<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0123-4870</journal-id>
<journal-title><![CDATA[Folios]]></journal-title>
<abbrev-journal-title><![CDATA[Folios]]></abbrev-journal-title>
<issn>0123-4870</issn>
<publisher>
<publisher-name><![CDATA[Universidad Pedagógica Nacional ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0123-48702021000200141</article-id>
<article-id pub-id-type="doi">10.17227/folios.54-12028</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La luz difícil de Tomás González y La balada del pajarillo, de Germán Espinosa: dos novelas de artista colombianas en el siglo XXI]]></article-title>
<article-title xml:lang="en"><![CDATA[La luz difícil by Tomás González, and La balada del pajarillo by Germán Espinosa: Two Colombian Artist Novels in the 21st Century]]></article-title>
<article-title xml:lang="pt"><![CDATA[La luz difícil, de Tomás González, e La balada del pajarillo, de Germán Espinosa: dois romances de artistas colombianos no século XXI]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Herrera Rodríguez]]></surname>
<given-names><![CDATA[Camilo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de San Buenaventura  ]]></institution>
<addr-line><![CDATA[Medellín ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2021</year>
</pub-date>
<numero>54</numero>
<fpage>141</fpage>
<lpage>150</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0123-48702021000200141&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0123-48702021000200141&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0123-48702021000200141&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo de reflexión analiza dos novelas: La luz difícil de Tomás González, así como La balada del pajarillo de German Espinosa, desde el punto de vista de la novela de artista o Künstlerroman. El análisis de ambas narraciones busca proponer una caracterización del artista como un ser inmerso en la sociedad, a veces consagrado o marginado, creador activo o pasivo, teniendo en cuenta, además, otras obras representativas de este tipo de novela. Lo anterior, con el objetivo de ilustrar los aspectos característicos de dos ficciones colombianas que bien pueden enmarcarse en una misma tradición novelística: la novela de artista. A saber, los orígenes de la novela de artista en relación con las propuestas de González y Espinosa; la apreciación del arte como inherente al artista/héroe de la novela; el concepto de la novela como ejercicio liberador y catártico del artista.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This reflection article is intended to analyze two novels: La luz difícil by Tomás González, as well as La balada del pajarillo by German Espinosa, from the point of view of the artist novel or Künstlerroman. The analysis of both narratives tries to propose a characterization of the artist as one immersed in society, occasionally acclaimed or marginalized, active or passive creator, considering, as well, other representative works of this type of novel. This, with the intention of showing the characteristic of two Colombian fictions that could be placed into the same novelistic tradition: the artist novel. Namely, the origins of the artist's novel in relation to the proposals of González and Espinosa; the appreciation of art as inherent in the artist/hero of the novel; the concept of the novel as a liberating and cathartic exercise for the artist.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo analisa dois romances: La luz difícil de Tomás González, e La balada del pajarillo de Germán Espinosa, do ponto de vista do romance do artista ou Künstlerroman. A análise de ambas as narrativas busca propor uma caracterização do artista como um ser imerso na sociedade, às vezes consagrado ou marginalizado, criador ativo ou passivo, levando em consideração também outras obras representativas desse tipo de romance. O anterior com o objetivo de ilustrar os aspectos característicos de duas ficções colombianas que podem muito bem ser enquadradas na mesma tradição romanesca: o romance do artista. A saber, as origens do romance do artista em relação às propostas de González e Espinosa; a apreciação da arte como inerente ao artista/herói do romance; a concepção do romance como exercício libertador e catártico do artista.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Tomás González]]></kwd>
<kwd lng="es"><![CDATA[La luz difícil]]></kwd>
<kwd lng="es"><![CDATA[Germán Espinosa]]></kwd>
<kwd lng="es"><![CDATA[La balada del pajarillo]]></kwd>
<kwd lng="es"><![CDATA[novela de artista (Künstlerroman)]]></kwd>
<kwd lng="en"><![CDATA[Tomás González]]></kwd>
<kwd lng="en"><![CDATA[La luz difícil]]></kwd>
<kwd lng="en"><![CDATA[Germán Espinosa]]></kwd>
<kwd lng="en"><![CDATA[La balada del pajarillo]]></kwd>
<kwd lng="en"><![CDATA[artist-novel (Künstlerroman)]]></kwd>
<kwd lng="pt"><![CDATA[Tomás González]]></kwd>
<kwd lng="pt"><![CDATA[La luz difícil]]></kwd>
<kwd lng="pt"><![CDATA[Germán Espinosa]]></kwd>
<kwd lng="pt"><![CDATA[La balada del pajarillo]]></kwd>
<kwd lng="pt"><![CDATA[romance do artista (Künstlerroman).]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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