<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0123-885X</journal-id>
<journal-title><![CDATA[Revista de Estudios Sociales]]></journal-title>
<abbrev-journal-title><![CDATA[rev.estud.soc.]]></abbrev-journal-title>
<issn>0123-885X</issn>
<publisher>
<publisher-name><![CDATA[Facultad de Ciencias Sociales, Universidad de los Andes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0123-885X2024000400029</article-id>
<article-id pub-id-type="doi">10.7440/res90.2024.03</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La ira de los espíritus: ritual, danza e integración social entre los onges de las islas Andamán]]></article-title>
<article-title xml:lang="en"><![CDATA[The Wrath of the Spirits: Ritual, Dance, and Social Integration among the Onge of the Andaman Islands]]></article-title>
<article-title xml:lang="pt"><![CDATA[A ira dos espíritos: ritual, dança e integração social entre os Onges das ilhas Andaman]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Lagunas]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Sevilla  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>10</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>10</month>
<year>2024</year>
</pub-date>
<numero>90</numero>
<fpage>29</fpage>
<lpage>45</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0123-885X2024000400029&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0123-885X2024000400029&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0123-885X2024000400029&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: A partir del estudio paradigmático The Andaman Islanders de A. R. Radcliffe-Brown, se presenta un análisis de la ira como foco cultural en una cultura no occidental. A lo largo del artículo se exponen temas vinculados a la ira a partir del diálogo entre las etnografías. La ira se asocia al enfado de los espíritus en la cosmovisión andamanesa y se concibe como un hecho antisocial. En las Andamán, la correlación entre diferentes códigos -mitológico, tecnoeconómico, simbólico, matrimonial y acústico- coincide parcialmente con lo apuntado por Lévi-Strauss en su serie de las Mitológicas. La tesis de Pandya plantea que el objeto de los rituales andamaneses es la obtención de poder para lograr la superación de contrarios, entre humanos y espíritus. La originalidad del texto se basa en el papel de la danza como agente de comunicación entre los humanos y los espíritus con la intención de calmar la ira de estos. También se subraya el descubrimiento de Radcliffe-Brown en las Andamán de dos elementos clave para la antropología: por un lado, la sociedad durkheimiana de solidaridad orgánica; por otro, una forma de vivir la solidaridad a través de la danza. La danza puede entenderse como un lenguaje de integración social. Por ello, constituye una de las actividades paradigmáticas de la cultura frente a la ira y la destrucción de los espíritus.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract:  Drawing on A. R. Radcliffe-Brown&#8217;s seminal work The Andaman Islanders, this article analyzes anger as a cultural focal point in a non-Western society. The discussion navigates various themes related to anger through an ethnographic dialogue. In the Andamanese worldview, anger is linked to the wrath of spirits and is regarded as an antisocial force. The study reveals that the interplay between different codes-mythological, techno-economic, symbolic, matrimonial, and acoustic-partially corresponds with the patterns noted by Lévi-Strauss in his Mythologiques series. Pandya&#8217;s thesis suggests that Andamanese rituals are designed to harness power to reconcile oppositions, particularly between humans and spirits. The text&#8217;s originality lies in highlighting the role of dance as a medium for communication between humans and spirits, aimed at soothing the spirits&#8217; anger. The article also underscores Radcliffe-Brown&#8217;s identification of two foundational concepts in anthropology during his study of the Andaman Islands: first, the Durkheimian notion of organic solidarity, and second, a unique experience of solidarity expressed through dance. Dance is interpreted as a language of social integration, serving as a key cultural practice in countering the spirits&#8217; wrath and the resulting destruction.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: Com base no estudo paradigmático The Andaman Islanders, de A. R. Radcliffe-Brown, é apresentada uma análise da ira como foco cultural em uma cultura não ocidental. Ao longo deste artigo, os temas da ira são apresentados em um diálogo entre as etnografias. A ira está associada ao enfado espiritual na visão de mundo andamanês e é concebida como evento antissocial. Nos andamaneses, a correlação entre diferentes códigos - mitológico, tecnoeconômico, simbólico, matrimonial e acústico - está parcialmente de acordo com o que Lévi-Strauss apontou em sua série das Mitológicas. A tese de Pandya é que o objetivo dos rituais andamaneses é obter poder para alcançar a superação de opostos, entre humanos e espíritos. A originalidade deste texto se baseia no papel da dança como agente de comunicação entre humanos e espíritos com a intenção de acalmar a ira dos espíritos. Ele também destaca a descoberta de Radcliffe-Brown em Andaman de dois elementos-chave para a antropologia: por um lado, a sociedade durkheimiana de solidariedade orgânica; por outro, uma forma de viver a solidariedade por meio da dança. A dança pode ser entendida como linguagem de integração social. Como tal, ela constitui uma das atividades paradigmáticas da cultura em face da ira e da destruição dos espíritos.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Andamán]]></kwd>
<kwd lng="es"><![CDATA[danza]]></kwd>
<kwd lng="es"><![CDATA[espíritus]]></kwd>
<kwd lng="es"><![CDATA[integración]]></kwd>
<kwd lng="es"><![CDATA[ira]]></kwd>
<kwd lng="es"><![CDATA[ritual]]></kwd>
<kwd lng="en"><![CDATA[Andaman]]></kwd>
<kwd lng="en"><![CDATA[dance]]></kwd>
<kwd lng="en"><![CDATA[spirits]]></kwd>
<kwd lng="en"><![CDATA[integration]]></kwd>
<kwd lng="en"><![CDATA[anger]]></kwd>
<kwd lng="en"><![CDATA[ritual]]></kwd>
<kwd lng="pt"><![CDATA[Andaman]]></kwd>
<kwd lng="pt"><![CDATA[dança]]></kwd>
<kwd lng="pt"><![CDATA[espíritos]]></kwd>
<kwd lng="pt"><![CDATA[integração]]></kwd>
<kwd lng="pt"><![CDATA[raiva]]></kwd>
<kwd lng="pt"><![CDATA[ritual]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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