<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0123-3432</journal-id>
<journal-title><![CDATA[Íkala, Revista de Lenguaje y Cultura]]></journal-title>
<abbrev-journal-title><![CDATA[Íkala]]></abbrev-journal-title>
<issn>0123-3432</issn>
<publisher>
<publisher-name><![CDATA[Escuela de Idiomas, Universidad de Antioquia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0123-34322015000200007</article-id>
<article-id pub-id-type="doi">10.17533/udea.ikala.v20n2a07</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Food for Thought: The Translation of Culinary References in Animation]]></article-title>
<article-title xml:lang="es"><![CDATA[Alimento para la Reflexión: La Traducción de Referencias Culinarias en la Animación]]></article-title>
<article-title xml:lang="fr"><![CDATA[Nourrir la Pensée: La Traduction des Références Culinaires dans l'Animation]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[González-Vera]]></surname>
<given-names><![CDATA[Pilar]]></given-names>
</name>
<xref ref-type="aff" rid="A01"/>
</contrib>
</contrib-group>
<aff id="A01">
<institution><![CDATA[,Universidad de Zaragoza  ]]></institution>
<addr-line><![CDATA[Zaragoza ]]></addr-line>
<country>España</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>08</month>
<year>2015</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>08</month>
<year>2015</year>
</pub-date>
<volume>20</volume>
<numero>2</numero>
<fpage>247</fpage>
<lpage>264</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0123-34322015000200007&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0123-34322015000200007&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0123-34322015000200007&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Food has traditionally been a cultural symbol reflecting historical roots in every country. It is precisely those cultural bonds that have made the translation of culinary references so difficult. The translation of food-related terms requires translators to consider, on the one hand, the cultural associations embedded in these terms, their meaning and function in the ST and, on the other hand, the translatability of the terms in the TT. As a socio-cultural phenomenon, food plays a fundamental role in the process of globalization in which we are immersed. We cannot disregard the fact that cultures are merging and that the introduction of new food terminology in our lexicon provides irrefutable evidence of globalization and acculturation. This paper focuses on the analysis of the role of food and its translation in the process of globalization. It analyses the relationship between food and culture in animated films like the Shrek saga, The princess and the frog, or Brave -films where food is not the focal point, but where it serves different purposes, such as acculturation, recreation of cultural identities and stereotypes, or humour. The analysis includes a study of the translation techniques applied in the dubbed versions of these films and their relationship to the process of domestication and foreignization in order to assess the social implications in texts aimed at a young audience.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[La comida ha sido tradicionalmente un símbolo cultural que refleja raíces históricas en cada país. Son precisamente estos lazos culturales lo que hace tan difícil la traducción de referencias culinarias. La traducción de términos relacionados con la comida requiere que los traductores consideren, por una parte, las asociaciones culturales arraigadas en estos términos, su significado y función en el texto fuente y, por otra parte, la traductibilidad de los términos en el texto meta. Como fenómeno sociocultural, la comida juega un papel fundamental en el proceso de globalización en el que estamos inmersos. No se puede obviar el hecho de que las culturas se están fusionando y que la introducción de nueva terminología culinaria en nuestro lexicón es una evidencia irrefutable de la globalización y la aculturación. Este artículo se centra en el análisis del papel de la comida y su traducción en el proceso de globalización. Analiza la relación entre comida y cultura en películas de animación como la saga de Shrek, Tiana y el sapo o Brave; películas donde la comida no es el foco de atención, sino que responde a distintos intereses como la aculturación, la recreación de identidades culturales y estereotipos o la producción de humor. El análisis incluye un estudio de las técnicas de traducción empleadas en las versiones dobladas y su relación en el proceso de domesticación y extranjerización para valorar las implicaciones sociales en los textos dirigidos a una joven audiencia.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[La nourriture a traditionnellement été un symbole culturel qui reflète les racines historiques de chaque pays. Ce sont précisément ces liens culturels qui ont rendu la traduction de références culinaires si difficile. La traduction des termes liés à la nourriture nécessite que le traducteur considère, d'un côté, les références culturelles ancrées dans ces termes, leur signification et leur fonction dans le texte source; d'un autre côté, la possibilité de traduction des termes dans le texte cible. En tant que phénomène socioculturel, la nourriture joue un rôle fondamental dans le processus de globalisation dans lequel nous sommes plongés. Nous ne pouvons pas ne pas prendre en compte le fait que les cultures fusionnent et que l'introduction d'une nouvelle terminologie culinaire dans notre lexique fournit une preuve irréfutable de la globalisation et de l'acculturation. Cet article se concentre sur l'analyse du rôle de la nourriture et de sa traduction dans le processus de globalisation. Il analyse la relation entre nourriture et culture dans des films d'animations tels que la saga Shrek, La princesse et la grenouille ou Brave; films où la nourriture n'est pas le point central mais où elle sert différents intérêts tel que l'acculturation, la recréation d'identités culturelles et de stéréotypes, ou la production d'humour. L'analyse inclut une étude des techniques de traduction appliquées aux versions doublées de ces films, et leur relation avec le processus de domestication et de transformations étrangères, de manière à évaluer les implications sociales dans les textes destinés à une audience jeune.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[audiovisual translation]]></kwd>
<kwd lng="en"><![CDATA[culinary references]]></kwd>
<kwd lng="en"><![CDATA[culture]]></kwd>
<kwd lng="en"><![CDATA[domestication]]></kwd>
<kwd lng="en"><![CDATA[foreignization]]></kwd>
<kwd lng="es"><![CDATA[traducción audiovisual]]></kwd>
<kwd lng="es"><![CDATA[referencias culinarias]]></kwd>
<kwd lng="es"><![CDATA[cultura]]></kwd>
<kwd lng="es"><![CDATA[domesticación]]></kwd>
<kwd lng="es"><![CDATA[extranjerización]]></kwd>
<kwd lng="fr"><![CDATA[traduction audiovisuelle]]></kwd>
<kwd lng="fr"><![CDATA[références culinaires]]></kwd>
<kwd lng="fr"><![CDATA[la culture]]></kwd>
<kwd lng="fr"><![CDATA[domestication et de transformations étrangères]]></kwd>
</kwd-group>
</article-meta>
</front><body><![CDATA[  ]]></body><back>
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</person-group>
<source><![CDATA[The translator's invisibility. A history of translation]]></source>
<year>1995</year>
<publisher-loc><![CDATA[London ]]></publisher-loc>
<publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
