<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0122-8285</journal-id>
<journal-title><![CDATA[Palabra Clave]]></journal-title>
<abbrev-journal-title><![CDATA[Palabra Clave]]></abbrev-journal-title>
<issn>0122-8285</issn>
<publisher>
<publisher-name><![CDATA[Universidad de La Sabana]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0122-82852021000302433</article-id>
<article-id pub-id-type="doi">10.5294/pacla.2021.24.3.3</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Algoritmização de estereótipos raciais em bancos de imagens: a persistência dos padrões coloniais Jezebel, Mammy e Sapphire para mulheres negras]]></article-title>
<article-title xml:lang="es"><![CDATA[Algoritmización de estereotipos raciales en bancos de imágenes: la persistencia de los estándares coloniales Jezebel, Mammy y Sapphire para mujeres negras]]></article-title>
<article-title xml:lang="en"><![CDATA[Racial Stereotype Algorithmization in Image Banks: The Persistence of Jezebel, Mammy, and Sapphire Colonial Standards for Black Women]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Carrera]]></surname>
<given-names><![CDATA[Fernanda]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Rio de Janeiro Escola de Comunicação ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>09</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>09</month>
<year>2021</year>
</pub-date>
<volume>24</volume>
<numero>3</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0122-82852021000302433&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0122-82852021000302433&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0122-82852021000302433&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Neste trabalho, é realizado um estudo exploratório de bancos de imagens, especificamente Getty Images e Shutterstock, analisando se os processos de tagueamento desses dispositivos de busca revelam modos algorítmicos de reprodução de mentalidades coloniais a respeito de mulheres negras. Com base no conceito de "imagens de controle", de Patricia Hill Collins, foram analisadas aqui as imagens Jezebel, Mammy e Sapphire, a partir do entendimento de que esses estereótipos sobre a subjetividade feminina negra reforçam narrativas de subordinação, exploração e animalização, a serviço da colonialidade. Embora os resultados apresentem especificidades, sobretudo em virtude da pandemia da covid-19, percebeu-se que a colonialidade algorítmica se manifesta nesses bancos, que etiquetam com mais frequência as imagens de mulheres negras a padrões coloniais de representação de sexualidade, trabalho e agressividade.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En el artículo, se realiza un estudio exploratorio de bancos de imágenes, específicamente Getty Images y Shutterstock, analizando si los procesos de tagueamento de estos dispositivos de búsqueda revelan modos algorítmicos de reproducción de mentalidades coloniales respeto a las mujeres negras. Desde el concepto de "imágenes de control", de Patricia Hill Collins, se analizaron aquí las imágenes Jezebel, Mammy y Sapphire, a partir del entendimiento de que estos estereotipos acerca de la subjetividad femenina negra recalcan narrativas de subordinación, explotación y animalización, a servicio de la colonialidad. Si bien los resultados presenten especificidades, sobre todo debido a la pandemia de la Covid-19, se encontró que la colonialidad algorítmica se manifiesta en estos bancos, que etiquetan con más frecuencia las imágenes de mujeres negras a estándares coloniales de representación de sexualidad, trabajo y agresividad.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This paper presents an exploratory study of image banks, specifically Getty Images and Shutterstock, analyzing whether their tagging processes reveal algorithmic forms of reproducing colonial mentalities about black women. From Patricia Hill Collins' concept of "controlling images," Jezebel, Mammy, and Sapphire images were examined, understanding that these stereotypes of black female subjectivity underscore narratives of subordination, exploitation, and animalization in the service of coloniality. While the results show specificities, primarily due to the COVID-19 pandemic, we found that algorithmic coloniality becomes apparent in these banks, which frequently tag the images of black women under colonial representation standards of labor, sexuality, and aggressiveness.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Colonialidade]]></kwd>
<kwd lng="pt"><![CDATA[algoritmos]]></kwd>
<kwd lng="pt"><![CDATA[mulheres negras]]></kwd>
<kwd lng="pt"><![CDATA[mulheres afrodescendentes]]></kwd>
<kwd lng="pt"><![CDATA[raça]]></kwd>
<kwd lng="pt"><![CDATA[bancos de imagem]]></kwd>
<kwd lng="es"><![CDATA[Colonialidad]]></kwd>
<kwd lng="es"><![CDATA[algoritmos]]></kwd>
<kwd lng="es"><![CDATA[mujeres negras]]></kwd>
<kwd lng="es"><![CDATA[mujeres afrodescendientes]]></kwd>
<kwd lng="es"><![CDATA[raza]]></kwd>
<kwd lng="es"><![CDATA[bancos de imagen]]></kwd>
<kwd lng="en"><![CDATA[Coloniality]]></kwd>
<kwd lng="en"><![CDATA[algorithms]]></kwd>
<kwd lng="en"><![CDATA[black women]]></kwd>
<kwd lng="en"><![CDATA[women of African descent]]></kwd>
<kwd lng="en"><![CDATA[race]]></kwd>
<kwd lng="en"><![CDATA[image banks]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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