<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0123-5931</journal-id>
<journal-title><![CDATA[Literatura: Teoría, Historia, Crítica]]></journal-title>
<abbrev-journal-title><![CDATA[Lit. teor. hist. crit.]]></abbrev-journal-title>
<issn>0123-5931</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional de Colombia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0123-59312023000200184</article-id>
<article-id pub-id-type="doi">10.15446/lthc.v25n2.108502</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Rhythm-Based Authorship Recognition in Syllabic and Accentual-Syllabic Verse]]></article-title>
<article-title xml:lang="es"><![CDATA[Reconocimiento de autoría basado en el ritmo en verso silábico y silábico-acentual]]></article-title>
<article-title xml:lang="pt"><![CDATA[Reconhecimento da autoria baseado no ritmo em verso silábico e acentual-silábico]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Plechá&#269;]]></surname>
<given-names><![CDATA[Petr]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Birnbaum]]></surname>
<given-names><![CDATA[David J.]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Institute of Czech Literature Czech Academy of Sciences ]]></institution>
<addr-line><![CDATA[Prague ]]></addr-line>
<country>Czechia</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,University of Pittsburgh  ]]></institution>
<addr-line><![CDATA[Pittsburgh ]]></addr-line>
<country>USA</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<volume>25</volume>
<numero>2</numero>
<fpage>184</fpage>
<lpage>190</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0123-59312023000200184&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0123-59312023000200184&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0123-59312023000200184&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This contribution explores the extent to which rhythm-based features of poetic texts can contribute meaningfully to authorship recognition. We show that, although a binary categorization of languages as syllabic vs. accentual-syllabic fails to fully explain the differences. However, once we formalize accentual regularity as a continuum, our analysis shows that authorship attribution results improve as we move from the most to the least accentually regular languages. This result supports our hypothesis that accentual regularity is an inhibiting factor in authorship attribution as long as accentual regularity is understood as a continuous property.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este trabajo explora en qué medida las características rítmicas de los textos poéticos pueden contribuir al reconocimiento de la autoría. Se demuestra, en primer lugar, que una categorización de las lenguas como silábicas o silábico-acentuales no explica completamente las diferencias. Sin embargo, nuestros análisis muestran que, si la regularidad acentual se formaliza como una continuidad, el reconocimiento de autoría mejora cuando pasamos de las lenguas más regularmente acentuadas a las menos. Los resultados apoyan la hipótesis según la cual la regularidad acentual es un factor inhibidor en el reconocimiento de autoría si se le considera como una característica continua.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Esta contribuição explora em que medida as características rítmicas dos textos poéticos podem contribuir de forma significativa para o reconhecimento da autoria. Mostramos que embora uma categorização binária das línguas como silábicas versus acentual-silábicas não consiga explicar completamente as diferenças, uma vez que formalizamos a regularidade acentual como um continuum, a nossa análise mostra que os resultados da atribuição de autoria melhoram à medida que passamos das línguas mais regulares acentualmente para as menos regulares. Este resultado apoia a nossa hipótese de que a regularidade acentual é um fator inibidor na atribuição da autoria, desde que a regularidade acentual seja entendida como uma propriedade contínua.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[poetry]]></kwd>
<kwd lng="en"><![CDATA[authorship recognition]]></kwd>
<kwd lng="en"><![CDATA[poetic rhythm]]></kwd>
<kwd lng="en"><![CDATA[versification]]></kwd>
<kwd lng="es"><![CDATA[poesía]]></kwd>
<kwd lng="es"><![CDATA[reconocimiento de autoría]]></kwd>
<kwd lng="es"><![CDATA[ritmo poético]]></kwd>
<kwd lng="es"><![CDATA[versificación]]></kwd>
<kwd lng="pt"><![CDATA[poesia]]></kwd>
<kwd lng="pt"><![CDATA[reconhecimento da autoria]]></kwd>
<kwd lng="pt"><![CDATA[ritmo poético]]></kwd>
<kwd lng="pt"><![CDATA[versificação]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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