<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1692-5858</journal-id>
<journal-title><![CDATA[Encuentros]]></journal-title>
<abbrev-journal-title><![CDATA[Encuentros]]></abbrev-journal-title>
<issn>1692-5858</issn>
<publisher>
<publisher-name><![CDATA[Universidad Autónoma del Caribe, Facultad de Ciencias Sociales y Humanas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1692-58582017000100077</article-id>
<article-id pub-id-type="doi">10.15665/re.v15i1.812</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El grafiti como artefacto comunicador de las ciudades: una revisión de literatura]]></article-title>
<article-title xml:lang="en"><![CDATA[Graffiti as a Communication Artifact within Cities: a State of the Art]]></article-title>
<article-title xml:lang="pt"><![CDATA[O graffiti como um meio de comunicação das cidades: uma revisão da literatura]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ramírez Rodríguez]]></surname>
<given-names><![CDATA[Manuela]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rodríguez Camelo]]></surname>
<given-names><![CDATA[Liseth Vanessa]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Celis]]></surname>
<given-names><![CDATA[María Amanda de los Ángeles]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rozo García]]></surname>
<given-names><![CDATA[Hugo Alexander]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de La Sabana  ]]></institution>
<addr-line><![CDATA[Chía Cundinamarca]]></addr-line>
<country>Colombia</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad de La Sabana  ]]></institution>
<addr-line><![CDATA[Chía Cundinamarca]]></addr-line>
<country>Colombia</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidad de La Sabana  ]]></institution>
<addr-line><![CDATA[Chía Cundinamarca]]></addr-line>
<country>Colombia</country>
</aff>
<aff id="Af4">
<institution><![CDATA[,Universidad de La Sabana  ]]></institution>
<addr-line><![CDATA[Chía Cundinamarca]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2017</year>
</pub-date>
<volume>15</volume>
<numero>1</numero>
<fpage>77</fpage>
<lpage>89</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S1692-58582017000100077&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S1692-58582017000100077&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S1692-58582017000100077&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN Este artículo1 se constituye como una revisión descriptiva de enfoque cualitativo acerca de la conceptualización y evolución del grafiti en sus diferentes acepciones, ilustrando la evolución y diferentes perspectivas encontradas en publicaciones académicas que permiten develar la importancia como herencia cultural que emana de su propia naturaleza y la representación social y política que manifiesta. Para este fin, se tuvo en cuenta la producción académica comprendida entre los años 2000 y 2016 en torno al grafiti en las bases de datos Jstor, Communication &amp; Mass Media Complete de Ebsco y Google Scholar. La revisión sistemática de literatura, permite evidenciar la situación actual del grafiti, haciendo un énfasis en ciudades que han gestado sus orígenes y orientado su evolución. Como principal resultado, se halló la importancia que representa actualmente dentro de un movimiento artístico que comunica y representa la identidad colectiva de las situaciones que atraviesa un contexto determinado, constituyendo a las ciudades como entornos que comunican.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT This article is a descriptive revision about the concept and evolution of graffiti, its different intakes and perspectives, illustrating its evolution and various standpoints found in academic publications that allow us to reveal its importance as a cultural inheritance emanated from its own nature and political and social aspects that it represents. The articles were taken from three different data bases: Jstor, Communication &amp; Mass Media Complete from Ebsco and from Google Scholar; the time frame of publication was done from the year 2000 up to the year 2016, which allows evidentiary support for the current situation of graffiti emphasizing on the important cities of its origins and its evolution. As a result, we found the importance of graffiti within an artistic movement that communicates and represents a collective identity of the circumstances within a specific context, constituting cities as communicative environments.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO Este artigo é uma revisão descritiva sobre o conceito e a evolução do graffiti em seus diferentes conceitos, ilustrando a evolução e perspetivas encontradas em publicações acadêmicas que nos permitem revelar sua importância como herança cultural emanada da sua própria natureza e dos aspetos políticos e sociais que representa. Para este fim, se tomou em consideração artigos publicados entre os anos 2000 e 2016, retirados de três bases de dados diferentes: Jstor, Communication &amp; Mass Media Complete de Ebsco e do Google Scholar. Este intervalo de tempo permite evidenciar a situação atual do graffiti, enfatizando as cidades que lhe deram origem e orientado sua evolução. Como principal resultado, se verificou a importância do graffiti dentro de um movimento artístico que comunica e representa uma identidade coletiva das circunstâncias que atravessam um contexto específico, constituindo as cidades como ambientes comunicativos]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Grafiti]]></kwd>
<kwd lng="es"><![CDATA[Arte callejero]]></kwd>
<kwd lng="es"><![CDATA[Expresión artística]]></kwd>
<kwd lng="es"><![CDATA[Ciudades comunicativas]]></kwd>
<kwd lng="en"><![CDATA[Graffiti]]></kwd>
<kwd lng="en"><![CDATA[street art]]></kwd>
<kwd lng="en"><![CDATA[artistic expression]]></kwd>
<kwd lng="en"><![CDATA[and communicative cities or environments]]></kwd>
<kwd lng="pt"><![CDATA[Graffiti]]></kwd>
<kwd lng="pt"><![CDATA[Arte de rua]]></kwd>
<kwd lng="pt"><![CDATA[Expressão artística]]></kwd>
<kwd lng="pt"><![CDATA[Cidades ou ambientes comunicativos]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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