<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1692-5858</journal-id>
<journal-title><![CDATA[Encuentros]]></journal-title>
<abbrev-journal-title><![CDATA[Encuentros]]></abbrev-journal-title>
<issn>1692-5858</issn>
<publisher>
<publisher-name><![CDATA[Universidad Autónoma del Caribe, Facultad de Ciencias Sociales y Humanas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1692-58582018000200079</article-id>
<article-id pub-id-type="doi">10.15665/encuent.v16i02.592</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El vestido como artefacto del diseño: Contribuciones para su estudio y reflexión al interior del pensamiento del diseño]]></article-title>
<article-title xml:lang="en"><![CDATA[Dress as an artifact of design: Contributions for its study and reflection within the design thinking]]></article-title>
<article-title xml:lang="pt"><![CDATA[O vestido como artefato do desenho: contribuições para seu estudo e reflexão ao interior do pensamento do desenho]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Fernández Silva]]></surname>
<given-names><![CDATA[Claudia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Pontificia Bolivariana  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2018</year>
</pub-date>
<volume>16</volume>
<numero>2</numero>
<fpage>79</fpage>
<lpage>91</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S1692-58582018000200079&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S1692-58582018000200079&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S1692-58582018000200079&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN El presente artículo derivado de la investigación doctoral El vestido como artefacto del diseño: Contribuciones para su estudio y reflexión al interior del pensamiento del diseño (2016), la cual propende por un conocimiento del vestido al interior desde la reflexión teórica del diseño y sus fronteras con otras áreas del conocimiento, a partir de dos instancias que definen su identidad como artefacto: a) la capacidad de recrear el cuerpo de su portador, para lo cual se revisan algunas teorías alrededor del cuerpo y los artefactos, en especial el vestido, en los siglos XX y XXI (Baudrillard, 1974, 1980; Attfield, 2000; Onfray 2002; Dagognet 1989; Belting 2002, 2005, 2006; Eicher, 2013). Y b) la experiencia de dilución de las fronteras entre sujeto y objeto que se da en el momento de su uso, desde el estudio diferentes autores y conceptos que aluden a esta interrelación (Ortega y Gasset, 2010 [1957]; Merleau-Ponty, 1962; Bourdieu 1988; Broncano, 2005, 2009, 2012).]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT The present article presents part of the results of the doctoral research Dress as an artifact of design: Contributions for its study and reflection within the design thinking (2016), which seeks for a knowledge of the dress into the design thought, from the theoretical reflection of design and its borders with other areas of knowledge, from two moments that define its identity as an artifact: a) the ability to recreate the body of the wearer, for which some theories were revised around body and artifacts, especially the dress, in he 20th and 21st centuries (Baudrillard, 1974, 1980; Attfield, 2000; Onfray 2002; Dagognet 1989; Belting 2002, 2005, 2006; Eicher, 2013). And b) the dilution of boundaries experience between subject and object which occurs at the time of use, from the study of different authors and concepts that allude to this interrelation (Ortega y Gasset, 2010 [1957]; Merleau-Ponty, 1962; Bourdieu 1988; Broncano, 2005, 2009, 2012).]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO O presente artigo apresenta parte dos resultados da investigação de doutorado O vestido como artefato do desenho: contribuições para seu estudo e reflexão ao interior do pensamento do desenho (2016), que busca produzir um conhecimento do vestido desde a reflexão teórica do desenho e suas fronteiras com outras áreas do conhecimento a partir de duas instâncias que definem sua identidade como artefato: a) a capacidade de recriar o corpo de seu portador, para o qual se revisa algumas teorias sobre o corpo e os artefatos, em especial o vestido nos séculos XX e XXI (Baudrillard, 1974, 1980; Attfield, 2000; Onfray 2002; Dagognet 1989; Belting 2002, 2005, 2006; Eicher, 2013). E b) a experiencia de diluição das fronteiras entre sujeito e objeto que se dá no momento de seu uso, desde o estudo de diferentes autores e conceitos que tratam dessa interrelação (Ortega y Gasset, 2010 [1957]; Merleau-Ponty, 1962; Bourdieu 1988; Broncano, 2005, 2009, 2012).]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[diseño]]></kwd>
<kwd lng="es"><![CDATA[vestido]]></kwd>
<kwd lng="es"><![CDATA[cuerpo]]></kwd>
<kwd lng="es"><![CDATA[prótesis]]></kwd>
<kwd lng="es"><![CDATA[interfaz.]]></kwd>
<kwd lng="en"><![CDATA[design]]></kwd>
<kwd lng="en"><![CDATA[dress]]></kwd>
<kwd lng="en"><![CDATA[body]]></kwd>
<kwd lng="en"><![CDATA[prosthesis]]></kwd>
<kwd lng="en"><![CDATA[interface]]></kwd>
<kwd lng="pt"><![CDATA[desenho]]></kwd>
<kwd lng="pt"><![CDATA[vestido]]></kwd>
<kwd lng="pt"><![CDATA[corpo]]></kwd>
<kwd lng="pt"><![CDATA[prótese]]></kwd>
<kwd lng="pt"><![CDATA[interface]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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