<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1794-3108</journal-id>
<journal-title><![CDATA[Revista Criminalidad]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Crim.]]></abbrev-journal-title>
<issn>1794-3108</issn>
<publisher>
<publisher-name><![CDATA[Policía Nacional de Colombia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1794-31082025000100025</article-id>
<article-id pub-id-type="doi">10.47741/17943108.644</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El uso de TikTok en la banalización y mimetización del narcotráfico como fenómeno criminal transnacional]]></article-title>
<article-title xml:lang="en"><![CDATA[The use of TikTok in the trivialisation and mimicry of drug trafficking as a transnational criminal phenomenon]]></article-title>
<article-title xml:lang="pt"><![CDATA[O uso do TikTok na banalização e imitação do tráfico de drogas como um fenômeno criminoso transnacional]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Guerrero-Sierra]]></surname>
<given-names><![CDATA[Hugo Fernando]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Wilches Tinjacá]]></surname>
<given-names><![CDATA[Jaime Andrés]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[León Pamplona]]></surname>
<given-names><![CDATA[Juan Camilo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Militar Nueva Granada  ]]></institution>
<addr-line><![CDATA[Cajicá ]]></addr-line>
<country>Colombia</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad Distrital Francisco José de Caldas  ]]></institution>
<addr-line><![CDATA[Bogotá ]]></addr-line>
<country>Colombia</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidad Militar Nueva Granada  ]]></institution>
<addr-line><![CDATA[Cajicá ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2025</year>
</pub-date>
<volume>67</volume>
<numero>1</numero>
<fpage>25</fpage>
<lpage>41</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S1794-31082025000100025&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S1794-31082025000100025&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S1794-31082025000100025&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Los cambios producidos por las redes sociales no han sido un impedimento para que el narcotráfico haya logrado adaptarse en el tiempo y espacio a nuevas formas de administrar un negocio criminal en el orden local, nacional y transnacional. En esta dirección, el objetivo del artículo es identificar las estrategias que han utilizado los narcos para banalizar y mimetizar sus acciones criminales en TikTok. El diseño metodológico analiza desde la folksonomía 220 piezas de TikTok en las que se hace referencia a actividades realizadas por el narcotráfico, y desde el análisis reticular establece tendencias a partir de las variables actores, discursos y estrategias. Los resultados evidencian que TikTok replica narrativas apologizantes del narcomundo con un caleidoscopio de recursos comunicativos y de actores legales e ilegales que logran tener incidencia y difusión en las exigencias multimediales y de competencia por la visibilidad, y en las que predominan discursos de humor, ironía y deseo, en detrimento de reflexiones, denuncias o cuestionamientos al crecimiento de la economía del narcotráfico en el crimen transnacional. La discusión plantea que, si bien los segmentos de TikTok no son culpables directos de las acciones criminales del narcotráfico, sí representan un obstáculo para emprender acciones de condena jurídica y ética y acuerdos de cooperación transnacional, en tanto el narco logra mimetizarse como actor ilegal, pero que es legítimo en el sistema sociocultural. El artículo aporta a la literatura del crimen transnacional, desde la necesidad de incorporar las redes sociales como factor determinante en la explicación de sus dinámicas y transformaciones.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The changes brought about by social networks have not been an impediment to the fact that drug-trafficking has been able to adapt itself - in time and space- to new ways of managing a criminal business at the local, national, and transnational levels. The aim of this article is to identify the strategies used by drug traffickers to trivialise and mimic their criminal actions on TikTok. The methodological design uses folksonomy to analyse 220 TikTok pieces in which reference is made to activities carried out by drug traffickers, and from the reticular analysis it establishes trends based on the variables of actors, discourses and strategies. The results show that TikTok replicates narratives apologising for the narco-world with a kaleidoscope of communicative resources and legal and illegal actors that manage to have an impact and diffusion in the demands of multimedia and competition for visibility, and in which discourses of humour, irony and desire predominate, to the detriment of reflections, denunciations or questioning regarding the growth of the drug trafficking economy in transnational crime. The discussion argues that, although the TikTok segments are not directly guilty of the criminal actions of drug trafficking, they do represent an obstacle to undertaking actions of legal and ethical condemnation and transnational cooperation agreements, as the drug trafficker manages to mimic himself as an illegal actor, but one that is legitimate in the socio-cultural system. The article contributes to the literature on transnational crime, based on the need to incorporate social networks as a determining factor in explaining its dynamics and transformations.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo As mudanças provocadas pelas redes sociais não impediram que os traficantes de drogas se adaptassem no tempo e no espaço a novas formas de gerenciar um negócio criminoso em níveis local, nacional e transnacional. O objetivo deste artigo é identificar as estratégias utilizadas pelos traficantes de drogas para banalizar e imitar suas ações criminosas no TikTok. O desenho metodológico utiliza a folksonomia para analisar 220 peças do TikTok, nas quais é feita referência a atividades realizadas por traficantes de drogas e, a partir da análise reticular, estabelece tendências com base nas variáveis de atores, discursos e estratégias. Os resultados indicam que o TikTok replica narrativas de apologia ao narcomundo com um caleidoscópio de recursos comunicativos e atores legais e ilegais que conseguem ter impacto e disseminação nas demandas da multimídia e da competição por visibilidade, predominando discursos de humor, ironia e desejo, em detrimento de reflexões, denúncias ou questionamentos sobre o crescimento da economia do narcotráfico no crime transnacional. Argumenta-se que, embora os segmentos do TikTok não sejam diretamente culpados pelas ações criminosas do narcotráfico, eles representam um obstáculo para a realização de ações de condenação legal e ética, assim como para acordos de cooperação transnacional, pois o narcotráfico consegue se mimetizar como um ator ilegal, mas legítimo no sistema sociocultural. O artigo contribui para a literatura sobre crime transnacional, com base na necessidade de incorporar as redes sociais como um fator determinante para explicar suas dinâmicas e transformações.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Narcotráfico]]></kwd>
<kwd lng="es"><![CDATA[criminalidad]]></kwd>
<kwd lng="es"><![CDATA[TikTok]]></kwd>
<kwd lng="es"><![CDATA[narcocultura]]></kwd>
<kwd lng="es"><![CDATA[legitimación]]></kwd>
<kwd lng="en"><![CDATA[Drug trafficking]]></kwd>
<kwd lng="en"><![CDATA[criminality]]></kwd>
<kwd lng="en"><![CDATA[TikTok]]></kwd>
<kwd lng="en"><![CDATA[narcoculture]]></kwd>
<kwd lng="en"><![CDATA[legitimization]]></kwd>
<kwd lng="pt"><![CDATA[Tráfico de drogas]]></kwd>
<kwd lng="pt"><![CDATA[criminalidade]]></kwd>
<kwd lng="pt"><![CDATA[TikTok]]></kwd>
<kwd lng="pt"><![CDATA[narcocultura]]></kwd>
<kwd lng="pt"><![CDATA[legitimação]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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