<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1692-5858</journal-id>
<journal-title><![CDATA[Encuentros]]></journal-title>
<abbrev-journal-title><![CDATA[Encuentros]]></abbrev-journal-title>
<issn>1692-5858</issn>
<publisher>
<publisher-name><![CDATA[Universidad Autónoma del Caribe, Facultad de Ciencias Sociales y Humanas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1692-58582018000200146</article-id>
<article-id pub-id-type="doi">10.15665/encuent.v16i02.1550</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El Sujeto teatral: entre la experiencia estética y la reflexión académica]]></article-title>
<article-title xml:lang="en"><![CDATA[The theatrical subject: Between aesthetic experience and academic reflection]]></article-title>
<article-title xml:lang="pt"><![CDATA[Sujeito teatral: entre a recepção estética e a reflexão acadêmica]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Correa Páez]]></surname>
<given-names><![CDATA[Jesús]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad del Atlántico  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2018</year>
</pub-date>
<volume>16</volume>
<numero>2</numero>
<fpage>146</fpage>
<lpage>156</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S1692-58582018000200146&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S1692-58582018000200146&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S1692-58582018000200146&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN En esta investigación se acoge la teoría sobre la enunciación en sentido extenso, es decir en que está implicado no sólo lo lingüístico, sino también lo semiótico, y bajo esta consideración se configuran planteamientos que permiten considerar la transfiguración del Yo en la construcción del sujeto teatral, en ese sentido se focaliza la metáfora como herramienta que impele la semiotización en el orden simbólico. Para soportar teóricamente esta pretensión se recurre a los planteamientos de Husserl, Merleau-Ponty y Ricoeur; y además se toman consideraciones de Hernández Carmona en torno al tema. Se sustenta la presente teorización bajo los planteamientos de la semiótica de la subjetividad-afectividad u ontosemiótica, en el intento de explicar el sujeto teatral a manera de instancia sensible- reflexiva que surge de la confluencia de determinantes y disímiles factores.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT This research takes as starting point theories of enunciation in extensive sense, i.e. that is involved not only the linguistically, but also the semiotic aspect, and under this account are configured approaches that allow to consider the transfiguration of the self in the of the theatrical subject, in this respect focuses the metaphor as a tool that impels the semiotizationin the symbolic order. Husserl and Merleau-Ponty, Ricoeur; in addition taken Hernández Carmona&#8217;s considerations on the theme. Hence this theorizing under approaches to semiotics of the subjectivity-affectivity or ontosemiotic, is based on the attempt to explain the subject theatrical way of sensible- reflexive instance that arises from the confluence of determinants and dissimilar factors.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO Nesta pesquisa é bem-vindos teoria de enunciação em sentido amplo, ou seja, que está envolvido não somente linguística, mas também a semiótica e sob este abordagens de consideração que permitem a transfiguração do self são configurados em a construção do objecto teatral, centra-se em conformidade a metáfora como uma ferramenta que impulsiona o semiotization na ordem simbólica. Husserl e Merleau-Ponty, Ricoeur; abordagens são usadas para apoiar teoricamente esta alegação e além disso Hernández Carmona considerações sobre o tema. Esta teorização sob abordagens a semiótica do subjetividad- afectividad ou ontosemiotica, baseia-se na tentativa de explicar a forma teatral assunto da instância reflexiva sensata que surge a partir da confluência dos determinantes e desiguais fatores.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Ontosemiótica]]></kwd>
<kwd lng="es"><![CDATA[Sujeto teatral]]></kwd>
<kwd lng="es"><![CDATA[simbólico]]></kwd>
<kwd lng="es"><![CDATA[metáfora]]></kwd>
<kwd lng="en"><![CDATA[Ontosemiotic]]></kwd>
<kwd lng="en"><![CDATA[theatrical Subject]]></kwd>
<kwd lng="en"><![CDATA[symbolic]]></kwd>
<kwd lng="en"><![CDATA[metaphor]]></kwd>
<kwd lng="pt"><![CDATA[Ontosemiotica]]></kwd>
<kwd lng="pt"><![CDATA[assunto teatral]]></kwd>
<kwd lng="pt"><![CDATA[simbólico]]></kwd>
<kwd lng="pt"><![CDATA[metáfora]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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