluxos migratórios rumo à Europa, pendem neste momento das ações bélicas das forças terroristas que emergiram das chamadas primaveras árabes. Nossa hipótese de partida é que a técnica comunicativa de Estado Islâmico não é só uma evolução selvagem dos próprios processos comunicativos nas sociedades pós-modernas, mas que, além do mais, é profundamente paradoxo e inconsistente no que aos seus processos de significação se referem. Para analisar este material, será utilizada uma metodologia híbrida composta, em primeiro lugar, por uma ontologia política, na qual se rastreiam as relações entre espetáculo, atrocidade, terrorismo e controle político, incluindo referências à existência da lei obscena como fundamento ideológico gerador de mensagens. Em segundo lugar, serão repassados sumariamente alguns dos recursos narrativos audiovisuais que geram significação nestas peças.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Terrorismo]]></kwd>
<kwd lng="es"><![CDATA[ontología]]></kwd>
<kwd lng="es"><![CDATA[violencia]]></kwd>
<kwd lng="es"><![CDATA[propaganda]]></kwd>
<kwd lng="es"><![CDATA[ética de la comunicación]]></kwd>
<kwd lng="en"><![CDATA[Terrorism]]></kwd>
<kwd lng="en"><![CDATA[ontology]]></kwd>
<kwd lng="en"><![CDATA[violence]]></kwd>
<kwd lng="en"><![CDATA[propaganda]]></kwd>
<kwd lng="en"><![CDATA[ethics of communication]]></kwd>
<kwd lng="pt"><![CDATA[Terrorismo]]></kwd>
<kwd lng="pt"><![CDATA[ontologia]]></kwd>
<kwd lng="pt"><![CDATA[violência]]></kwd>
<kwd lng="pt"><![CDATA[propaganda]]></kwd>
<kwd lng="pt"><![CDATA[ética da comunicação]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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