<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0122-8285</journal-id>
<journal-title><![CDATA[Palabra Clave]]></journal-title>
<abbrev-journal-title><![CDATA[Palabra Clave]]></abbrev-journal-title>
<issn>0122-8285</issn>
<publisher>
<publisher-name><![CDATA[Universidad de La Sabana]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0122-82852017000100184</article-id>
<article-id pub-id-type="doi">10.5294/pacla.2017.20.1.9</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[O Projeto Troika em Portugal: media, resiliência e vulnerabilidade]]></article-title>
<article-title xml:lang="es"><![CDATA[El Proyecto Troika en Portugal: media, resistencia y vulnerabilidad]]></article-title>
<article-title xml:lang="en"><![CDATA[The Troika Project in Portugal: Media, Resilience and Vulnerability]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rodrigues]]></surname>
<given-names><![CDATA[Vanessa]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Diz]]></surname>
<given-names><![CDATA[Henrique]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Dos-Santos]]></surname>
<given-names><![CDATA[Maria José Palma Lampreia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Lusófona do Porto  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Lusófona do Porto  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Escola Superior de Comunicação Social do Instituto Politécnico de Lisboa (IPL)  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>01</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>01</month>
<year>2017</year>
</pub-date>
<volume>20</volume>
<numero>1</numero>
<fpage>184</fpage>
<lpage>212</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0122-82852017000100184&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0122-82852017000100184&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0122-82852017000100184&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo tem como principal objetivo analisar em que medida o Projeto Troika de narrativas visuais (2014) contribuiu para dar voz a histórias de vulnerabilidade e resiliência em Portugal, empoderar a sociedade portuguesa para o progresso humano e de que forma se enquadra no jornalismo para o desenvolvimento. Além disso, pretende perceber como o projeto se harmoniza, tematicamente, nas problemáticas das Nações Unidas da agenda para o desenvolvimento pós-2015. Para responder a essas questões, realizamos um estudo exploratório por meio de entrevistas estruturadas a três membros desse coletivo independente. Concluímos que o documentário se afirma com maior potencial para promover a reflexão do que as fotografias, no que diz respeito a questões de desenvolvimento e progresso humano, e que os seus contributos poderão ser ao nível da promoção do debate para a consciencialização. No entanto, não parecem ter criado potencial imediato para o empoderamento da sociedade civil. Assim, sugere-se que, em futuros trabalhos jornalísticos nesse âmbito de jornalismo para o desenvolvimento, sejam combinadas, sempre que possível, narrativas que associem quer documentários, quer entrevistas registradas em áudio aos principais intervenientes, como forma de empoderar a sociedade e contribuir de forma mais eficaz para a mudança social.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo tiene como principal objetivo analizar en qué medida el Proyecto Troika de narrativas visuales (2014) contribuyó para dar voz a historias de vulnerabilidad y resistencia en Portugal, potenciar a la sociedad portuguesa para el progreso humano y de qué forma se encuadra en el periodismo para el desarrollo. Además, pretende percibir cómo el proyecto se armoniza, temáticamente, en las problemáticas de las Naciones Unidas de la agenda para el desarrollo post-2015. Para responder a estas cuestiones, realizamos un estudio exploratorio mediante entrevistas estructuradas a tres miembros de ese colectivo independiente. Concluimos que el documental se afirma con mayor potencial para promover la reflexión de las fotografías, en lo que se refiere a cuestiones de desarrollo y progreso humano, y que sus contribuciones podrán ser al nivel de la promoción del debate para la concientización. Entretanto, no parecen haber creado potencial inmediato para el empoderamiento de la sociedad civil. De este modo, se sugiere que, en futuros trabajos periodísticos en ese ámbito de periodismo para el desarrollo, se combinen, siempre que sea posible, narrativas que asocien ya sea documentales o entrevistas registradas en audio a los principales interventores, como una forma de facultar a la sociedad y contribuir de forma más eficaz para el cambio social.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This paper aims to analyze the extent to which the Troika Project on visual narratives (2014) helped to give voice to stories of vulnerability and resilience in Portugal, empower the Portuguese society for human progress and how it fits into journalism for development. Furthermore, the article seeks to understand how the project is thematically harmonized in the United Nations problems of the post-2015 development agenda. To address these issues, we conducted an exploratory study through structured interviews of three members of this independent collective. We concluded that, as far as development and human progress issues are concerned, the documentary is more likely to encourage reflection than photographs, and that it may contribute to promoting debate to raise awareness. On the other hand, they do not appear to have generated an immediate potential to empower civil society. Therefore, we suggest combining, whenever possible, narratives that associate either documentaries or recorded audio interviews with key players in future journalistic works in this field of journalism for development, as a way to empower society and contribute more effectively to social change.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Comunicação para o desenvolvimento]]></kwd>
<kwd lng="pt"><![CDATA[jornalismo para o desenvolvimento]]></kwd>
<kwd lng="pt"><![CDATA[Projeto Troika]]></kwd>
<kwd lng="es"><![CDATA[Comunicación para el desarrollo]]></kwd>
<kwd lng="es"><![CDATA[periodismo para el desarrollo]]></kwd>
<kwd lng="es"><![CDATA[Proyecto Troika]]></kwd>
<kwd lng="en"><![CDATA[Communication for development]]></kwd>
<kwd lng="en"><![CDATA[journalism for development]]></kwd>
<kwd lng="en"><![CDATA[Troika Project]]></kwd>
</kwd-group>
</article-meta>
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