<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0123-3432</journal-id>
<journal-title><![CDATA[Íkala, Revista de Lenguaje y Cultura]]></journal-title>
<abbrev-journal-title><![CDATA[Íkala]]></abbrev-journal-title>
<issn>0123-3432</issn>
<publisher>
<publisher-name><![CDATA[Escuela de Idiomas, Universidad de Antioquia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0123-34322024000100008</article-id>
<article-id pub-id-type="doi">10.17533/udea.ikala.353637</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Science, Folklore, and Ecology of Knowledges in Aoyama&#8217;s Detective Conan Anime]]></article-title>
<article-title xml:lang="es"><![CDATA[Ciencia, folclore y ecología de saberes en el anime Detective Conan de Aoyama]]></article-title>
<article-title xml:lang="fr"><![CDATA[Science, folklore et écologie des savoirs chez l&#8217;animé Détective Conan d&#8217;Aoyama]]></article-title>
<article-title xml:lang="pt"><![CDATA[Ciencia, folklore e ecologia dos saberes na anime Detective Conan do Aoyama]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Quintairos-Soliño]]></surname>
<given-names><![CDATA[Alba]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ojeda-García]]></surname>
<given-names><![CDATA[Francisco Miguel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Vigo Department of Translation and Linguistics ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad de Granada Department of Social Anthropology ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2024</year>
</pub-date>
<volume>29</volume>
<numero>1</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0123-34322024000100008&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0123-34322024000100008&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0123-34322024000100008&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract During the Anthropocene, science and folklore have been efficient explanatory models of the world. However, numerous studies suggest a convergence of both perspectives in contemporary mass media productions, being Japanese animation a clear example. The aim of the research presented here was to analyse how science and folklore are integrated and opposed in Aoyama&#8217;s Detective Conan, an anime where cases often happen in rural Japan and where folk references confront Conan&#8217;s detective reasoning. To reach this objective, a comprehensive qualitative and quantitative study of the presence of folklore in this work-through aspects such as characterisation or narratives-was conducted in 75 cases and over 155 episodes which include references to folklore in their background, plot, or characters. The analysis revealed that, when folklore and science interact, rational thinking is usually preferred over folk beliefs; characters are stereotyped according to their genre or origins; and, more importantly, supernatural beliefs can be included in detective fiction without being ridiculed by the most rational characters.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En el Antropoceno, ciencia y folclor se han considerado modelos eficaces para explicar el mundo. Asimismo, numerosos estudios apuntan a una convergencia de ambas perspectivas en las producciones contemporáneas de los medios de comunicación de masas, entre las que sobresale el anime japonés. El objetivo del presente artículo es analizar cómo se integran y oponen la ciencia y el folclore en Detective Conan, de Aoyama, un anime donde muchos casos se desarrollan en el Japón rural y donde las referencias tradicionales confrontan el raciocinio detectivesco de Conan. Para lograr este objetivo, se ha realizado un amplio estudio cualitativo y cuantitativo de la presencia del folclore en esta obra a través de aspectos como la caracterización o las narrativas presentes en 75 casos y alrededor de 155 episodios que incluyen referencias al folclore, en el contexto, la trama o los personajes. El análisis reveló que, cuando el folclore y la ciencia interactúan, por lo general el pensamiento racional se impone sobre las creencias tradicionales; los personajes son estereotipados según su género o sus orígenes; y, lo más importante, las creencias sobrenaturales pueden incluirse en la ficción detectivesca sin ser ridiculizadas por los personajes más racionales.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[Résumé Au cours de l&#8217;Anthropocène, la science et le folklore ont servi efficacement de modèles pour expliquer le monde. Cependant, des nombreuses études indiquent une convergence des deux perspectives dans les productions contemporaines des médias de masse ; l&#8217;animé japonais en est un exemple clair. L&#8217;objectif de cet article est d&#8217;analyser la manière dont la science et le folklore s&#8217;intègrent et s&#8217;opposent dans le Détective Conan d&#8217;Aoyama, un animé qui se déroule souvent dans le Japon rural et où les références traditionnelles sont confrontées au raisonnement du détective Conan. Pour atteindre cet objectif, une étude qualitative et quantitative approfondie de la présence du folklore dans cette &#339;uvre a été réalisée, à travers des aspects tels que la caractérisation ou les récits, dans 75 cas et plus de 155 épisodes qui incluent des références au folklore dans le contexte, l&#8217;intrigue ou les personnages. L&#8217;analyse a révélé que, lorsque le folklore et la science interagissent, la pensée rationnelle l&#8217;emporte généralement sur les croyances traditionnelles, les personnages sont stéréotypés en fonction de leur sexe ou de leur origine et, surtout, les croyances surnaturelles peuvent être incluses dans la fiction policière sans être ridiculisées par les personnages plus rationnels.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Durante o Antropoceno, a ciência e o folclore têm servido eficazmente como modelos para explicar o mundo. No entanto, numerosos estudos indicam uma convergência de ambas as perspectivas nas produções contemporâneas dos meios de comunicação de massas; um exemplo claro disso é a anime japonesa. O objetivo deste artigo foi analisar a forma como a ciência e o folclore se integram e se opõem no Detective Conan de Aoyama, um anime que se passa, em muitos casos, no Japão rural e onde as referências tradicionais confrontam o raciocínio do Detetive Conan. Para atingir este objetivo, foi realizado um extenso estudo qualitativo e quantitativo da presença do folclore nesta obra, através de aspectos como a caraterização ou a narrativa, em 75 casos e mais de 155 episódios que incluem referências ao folclore no contexto, enredo ou personagens. A análise revelou que, quando o folclore e a ciência interagem, o pensamento racional geralmente prevalece sobre as crenças tradicionais; as personagens são estereotipadas de acordo com o seu género ou origem; e, mais importante, as crenças sobrenaturais podem ser incluídas na ficção policial sem serem ridicularizadas pelas personagens mais racionais.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[ecology of knowledges]]></kwd>
<kwd lng="en"><![CDATA[Detective Conan]]></kwd>
<kwd lng="en"><![CDATA[Japanese animation]]></kwd>
<kwd lng="en"><![CDATA[detective fiction]]></kwd>
<kwd lng="en"><![CDATA[folklore]]></kwd>
<kwd lng="en"><![CDATA[mass media]]></kwd>
<kwd lng="es"><![CDATA[ecología de saberes]]></kwd>
<kwd lng="es"><![CDATA[Detective Conan]]></kwd>
<kwd lng="es"><![CDATA[anime japonés]]></kwd>
<kwd lng="es"><![CDATA[ficción detectivesca]]></kwd>
<kwd lng="es"><![CDATA[folclore]]></kwd>
<kwd lng="es"><![CDATA[medios de masas]]></kwd>
<kwd lng="fr"><![CDATA[écologie des savoirs]]></kwd>
<kwd lng="fr"><![CDATA[Détective Conan]]></kwd>
<kwd lng="fr"><![CDATA[animé japonais]]></kwd>
<kwd lng="fr"><![CDATA[fiction policière]]></kwd>
<kwd lng="fr"><![CDATA[folklore]]></kwd>
<kwd lng="fr"><![CDATA[médias de masse]]></kwd>
<kwd lng="pt"><![CDATA[ecologia dos saberes]]></kwd>
<kwd lng="pt"><![CDATA[Detective Conan]]></kwd>
<kwd lng="pt"><![CDATA[anime japonesa]]></kwd>
<kwd lng="pt"><![CDATA[ficção policial]]></kwd>
<kwd lng="pt"><![CDATA[folclore]]></kwd>
<kwd lng="pt"><![CDATA[meios de comunicação de massas]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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