<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0486-6525</journal-id>
<journal-title><![CDATA[Revista Colombiana de Antropología]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. colomb. antropol.]]></abbrev-journal-title>
<issn>0486-6525</issn>
<publisher>
<publisher-name><![CDATA[Instituto Colombiano de Antropología e Historia - ICANH]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0486-65252020000200079</article-id>
<article-id pub-id-type="doi">10.22380/2539472x.793</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Cantando el sufrimiento del río. Memoria, poética y acción política de las cantadoras del Medio Atrato chocoano]]></article-title>
<article-title xml:lang="en"><![CDATA[Singing the River's Suffering: Memory, Poetics and Political Action of the Cantadoras of the Middle Atrato in Chocó]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Riaño-Alcalá]]></surname>
<given-names><![CDATA[Pilar]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Chaparro Pacheco]]></surname>
<given-names><![CDATA[Ricardo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,University of British Columbia  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Canada</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Franciscan University of Steubenville  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>USA</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<volume>56</volume>
<numero>2</numero>
<fpage>79</fpage>
<lpage>110</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0486-65252020000200079&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0486-65252020000200079&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0486-65252020000200079&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN Desde la comunidad de Pogue, un grupo de cantadoras lleva los alabaos a diferentes escenarios públicos, como sucede en las conmemoraciones de la masacre de Bojayá o la firma del acuerdo de paz. Al situar el afecto y el sentimiento como fuerzas creadoras del canto, la composición y la puesta en escena, las cantadoras de Pogue recrean lenguajes y modos de acción política. Con una voz colectiva construyen una narrativa sonora que expresa tanto su dolor como sus reivindicaciones. El sentimiento comunica un conocimiento emocional y encarnado de las mujeres e impulsa formas propias de producción de memoria histórica y acción política. Explorando el canto, el sentimiento y la guerra, este artículo apunta a las intersecciones entre cultura, política y resistencia que representan dichas composiciones y prácticas de cantar.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT From the community of Pogue, a group of cantadoras sing alabaos in different public scenarios such as the commemorations of the Bojayd Massacre or in the signing of the Peace Agreement. By putting affect and feeling as creative forces of song, composition and performance, the Pogue singers recreate languages and modes of political action. With a collective voice, the singers construct a sound narrative that expresses their pain and their demands. Feeling in this context communicates women's emotional and embodied knowledge, and activates forms of production of historical memory and productive political action. Through the exploration of song, feeling and war, the article examines the intersections between culture, politics and resistance that these compositions and singing practices represent.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[sentimiento]]></kwd>
<kwd lng="es"><![CDATA[memoria sonora]]></kwd>
<kwd lng="es"><![CDATA[reparación social]]></kwd>
<kwd lng="es"><![CDATA[acción política]]></kwd>
<kwd lng="en"><![CDATA[Feeling]]></kwd>
<kwd lng="en"><![CDATA[sound memory]]></kwd>
<kwd lng="en"><![CDATA[social repair]]></kwd>
<kwd lng="en"><![CDATA[political action]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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