<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0123-3432</journal-id>
<journal-title><![CDATA[Íkala, Revista de Lenguaje y Cultura]]></journal-title>
<abbrev-journal-title><![CDATA[Íkala]]></abbrev-journal-title>
<issn>0123-3432</issn>
<publisher>
<publisher-name><![CDATA[Escuela de Idiomas, Universidad de Antioquia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0123-34322024000100004</article-id>
<article-id pub-id-type="doi">10.17533/udea.ikala.352656</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Re-visioning Ayi Kwei Armah&#8217;s Fragments: A Corpus Stylistic Analysis Using Wmatrix]]></article-title>
<article-title xml:lang="es"><![CDATA[Un replanteamiento de Fragments, de Ayi Kwei Armah: análisis estílístico de corpus con Wmatrix]]></article-title>
<article-title xml:lang="fr"><![CDATA[Repenser les Fragments d&#8217;Ayi Kwei Armah : analyse stylistique du corpus avec Wmatrix]]></article-title>
<article-title xml:lang="pt"><![CDATA[Repensando os Fragments de Ayi Kwei Armah: análise estilística de corpus com Wmatrix]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Bonsu]]></surname>
<given-names><![CDATA[Emmanuel Mensah]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Nkansah]]></surname>
<given-names><![CDATA[Samuel Kwesi]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,University of Cape Coast  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Ghana</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,University of Cape Coast  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Ghana</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2024</year>
</pub-date>
<volume>29</volume>
<numero>1</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0123-34322024000100004&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0123-34322024000100004&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0123-34322024000100004&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The numerous literary explorations of Ayi Kwei Armah&#8217;s novels reveal his aesthetic creativity and relevance in addressing African and diasporic issues that have contemporary relevance. Guided by two objectives, this corpus study set out to analyse the narration and thematisation of Armah&#8217;s Fragments (1970) through part-of-speech and semantic domain tags using Wmatrix. We compared Fragments as a target corpus with two other novels by Armah. Results of the analysis suggest that Armah alternates between homodiegetic narrative in character dialogues and monologues, which dominate the main heterodiegetic discourse narration. He also provides a critical perspective on the immediacy of a historic and instantaneous present by giving a specific past account that projects a possible continuity of events in Ghana and Africa. Additionally, Armah discusses the geographic mobility of characters as a metaphor for a quest for a place of being and identity. These findings illustrate the value of applying computational tools like Wmatrix to examine African literary texts and provide a base for further studies.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Las numerosas exploraciones literarias de las novelas de Ayi Kwei Armah revelan su creatividad estética y su pertinencia en el tratamiento de cuestiones africanas y diaspóricas de relevancia actualmente. Con dos objetivos trazados, este estudio de corpus se propuso analizar la narración y la tematización de Fragmentos (1970) de Armah mediante etiquetas de campo semántico y parte del discurso utilizando Wmatrix. Comparamos Fragments como corpus objetivo con otras dos novelas de Armah. Los resultados del análisis indican que Armah alterna entre la narrativa homodiegética en los diálogos y los monólogos de los personajes, los cuales dominan la narración principal del discurso heterodiegético. El autor también aporta una perspectiva crítica sobre la inmediatez de un presente histórico e instantáneo al ofrecer un relato específico del pasado que proyecta una posible continuidad de los acontecimientos en Ghana y África. Además, Armah analiza la movilidad geográfica de los personajes como metáfora de la búsqueda de un lugar del ser y de la identidad. Estas conclusiones ilustran el valor de aplicar herramientas informáticas como Wmatrix para examinar textos literarios africanos y proporcionan una base para futuros estudios.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[Résumé Les nombreuses explorations littéraires des romans d&#8217;Ayi Kwei Armah révèlent sa créativité esthétique et sa pertinence dans le traitement des questions africaines et diasporiques d&#8217;actualité aujourd&#8217;hui. Guidée par deux objectifs, cette étude de corpus a pour but d&#8217;analyser la narration et la thématisation du roman Fragments (1970) d&#8217;Armah à l&#8217;aide d&#8217;étiquettes de parties de discours et de domaines sémantiques en utilisant Wmatrix. Nous avons comparé Fragments comme le corpus cible avec deux autres romans d&#8217;Armah. Les résultats de l&#8217;analyse suggèrent qu&#8217;Armah alterne entre une narration homodiégétique dans les dialogues des personnages et les monologues, qui dominent la narration discursive hétérodiégétique principale. Il offre également une perspective critique sur l&#8217;immédiateté d&#8217;un présent historique et instantané en donnant un récit passé spécifique qui projette une continuité possible des événements au Ghana et en Afrique. En outre, Armah aborde la mobilité géographique des personnages comme une métaphore de la quête d&#8217;un lieu d&#8217;existence et d&#8217;une identité. Ces résultats illustrent la valeur de l&#8217;application d&#8217;outils informatiques tels que Wmatrix pour examiner les textes littéraires africains et fournissent une base pour des études plus approfondies.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo As inúmeras explorações literárias dos romances de Ayi Kwei Armah revelam sua criatividade estética e sua relevância na abordagem de questões africanas e diaspóricas que têm relevância hoje. Orientado por dois objetivos, este estudo de corpus se propôs a analisar a narração e a tematização de Fragments (1970) de Armah por meio de etiquetas de parte do discurso e de domínio semântico usando o Wmatrix. Temos comparado Fragments como corpus alvo com dois outros romances de Armah. Os resultados da análise sugerem que Armah alterna entre a narrativa homodiegética nos diálogos e monólogos de personagens, que dominam a narração do discurso heterodiegético principal. Ele também oferece uma perspectiva crítica sobre o imediatismo de um presente histórico e instantâneo, apresentando um relato específico do passado que projeta uma possível continuidade de eventos em Gana e na África. Além disso, Armah discute a mobilidade geográfica dos personagens como uma metáfora para a busca de um lugar de existência e identidade. Essas descobertas ilustram o valor da aplicação de ferramentas computacionais como a Wmatrix para examinar textos literários africanos e fornecem uma base para estudos futuros.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Ayi Kwei Armah]]></kwd>
<kwd lng="en"><![CDATA[Fragments]]></kwd>
<kwd lng="en"><![CDATA[narration]]></kwd>
<kwd lng="en"><![CDATA[thematisation]]></kwd>
<kwd lng="en"><![CDATA[Wmatrix]]></kwd>
<kwd lng="es"><![CDATA[Ayi Kwei Armah]]></kwd>
<kwd lng="es"><![CDATA[Fragments]]></kwd>
<kwd lng="es"><![CDATA[narración]]></kwd>
<kwd lng="es"><![CDATA[tematización]]></kwd>
<kwd lng="es"><![CDATA[Wmatrix]]></kwd>
<kwd lng="fr"><![CDATA[Ayi Kwei Armah]]></kwd>
<kwd lng="fr"><![CDATA[Fragments]]></kwd>
<kwd lng="fr"><![CDATA[narration]]></kwd>
<kwd lng="fr"><![CDATA[thématisation]]></kwd>
<kwd lng="fr"><![CDATA[Wmatrix]]></kwd>
<kwd lng="pt"><![CDATA[Ayi Kwei Armah]]></kwd>
<kwd lng="pt"><![CDATA[Fragments]]></kwd>
<kwd lng="pt"><![CDATA[narração]]></kwd>
<kwd lng="pt"><![CDATA[tematização]]></kwd>
<kwd lng="pt"><![CDATA[Wmatrix]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Adeoti]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The re-making of Africa: Ayi Kwei Armah and the narrative of an (alter)native route to development]]></article-title>
<source><![CDATA[Africa Media Review]]></source>
<year>2005</year>
<volume>13</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>1-15</page-range></nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Adjei]]></surname>
<given-names><![CDATA[D. O.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[For popularity, pleasure, or other reasons? The treatment of sex in the novels of Ayi Kwei Armah]]></article-title>
<source><![CDATA[Kente-Cape Coast Journal of Literature and the Arts]]></source>
<year>2019</year>
<volume>1</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>29-58</page-range></nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ampofo]]></surname>
<given-names><![CDATA[Z.]]></given-names>
</name>
<name>
<surname><![CDATA[Essuman]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Arhin]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
<name>
<surname><![CDATA[Ansah]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A tool of success: A critical content analysis of Naana&#8217;s character in Ayi Kwei Armah&#8217;s Fragments]]></article-title>
<source><![CDATA[Advances in Literary Study]]></source>
<year>2020</year>
<volume>8</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>23-31</page-range></nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Archer]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Computer-assisted literary stylistics: The state of the field]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Lambrou]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Contemporary stylistics]]></source>
<year>2007</year>
<page-range>244-56</page-range><publisher-name><![CDATA[Continuum]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Armah]]></surname>
<given-names><![CDATA[A. K.]]></given-names>
</name>
</person-group>
<source><![CDATA[The beautyful ones are not yet born]]></source>
<year>1968</year>
<publisher-name><![CDATA[Heinemann]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Armah]]></surname>
<given-names><![CDATA[A. K.]]></given-names>
</name>
</person-group>
<source><![CDATA[Fragments]]></source>
<year>1970</year>
<publisher-name><![CDATA[Heinemann]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Armah]]></surname>
<given-names><![CDATA[A. K.]]></given-names>
</name>
</person-group>
<source><![CDATA[Why are we so blest]]></source>
<year>1973</year>
<publisher-name><![CDATA[Anchor Books]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Armah]]></surname>
<given-names><![CDATA[A. K.]]></given-names>
</name>
</person-group>
<source><![CDATA[Two thousand seasons]]></source>
<year>1973</year>
<publisher-name><![CDATA[Heinemann]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Armah]]></surname>
<given-names><![CDATA[A. K.]]></given-names>
</name>
</person-group>
<source><![CDATA[The healers]]></source>
<year>1978</year>
<publisher-name><![CDATA[Heinemann]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Armah]]></surname>
<given-names><![CDATA[A. K.]]></given-names>
</name>
</person-group>
<source><![CDATA[Osiris rising]]></source>
<year>1995</year>
<publisher-name><![CDATA[Per Ankh]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Armah]]></surname>
<given-names><![CDATA[A. K.]]></given-names>
</name>
</person-group>
<source><![CDATA[KMT: The house of life]]></source>
<year>2002</year>
<publisher-name><![CDATA[Per Ankh]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Armah]]></surname>
<given-names><![CDATA[A. K.]]></given-names>
</name>
</person-group>
<source><![CDATA[The revolutionaries]]></source>
<year>2013</year>
<publisher-name><![CDATA[Per Ankh]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Asaah]]></surname>
<given-names><![CDATA[A. H.]]></given-names>
</name>
<name>
<surname><![CDATA[Zou]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Towards reconstructing Africa: Recuperation and responsibility in Ayi Kwei Armah&#8217;s The Healers]]></article-title>
<source><![CDATA[Tydskrif vir Letterkunde]]></source>
<year>2022</year>
<volume>59</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>40-9</page-range></nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ayivor]]></surname>
<given-names><![CDATA[K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8216;The beautyful ones were born and murdered&#8217;: Armah&#8217;s visionary reconstruction of African history and the Pan-Africanist dream in Osiris Rising]]></article-title>
<source><![CDATA[The Journal of Commonwealth Literature]]></source>
<year>2003</year>
<volume>38</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>37-69</page-range></nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ayuk]]></surname>
<given-names><![CDATA[G. O.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The lust for material well-being in The beautyful ones are not yet born and Fragments by Ayi Kwei Armah]]></article-title>
<source><![CDATA[Présence Africaine]]></source>
<year>1984</year>
<volume>132</volume>
<page-range>33-43</page-range></nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Baker]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Querying keywords]]></article-title>
<source><![CDATA[Journal of English Linguistics]]></source>
<year>2004</year>
<volume>32</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>346-59</page-range></nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Baker]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Using corpora to analyze gender]]></source>
<year>2014</year>
<publisher-name><![CDATA[A&amp;C Black]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Balossi]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[A corpus linguistic approach to literary language and characterization: Virginia Woolf&#8217;s The Waves]]></source>
<year>2014</year>
<publisher-name><![CDATA[John Benjamins]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Balossi]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Key pronouns through Wmatrix in a novel of formation: Conrad&#8217;s The Shadow-Line]]></article-title>
<source><![CDATA[Umanistica Digitale]]></source>
<year>2020</year>
<volume>4</volume>
<numero>9</numero>
<issue>9</issue>
<page-range>79-96</page-range></nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Berber]]></surname>
<given-names><![CDATA[S. T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Using keywords in text analysis: practical aspects]]></article-title>
<source><![CDATA[DIRECT Working Papers]]></source>
<year>1999</year>
<volume>42</volume>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Berry]]></surname>
<given-names><![CDATA[J. S.]]></given-names>
</name>
<name>
<surname><![CDATA[Kumar]]></surname>
<given-names><![CDATA[V. R. J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Freedom and justice: A post-colonial analysis of Ayi Kwei Armah&#8217;s Fragments]]></article-title>
<source><![CDATA[Journal of Language and Linguistic Studies]]></source>
<year>2021</year>
<volume>17</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>3183-5</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Childs]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[An introduction to post-colonial theory]]></source>
<year>2014</year>
<publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Culpeper]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Keyness: Words, parts-of-speech and semantic categories in the character-talk of Shakespeare&#8217;s Romeo and Juliet]]></article-title>
<source><![CDATA[International Journal of Corpus Linguistics]]></source>
<year>2009</year>
<volume>14</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>29</page-range></nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dadja-Tiou]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The quest for the survival of African culture and tradition: A structuralist reading of Ayi Kwei Armah&#8217;s Fragments]]></article-title>
<source><![CDATA[East African Journal of Interdisciplinary Studies]]></source>
<year>2022</year>
<volume>5</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>182-90</page-range></nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dagnino]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Transcultural literature and contemporary world literature(s)]]></article-title>
<source><![CDATA[CLCWeb: Comparative Literature and Culture]]></source>
<year>2013</year>
<volume>15</volume>
<numero>5</numero>
<issue>5</issue>
<page-range>7-19</page-range></nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Damerau]]></surname>
<given-names><![CDATA[F. J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The use of function word frequencies as indicators of style]]></article-title>
<source><![CDATA[Computers and the Humanities]]></source>
<year>1975</year>
<volume>9</volume>
<page-range>271-80</page-range></nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Davies]]></surname>
<given-names><![CDATA[C. B.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Migration, African writing and the post-colonial/diasporic Chimamanda Adichie moment]]></article-title>
<source><![CDATA[Gender and race matter: Global perspectives on being a woman]]></source>
<year>2016</year>
<publisher-name><![CDATA[Emerald Group Publishing Limited]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dieng]]></surname>
<given-names><![CDATA[O.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Diaspora &amp; returns in fiction special issue of African literature today]]></article-title>
<source><![CDATA[Research in African Literatures]]></source>
<year>2018</year>
<volume>49</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>199-200</page-range></nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dilfuza]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Forms of pronouns]]></article-title>
<source><![CDATA[Eurasian Journal of Learning and Academic Teaching]]></source>
<year>2022</year>
<volume>12</volume>
<page-range>23-6</page-range></nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Emmott]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Narrative comprehension: A discourse perspective]]></source>
<year>1997</year>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fenderson]]></surname>
<given-names><![CDATA[J. B.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ayi Kwei Armah&#8217;s radical pan-African itinerary]]></article-title>
<source><![CDATA[The Black Scholar]]></source>
<year>2008</year>
<volume>37</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>50-60</page-range></nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fernandez Melleda]]></surname>
<given-names><![CDATA[B. X.]]></given-names>
</name>
<name>
<surname><![CDATA[Alonso Alonso]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Narratives of the new diasporas: A theoretical approach]]></article-title>
<source><![CDATA[Literature Compass]]></source>
<year>2022</year>
<volume>4</volume>
<page-range>23-41</page-range></nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fialho]]></surname>
<given-names><![CDATA[O. D. C.]]></given-names>
</name>
<name>
<surname><![CDATA[Zyngier]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Quantitative methodological approaches to stylistics]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Burke]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Routledge handbook of stylistics]]></source>
<year>2014</year>
<page-range>329-45</page-range><publisher-name><![CDATA[London: Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fraser]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[The novels of Ayi Kwei Armah: A study in polemical fiction]]></source>
<year>1980</year>
<publisher-name><![CDATA[Heinemann]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gandhi]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Postcolonial theory: A critical introduction]]></source>
<year>2020</year>
<publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gavins]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Text world theory: An introduction]]></source>
<year>2007</year>
<publisher-name><![CDATA[Edinburgh University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Grosfoguel]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Cordero-Guzman]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[International migration in a global context: Recent approaches to migration theory]]></article-title>
<source><![CDATA[Diaspora: A Journal of Transnational Studies]]></source>
<year>1998</year>
<volume>7</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>351-68</page-range></nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Guendouzi]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Revolution without evolution: The &#8216;Way&#8217; of change in Ayi Kwei Armah&#8217;s Two Thousand Seasons]]></article-title>
<source><![CDATA[African Studies]]></source>
<year>2017</year>
<volume>76</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>566-78</page-range></nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hoover]]></surname>
<given-names><![CDATA[D. L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The microanalysis of style variation]]></article-title>
<source><![CDATA[Digital Scholarship in the Humanities]]></source>
<year>2017</year>
<volume>32</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>17-30</page-range></nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hu]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Using wmatrix to explore discourse of economic growth]]></article-title>
<source><![CDATA[English Language Teaching]]></source>
<year>2015</year>
<volume>8</volume>
<numero>9</numero>
<issue>9</issue>
<page-range>146-56</page-range></nlm-citation>
</ref>
<ref id="B41">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Iboroma]]></surname>
<given-names><![CDATA[I. E.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Irony and vision in selected works of Ayi Kwei Armah]]></article-title>
<source><![CDATA[AFRREV LALIGENS: An International Journal of Language, Literature and Gender Studies]]></source>
<year>2017</year>
<numero>1</numero>
<issue>1</issue>
<page-range>78-90</page-range></nlm-citation>
</ref>
<ref id="B42">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jilani]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8220;The self and the world against which it had to live&#8221;: Neocolonialism and the resistant subject in Ayi Kwei Armah&#8217;s The beautyful ones are not yet born]]></article-title>
<source><![CDATA[Journal of Postcolonial Writing]]></source>
<year>2020</year>
<volume>56</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>83-96</page-range></nlm-citation>
</ref>
<ref id="B43">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jules-Rosette]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Engaging the diaspora: Migration and African families]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Uwakweh]]></surname>
<given-names><![CDATA[P. A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Research in African Literatures]]></source>
<year>2015</year>
<volume>46</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>201-2</page-range></nlm-citation>
</ref>
<ref id="B44">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kakraba]]></surname>
<given-names><![CDATA[A. D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ayi Kwei Armah&#8217;s vulgar language in The beautyful ones are not yet born: A therapeutic tool]]></article-title>
<source><![CDATA[Current Research Journal of Social Sciences]]></source>
<year>2011</year>
<volume>3</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>306-13</page-range></nlm-citation>
</ref>
<ref id="B45">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lazarus]]></surname>
<given-names><![CDATA[N.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Implications of technique in Ayi kwei Armah&#8217;s The Healers]]></article-title>
<source><![CDATA[Research in African Literatures]]></source>
<year>1982</year>
<volume>13</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>488-98</page-range></nlm-citation>
</ref>
<ref id="B46">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lazarus]]></surname>
<given-names><![CDATA[N.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[What postcolonial theory doesn&#8217;t say]]></article-title>
<source><![CDATA[Race &amp; Class]]></source>
<year>2011</year>
<volume>53</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>3-27</page-range></nlm-citation>
</ref>
<ref id="B47">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Leech]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Virginia Woolf meets Wmatrix]]></article-title>
<source><![CDATA[Études de Stylistique Anglaise]]></source>
<year>2013</year>
<volume>4</volume>
<page-range>15-26</page-range></nlm-citation>
</ref>
<ref id="B48">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Leech]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
<name>
<surname><![CDATA[Short]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Style in fiction: A linguistic introduction to English fictional prose]]></source>
<year>1981</year>
<publisher-name><![CDATA[Longman]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B49">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lindfors]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Osiris Rising: A novel of Africa past. present and future]]></article-title>
<source><![CDATA[Études Littéraires Africaines]]></source>
<year>1996</year>
<volume>1</volume>
<page-range>57-8</page-range></nlm-citation>
</ref>
<ref id="B50">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lorentzon]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ayi Kwei Armah&#8217;s epic we-narrator]]></article-title>
<source><![CDATA[Critique: Studies in Contemporary Fiction]]></source>
<year>1997</year>
<volume>38</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>221-34</page-range></nlm-citation>
</ref>
<ref id="B51">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lorentzon]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The narratee of two of Ayi Kwei Armah&#8217;s novels: A use of narratology]]></article-title>
<source><![CDATA[Research in African Literatures]]></source>
<year>1998</year>
<volume>29</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>58-69</page-range></nlm-citation>
</ref>
<ref id="B52">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Macheka]]></surname>
<given-names><![CDATA[M. T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[An evaluation of post-colonial African leadership: A study of Ayi Kwei Armahs The Beautiful Ones Are Not Yet Born, and Chinua Achebe&#8217;s A Man of the People]]></article-title>
<source><![CDATA[International Journal of English and Literature]]></source>
<year>2014</year>
<volume>5</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>14-8</page-range></nlm-citation>
</ref>
<ref id="B53">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mahlberg]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Corpus stylistics: Bridging the gap between linguistic and literary studies]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Hoey]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Text, discourse and corpora: Theory and analysis]]></source>
<year>2007</year>
<page-range>219-46</page-range><publisher-name><![CDATA[Continuum]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B54">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mahlberg]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Corpus stylistics]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Burke]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Routledge handbook of stylistics]]></source>
<year>2014</year>
<page-range>378-92</page-range><publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B55">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mahlberg]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[McIntyre]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A case for corpus stylistics: Ian Fleming&#8217;s Casino Royale]]></article-title>
<source><![CDATA[English Text Construction]]></source>
<year>2011</year>
<volume>4</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>204-27</page-range></nlm-citation>
</ref>
<ref id="B56">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mangwanda]]></surname>
<given-names><![CDATA[M. K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Lexical structure as a marker of ideology in Ayi Kwei Armah&#8217;s Fragments and Two thousand seasons]]></article-title>
<source><![CDATA[English Academy Review]]></source>
<year>2019</year>
<volume>36</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>69-83</page-range></nlm-citation>
</ref>
<ref id="B57">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[McIntyre]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
<name>
<surname><![CDATA[Archer]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A corpus-based approach to mind style]]></article-title>
<source><![CDATA[Journal of Literary Semantics]]></source>
<year>2010</year>
<volume>51</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>1-16</page-range></nlm-citation>
</ref>
<ref id="B58">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mensah]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Bonsu]]></surname>
<given-names><![CDATA[E. M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A postcolonial feminist reading of J. M. Coetzee&#8217;s Waiting for the Barbarians (2000)]]></article-title>
<source><![CDATA[International Journal of Humanity Studies (IJHS)]]></source>
<year>2022</year>
<volume>6</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>109-21</page-range></nlm-citation>
</ref>
<ref id="B59">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Moore-Gilbert]]></surname>
<given-names><![CDATA[B. J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Postcolonial theory: Contexts, practices, politics]]></source>
<year>1997</year>
<publisher-name><![CDATA[Verso Books]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B60">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Moustafa]]></surname>
<given-names><![CDATA[B. S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A comparative corpus stylistic analysis of thematization and characterization in Gordimer&#8217;s My son&#8217;s story and Coetzee&#8217;s Disgrace]]></article-title>
<source><![CDATA[Open Linguistics]]></source>
<year>2022</year>
<volume>8</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>46-64</page-range></nlm-citation>
</ref>
<ref id="B61">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Murphy]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The curse of constant remembrance: The belated trauma of the slave trade in Ayi Kwei Armah&#8217;s Fragments]]></article-title>
<source><![CDATA[Studies in the Novel]]></source>
<year>2008</year>
<volume>40</volume>
<numero>1/2</numero>
<issue>1/2</issue>
<page-range>52-71</page-range></nlm-citation>
</ref>
<ref id="B62">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nama]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ayi Kwei Armah&#8217;s utopian world]]></article-title>
<source><![CDATA[Journal of Postcolonial Writing]]></source>
<year>1988</year>
<volume>28</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>25-35</page-range></nlm-citation>
</ref>
<ref id="B63">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nkansah]]></surname>
<given-names><![CDATA[S. K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Corpus assisted approach to Armah&#8217;s The beautyful ones are not yet born]]></article-title>
<source><![CDATA[Kente-Cape Coast Journal of Literature and the Arts]]></source>
<year>2021</year>
<volume>2</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>27-40</page-range></nlm-citation>
</ref>
<ref id="B64">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nkansah]]></surname>
<given-names><![CDATA[S. K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Nature as a symbiotic edge of humanity: Eco-critical reading of Armah&#8217;s The Healers]]></article-title>
<source><![CDATA[Journal of the African Literature Association]]></source>
<year>2023</year>
<volume>17</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>345-57</page-range></nlm-citation>
</ref>
<ref id="B65">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nkansah]]></surname>
<given-names><![CDATA[S. K.]]></given-names>
</name>
<name>
<surname><![CDATA[Bonsu]]></surname>
<given-names><![CDATA[E. M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Foregrounding the verbal process: A corpus stylistic analysis of Adichie&#8217;s Zikora (2020)]]></article-title>
<source><![CDATA[Linguistics Initiative]]></source>
<year>2022</year>
<volume>2</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>155-72</page-range></nlm-citation>
</ref>
<ref id="B66">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[O&#8217;Connell]]></surname>
<given-names><![CDATA[H. C.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A weak utopianism of postcolonial nationalist bildung: Re-reading Ayi Kwei Armah&#8217;s The beautyful ones are not yet born]]></article-title>
<source><![CDATA[Journal of Postcolonial Writing]]></source>
<year>2012</year>
<volume>48</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>371-83</page-range></nlm-citation>
</ref>
<ref id="B67">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ogbeide]]></surname>
<given-names><![CDATA[O. V.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The subtle plague: Materialistic visage of neocolonialism and its consequences in Armah&#8217;s Fragments]]></article-title>
<source><![CDATA[African Research Review]]></source>
<year>2011</year>
<volume>5</volume>
<numero>6</numero>
<issue>6</issue>
<page-range>58-70</page-range></nlm-citation>
</ref>
<ref id="B68">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Opoku-Agyemang]]></surname>
<given-names><![CDATA[K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[That kind of nonsense&#8217;: Reverse migration and the paradox of societal expectation in Ayi Kwei Armah&#8217;s Fragments]]></article-title>
<source><![CDATA[ASA 2013 Annual Meeting Paper]]></source>
<year>2013</year>
</nlm-citation>
</ref>
<ref id="B69">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Osei-Nyame]]></surname>
<given-names><![CDATA[J. K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Neo-Colonialism and alienation in African fiction: Ayi Kwei Armah&#8217;s Fragments]]></article-title>
<source><![CDATA[Legon Journal of the Humanities]]></source>
<year>2020</year>
<volume>31</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>92-116</page-range></nlm-citation>
</ref>
<ref id="B70">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ozoh]]></surname>
<given-names><![CDATA[N. J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Diaspora writers and social activism: a study of Isidore Okpewho&#8217;s Call me by my rightful name and Ayi Kwei Armah&#8217;s Osiris rising]]></article-title>
<source><![CDATA[Creative Artist: A Journal of Theatre and Media Studies]]></source>
<year>2018</year>
<volume>12</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>120-36</page-range></nlm-citation>
</ref>
<ref id="B71">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rao]]></surname>
<given-names><![CDATA[K. D.]]></given-names>
</name>
</person-group>
<source><![CDATA[The novels of Ayi Kwei Armah]]></source>
<year>1993</year>
<publisher-name><![CDATA[Prestige Books]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B72">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rayson]]></surname>
<given-names><![CDATA[P. E.]]></given-names>
</name>
</person-group>
<source><![CDATA[Matrix: A statistical method and software tool for linguistic analysis through corpus comparison]]></source>
<year>2003</year>
<publisher-name><![CDATA[Lancaster University]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B73">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rayson]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[From keywords to key semantic domains]]></article-title>
<source><![CDATA[International Journal of Corpus Linguistics]]></source>
<year>2008</year>
<volume>13</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>519-49</page-range></nlm-citation>
</ref>
<ref id="B74">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rayson]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
<name>
<surname><![CDATA[Archer]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
<name>
<surname><![CDATA[Piao]]></surname>
<given-names><![CDATA[S. L.]]></given-names>
</name>
<name>
<surname><![CDATA[McEnery]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The UCREL Semantic analysis system]]></article-title>
<source><![CDATA[Proceedings of the workshop on Beyond named entity recognition semantic labeling for NLP tasks in association with 4 th International Conference on Language Resources and Evaluation (LREC 2004)]]></source>
<year>2004</year>
<page-range>7-12</page-range></nlm-citation>
</ref>
<ref id="B75">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Retief]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Homoeroticism and the failure of African nationalism in Ayi Kwei Armah&#8217;s The Beautyful Ones]]></article-title>
<source><![CDATA[Research in African Literatures]]></source>
<year>2009</year>
<page-range>62-73</page-range></nlm-citation>
</ref>
<ref id="B76">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ruch]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<source><![CDATA[The emotion of exhilaration: Forms of expression and eliciting conditions]]></source>
<year>1990</year>
<publisher-name><![CDATA[University of Düsseldorf, Germany]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B77">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Scott]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Problems in investigating keyness, or clearing the undergrowth and marking out trails]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Bondi]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Keyness in texts]]></source>
<year>2010</year>
<page-range>43-57</page-range><publisher-name><![CDATA[John Benjamins]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B78">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Shuval]]></surname>
<given-names><![CDATA[J. T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Diaspora migration: Definitional ambiguities and a theoretical paradigm]]></article-title>
<source><![CDATA[International Migration]]></source>
<year>2000</year>
<volume>38</volume>
<numero>5</numero>
<issue>5</issue>
<page-range>41-56</page-range></nlm-citation>
</ref>
<ref id="B79">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Stockwell]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[The poetics of science fiction]]></source>
<year>2000</year>
<publisher-name><![CDATA[Longman]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B80">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Stockwell]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Cognitive poetics: An introduction]]></source>
<year>2002</year>
<publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B81">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Stubbs]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Conrad in the computer: Examples of quantitative stylistic methods]]></article-title>
<source><![CDATA[Language and Literature]]></source>
<year>2005</year>
<volume>14</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>5-24</page-range></nlm-citation>
</ref>
<ref id="B82">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wilson-Tagoe]]></surname>
<given-names><![CDATA[N.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Narrative, history, novel: intertexuality in the historical novels of Ayi Kwei Armah and Yvonne Vera]]></article-title>
<source><![CDATA[Journal of African Cultural Studies]]></source>
<year>1999</year>
<volume>12</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>155-66</page-range></nlm-citation>
</ref>
<ref id="B83">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wright]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The metaphysical and material worlds: Ayi Kwei Armah&#8217;s ritual cycle]]></article-title>
<source><![CDATA[World Literature Today]]></source>
<year>1985</year>
<volume>59</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>337-42</page-range></nlm-citation>
</ref>
<ref id="B84">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wright]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ayi Kwei Armah and the significance of his novels and histories]]></article-title>
<source><![CDATA[International Fiction Review]]></source>
<year>1990</year>
<volume>8</volume>
<page-range>29-61</page-range></nlm-citation>
</ref>
</ref-list>
</back>
</article>
