<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1794-192X</journal-id>
<journal-title><![CDATA[Revista Guillermo de Ockham]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Guillermo Ockham]]></abbrev-journal-title>
<issn>1794-192X</issn>
<publisher>
<publisher-name><![CDATA[Universidad de San Buenaventura Cali]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1794-192X2023000200415</article-id>
<article-id pub-id-type="doi">10.21500/22563202.6315</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[De las paradojas del arte crítico de la denuncia a las revoluciones estéticas en Jacques Rancière]]></article-title>
<article-title xml:lang="en"><![CDATA[From the Paradoxes of Critical Art from Denunciation to Aesthetic Revolutions in Jacques Rancière]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Castillo Villapudua]]></surname>
<given-names><![CDATA[Karla]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Autónoma de Baja California  ]]></institution>
<addr-line><![CDATA[Baja California ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<volume>21</volume>
<numero>2</numero>
<fpage>415</fpage>
<lpage>425</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S1794-192X2023000200415&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S1794-192X2023000200415&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S1794-192X2023000200415&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo ofrece el análisis de algunos de los conceptos relacionados con la estética desde la perspectiva de Jacques Rancière. La hipótesis que se intenta abordar supone que el arte crítico de la denuncia y el desenmascaramiento reproduce el orden explicador, lo cual a su vez muestra la inoperatividad de la educación estética. Esto debido a, al menos, tres razones: ignora la inversión de la crítica, separa la inteligencia en dos y reproduce el modelo del reparto de lo sensible. Por último, se hace una aproximación a las revoluciones estéticas que propician la emancipación a través de la igualdad de las inteligencias.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article offers an analysis of some of the concepts related to aesthetics from the perspective of Jacques Rancière. The hypothesis that we are trying to address assumes that the critical art of denunciation and unmasking reproduces the explanatory order, which at the same time shows the ineffectiveness of aesthetic education This is due to at least three reasons: it ignores the inversion of criticism, it separates intelligence in two, and it reproduces the model of the distribution of the sensible. Finally, we address the practice of aesthetic emancipation through the equality of intelligences.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Rancière]]></kwd>
<kwd lng="es"><![CDATA[arte político]]></kwd>
<kwd lng="es"><![CDATA[igualdad estética]]></kwd>
<kwd lng="es"><![CDATA[disenso]]></kwd>
<kwd lng="en"><![CDATA[Rancière]]></kwd>
<kwd lng="en"><![CDATA[political art]]></kwd>
<kwd lng="en"><![CDATA[aesthetic equality]]></kwd>
<kwd lng="en"><![CDATA[dissent]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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