<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1794-4449</journal-id>
<journal-title><![CDATA[Revista Lasallista de Investigación]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Lasallista Investig.]]></abbrev-journal-title>
<issn>1794-4449</issn>
<publisher>
<publisher-name><![CDATA[Corporación Universitaria Lasallista]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1794-44492021000200201</article-id>
<article-id pub-id-type="doi">10.22507/rli.v18n2a14</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Etica, Estética, Hedonismo e Iconodulía en El Retrato De Dorian Gray, de Oscar Wilde]]></article-title>
<article-title xml:lang="en"><![CDATA[Ethics, Aesthetics, Hedonism and Iconodulia in the Portrait of Dorian Gray, by Oscar Wilde]]></article-title>
<article-title xml:lang="pt"><![CDATA[Ética, Estética, Hedonismo e Iconodulia em o Retrato de Dorian Gray, de Oscar Wilde]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Catullo-MacIntyre]]></surname>
<given-names><![CDATA[Luca Tommaso]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Montoya-Carvajal]]></surname>
<given-names><![CDATA[Juan Fernando]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,luca.tommaso@upb.edu.co  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad Pontificia Bolivariana  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2021</year>
</pub-date>
<volume>18</volume>
<numero>2</numero>
<fpage>201</fpage>
<lpage>221</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S1794-44492021000200201&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S1794-44492021000200201&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S1794-44492021000200201&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen La ética y la estética son los ejes rectores en torno a los que gira este artículo. En la siguiente propuesta, el texto literario es solo un medio a través del cual se pretende indagar sobre las transformaciones socioculturales y la dualidad en el carácter literario dentro del contexto sociopolítico de Inglaterra, a finales del siglo XIX. El tema de la búsqueda y el descubrimiento de la identidad ambigua y cambiante de los personajes, a través de la literatura y la filosofía, es sin duda el núcleo de este trabajo. Además, debe considerarse la influencia de la psicología y el psicoanálisis en el desarrollo de la identidad del personaje literario, especialmente cuando se relaciona principalmente la novela victoriana con el comienzo del psicoanálisis freudiano y junguiano. El retrato de Dorian Gray no solo está impulsado por ideas estéticas, sino que, más bien, una obra de este tipo se alimenta de un conflicto existencial con el que, Wilde, dota a su personaje principal, Dorian, de un componente filosófico al penetrar las tensiones del subconsciente. El artista irlandés está entonces dispuesto a mostrar el conflicto existencial que se vive en la mayoría de los seres humanos, y tal conflicto será el motor de las acciones de Dorian Gray en las que tanto el iconódulo como el hedonismo juegan un papel primordial.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Ethics and aesthetics are the leading axes around which this article revolves. In the following proposal, the literary text is just a means through which it is intended to inquire about the sociocultural transformations and the duality in the literary character within the socio-political context of England, in the late 19th century. The theme of the search and discovery of the ambiguous and changing identity of the characters, through literature and philosophy, is certainly the core of this work. Moreover, it must be considered the influence of psychology and psychoanalysis in the development of the literary character identity, especially when chiefly relating the Victorian novel to the beginning of Freudian and Jungian psychoanalysis. The Picture of Dorian Gray is not solely driven by aesthetic ideas, but rather, such a work is fed by an existential conflict with which, Wilde, endows his principal character, Dorian, with a philosophical component by penetrating the tensions of the subconscious. The Irish artist is then willing to show the existential conflict taking place in most human beings, and such a conflict, will be the driving force behind the actions taken by Dorian Gray in which both, iconodule and hedonism, play a paramount role.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Ética e estética são os eixos principais em torno dos quais este artigo gira. Na proposta a seguir, o texto literário é apenas um meio pelo qual se pretende indagar sobre as transformações socioculturais e a dualidade do caráter literário no contexto sociopolítico da Inglaterra, no final do século XIX. O tema da busca e descoberta da identidade ambígua e cambiante das personagens, através da literatura e da filosofia, é certamente o cerne deste trabalho. Além disso, deve-se considerar a influência da psicologia e da psicanálise no desenvolvimento da identidade do personagem literário, principalmente ao relacionar o romance vitoriano ao início da psicanálise freudiana e junguiana. The Picture of Dorian Gray não é movido apenas por ideias estéticas, más sim, tal trabalho é alimentado por um conflito existencial com o qual, Wilde, dota seu personagem principal, Dorian, de um componente filosófico ao penetrar nas tensões do subconsciente. O artista irlandês está então disposto a mostrar o conflito existencial que ocorre na maioria dos seres humanos, e tal conflito será a força motriz por trás das ações tomadas por Dorian Gray em que ambos, iconódulo e hedonismo, desempenham um papel primordial.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Estética]]></kwd>
<kwd lng="es"><![CDATA[dualidad]]></kwd>
<kwd lng="es"><![CDATA[ética]]></kwd>
<kwd lng="es"><![CDATA[hedonismo]]></kwd>
<kwd lng="es"><![CDATA[iconodulia]]></kwd>
<kwd lng="en"><![CDATA[Aesthetics]]></kwd>
<kwd lng="en"><![CDATA[duality]]></kwd>
<kwd lng="en"><![CDATA[ethics]]></kwd>
<kwd lng="en"><![CDATA[hedonism]]></kwd>
<kwd lng="en"><![CDATA[iconodule]]></kwd>
<kwd lng="pt"><![CDATA[Estético]]></kwd>
<kwd lng="pt"><![CDATA[dualidade]]></kwd>
<kwd lng="pt"><![CDATA[ética]]></kwd>
<kwd lng="pt"><![CDATA[hedonismo]]></kwd>
<kwd lng="pt"><![CDATA[iconodulia]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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