<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0122-8285</journal-id>
<journal-title><![CDATA[Palabra Clave]]></journal-title>
<abbrev-journal-title><![CDATA[Palabra Clave]]></abbrev-journal-title>
<issn>0122-8285</issn>
<publisher>
<publisher-name><![CDATA[Universidad de La Sabana]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0122-82852019000100007</article-id>
<article-id pub-id-type="doi">10.5294/pacla.2019.22.1.7</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Reguetón en Cuba: censura, ostentación y grietas en las políticas mediáticas]]></article-title>
<article-title xml:lang="en"><![CDATA[Reggaeton in Cuba: Censorship, Ostentation and Cracks in Media Policies]]></article-title>
<article-title xml:lang="pt"><![CDATA[Reggaeton em Cuba: censura, ostentação e fissuras nas políticas midiáticas]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pereira]]></surname>
<given-names><![CDATA[Simone Luci]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Soares]]></surname>
<given-names><![CDATA[Thiago]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Paulista  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal de Pernambuco  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>03</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>03</month>
<year>2019</year>
</pub-date>
<volume>22</volume>
<numero>1</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0122-82852019000100007&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0122-82852019000100007&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0122-82852019000100007&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen A través de la censura de un videoclip en los sistemas de medios de comunicación cubanos, se abordan aquí las controversias evidenciadas por la presencia del reguetón en Cuba. Género musical que se ancla fuertemente en las diásporas caribeñas en los Estados Unidos, el reguetón escenifica discusiones sobre la construcción de una noción de panlatinidad transnacional, juvenil y cosmopolita, marcada por el consumo y la ostentación, que parece interrogar la singularidad de Cuba como nación socialista en América Latina. Se levanta la problemática alrededor de la performance del &#8220;hombre exitoso&#8221; que posee mansiones y autos en un país cuya economía es fuertemente mediada por el Estado, se visualizan los conflictos con otros géneros musicales cubanos y se postula que formas alternativas y no oficiales de producción y divulgación -las cuales explicitan accionamientos identitarios globales- resquebrajan políticas nacionales sobre el &#8220;ser cubano&#8221;.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Building on the censorship of a videoclip in Cuban media systems, the controversies arising from the presence of reggaeton in Cuba are addressed in this paper. A musical genre that is strongly anchored in the Caribbean diasporas in the United States, reggaeton stages discussions on the construction of a notion of transnational, youthful and cosmopolitan Pan-Latinity, marked by consumption and ostentation, which seems to question the uniqueness of Cuba as a socialist nation in Latin America. The problem around the performance of the &#8220;successful man&#8221; who owns mansions and cars in a country whose economy is strongly mediated by the state emerges; conflicts with other Cuban musical genres are noted; and it is claimed that alternative unofficial forms of production and dissemination-which make global identity actions explicit-undermine national policies on &#8220;being Cuban&#8221;.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Através da censura de um videoclipe nos meios de comunicação cubanos, as controvérsias evidenciadas pela presença do reggaeton em Cuba são abordadas aqui. Um gênero musical fortemente ancorado nas diásporas caribenhas nos Estados Unidos, o reggaeton encena discussões sobre a construção de uma noção de panlatinalidade transnacional, juvenil e cosmopolita, marcada pelo consumo e pela ostentação, que parece questionar a singularidade de Cuba como nação socialista na América Latina. A problemática surge em torno da atuação do &#8220;homem de sucesso&#8221; que possui mansões e carros em um país cuja economia é fortemente mediada pelo Estado, são visualizados conflitos com outros gêneros musicais cubanos e postula-se que formas alternativas e não oficiais de produção e divulgação - que tornam explícitas ações identitárias globais - rompem políticas nacionais sobre o &#8220;ser cubano&#8221;.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Reguetón]]></kwd>
<kwd lng="es"><![CDATA[latinidad]]></kwd>
<kwd lng="es"><![CDATA[música popular]]></kwd>
<kwd lng="es"><![CDATA[performance]]></kwd>
<kwd lng="es"><![CDATA[Cuba.]]></kwd>
<kwd lng="en"><![CDATA[Reggaeton]]></kwd>
<kwd lng="en"><![CDATA[latin culture]]></kwd>
<kwd lng="en"><![CDATA[popular music]]></kwd>
<kwd lng="en"><![CDATA[performance]]></kwd>
<kwd lng="en"><![CDATA[Cuba]]></kwd>
<kwd lng="pt"><![CDATA[Reggaeton]]></kwd>
<kwd lng="pt"><![CDATA[cultura latina]]></kwd>
<kwd lng="pt"><![CDATA[música popular]]></kwd>
<kwd lng="pt"><![CDATA[desempenho]]></kwd>
<kwd lng="pt"><![CDATA[Cuba]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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